Bárbara Rangel – författare

As concrete revolutionised construction in the 20th century, digitalisation is transforming the building industry (BI). Process automation and 3D printing (3DP) are commonplace in the industry and our homes. However, due to BI’s scale and complexity, Additive Manufacturing (AM) is in its native stage. Ongoing scientific research has been providing knowledge that will simplify the integration of 3DCP in the market, exploring its materiality, technologies, and design methodologies. This book provides an overview of the latest research achievements of the design possibilities that 3DP for construction (3DC) can offer in the various fields of construction, particularly architecture and engineering.

As concrete revolutionised construction in the 20th century, digitalisation is transforming the building industry (BI). Process automation and 3D printing (3DP) are commonplace in the industry and our homes. However, due to BI’s scale and complexity, Additive Manufacturing (AM) is in its native stage. Ongoing scientific research has been providing knowledge that will simplify the integration of 3DCP in the market, exploring its materiality, technologies, and design methodologies. This book provides an overview of the latest research achievements of the design possibilities that 3DP for construction (3DC) can offer in the various fields of construction, particularly architecture and engineering.

This book explores the latest achievements and design possibilities that 3D printing for construction (DPC) can offer, the alternative materials to natural aggregates or cement and even the 4th dimension that is already starting in this area.

This book explores the latest achievements and design possibilities that 3D printing for construction (DPC) can offer, the alternative materials to natural aggregates or cement and even the 4th dimension that is already starting in this area. DPC materiality is starting to be explored in architecture as a new design language to reach not only outrageous forms but also to leverage the building process and its performance. Like Corbusier explored the concrete potentiality of concrete to release the façade and the plan, 3DPC is allowing to straighten design freedom with building performance. Industry and Scientific research are offering design professionals possibilities to start a new design movement. New paths are also starting to be tracked to reduce even more this building system footprint, stalking alternatives to Portland cement (PC). Today is already possible to build with the soil from the buildings’ ground. Leftovers from various industries are opening possibilities to decrease the PC and natural aggregates rate in printable mortars. From the industry, salt is becoming a possibility to be used in 3DPC. Sugar can ashes are improving the mortar performance reducing adjuvants. Construction and demolition waste can substitute natural aggregates and even offer new textures and color possibilities. Finally, to close this edition, the latest steps on the use of Phase Change Materials in additive manufacturing are collected to raise awareness to the next step of AM, the 4D printing.

The IPD model is shown as an effective way to tackle the ever-increasing challenges of balancing productivity with the urgent demands for designs that embrace decarbonisation, net-zero buildings, energy efficiency, modularisation and disassembly, including lessons learned from Industrial Design.

The IPD model is shown as an effective way to tackle the ever-increasing challenges of balancing productivity with the urgent demands for designs that embrace decarbonisation, net-zero buildings, energy efficiency, modularisation and disassembly, including lessons learned from Industrial Design.

This book compares two buildings with different technologies and distinct environment from the combined viewpoints of civil engineering and architecture. The first is the most recent building of Columbia University in New York, the Northwest Science Building, a project designed by Rafael Moneo and Dan Brodkin of Ove Arup. The second one is the Burgo Tower in Oporto, by Eduardo Souto Moura and Rui Furtado of AFA, a building that brings a new perspective to the use of prefabrication technologies with local traditional construction systems. With the detailed analyses of recognized researchers in civil engineering and architecture, this book is a reflection upon the problems and solutions in the design and construction process of a prefabricated building system. This volume, like those to follow, brings together, building research and building design practice to enhance the knowledge of complementarity areas involved in construction, engineering and architecture.This is the first book in a new series "Building Research: Design, Construction and Technologies" which aims to bridge scientific research and professional practice to understand the Building Design problems. In each edition, one or two case studies (recognized buildings in the international design panorama) are analyzed with their authors to assess the design process and the construction development. To understand the problems involved, researchers, engineers and architects, are asked to contribute to this analysis with essays on building research issues, as building technology, construction management, acoustics, maintenance or prefabrication.

This book describes two different museums using construction technology as the common language that brings architecture and engineering together. The first is the Museum of the Ibere Camargo Foundation at Porto Alegre, Rio Grande do Sul, Brazil, by Álvaro Siza and GOP, and the second is the Coach Museum at Lisbon in Portugal, by Paulo Mendes da Rocha and AFAconsult. Both projects put special emphasis on the design process as a construction language, achieved by a close collaboration promoted by the integrated design methodology that both teams follow. Besides its importance from an architectural and urban point of view, these two buildings suggest interesting topics that are present in current building research such as sustainability, the construction of façades with a heavy use of unrendered white concrete and the integration of all the technical infrastructure needed to build a successful high-tech museum.