Barbara Williams – författare

Anne Langton (1804-1893) arrived in Upper Canada in 1837 to join her brother John on his settler farm near Fenelon Falls, Ontario. An accomplished miniaturist, landscape artist, and writer, Langton documented ten years of family and community hardship and growth in her journals, letters, and art, and traced her own physical and psychological transformation from cultivated Englishwoman to hard-working pioneer settler. She became an exceptionally influential member of the community, developing the first school and library in the area, ministering to the sick, undertaking charitable work, and hosting community events, all the while continuing to record her reactions to her new world in her writing and artwork.First published in 1950, A Gentlewoman in Upper Canada is a classic work of early pioneering literature. This new, significantly expanded edition includes many of Langton's original illustrations and reveals Langton's views on writing, art, and women's social and familial roles in nineteenth-century Europe and Canada. In her extensive introduction, Barbara Williams contextualizes Langton's life and work and reflects on them in light of current scholarship in life writing, art history, and early emigrant, cultural, and social history. This is the definitive edition of Anne Langton's important text.

Anne Langton (1804-1893) arrived in Upper Canada in 1837 to join her brother John on his settler farm near Fenelon Falls, Ontario. An accomplished miniaturist, landscape artist, and writer, Langton documented ten years of family and community hardship and growth in her journals, letters, and art, and traced her own physical and psychological transformation from cultivated Englishwoman to hard-working pioneer settler. She became an exceptionally influential member of the community, developing the first school and library in the area, ministering to the sick, undertaking charitable work, and hosting community events, all the while continuing to record her reactions to her new world in her writing and artwork.First published in 1950, A Gentlewoman in Upper Canada is a classic work of early pioneering literature. This new, significantly expanded edition includes many of Langton's original illustrations and reveals Langton's views on writing, art, and women's social and familial roles in nineteenth-century Europe and Canada. In her extensive introduction, Barbara Williams contextualizes Langton's life and work and reflects on them in light of current scholarship in life writing, art history, and early emigrant, cultural, and social history. This is the definitive edition of Anne Langton's important text.

Anne Langton (1804-1893) arrived in Upper Canada in 1837 to join her brother John on his settler farm near Fenelon Falls, Ontario. An accomplished miniaturist, landscape artist, and writer, Langton documented ten years of family and community hardship and growth in her journals, letters, and art, and traced her own physical and psychological transformation from cultivated Englishwoman to hard-working pioneer settler. She became an exceptionally influential member of the community, developing the first school and library in the area, ministering to the sick, undertaking charitable work, and hosting community events, all the while continuing to record her reactions to her new world in her writing and artwork.First published in 1950, A Gentlewoman in Upper Canada is a classic work of early pioneering literature. This new, significantly expanded edition includes many of Langton's original illustrations and reveals Langton's views on writing, art, and women's social and familial roles in nineteenth-century Europe and Canada. In her extensive introduction, Barbara Williams contextualizes Langton's life and work and reflects on them in light of current scholarship in life writing, art history, and early emigrant, cultural, and social history. This is the definitive edition of Anne Langton's important text.

The idea for Shoot-out at Jasper Creek came from a story circulated in my grandmothers neighborhood when I was a child.As the story goes, a thirty-something mystery man who had, somehow, lost a good deal of his face, walked around the back roads of the area at night, talking to himself and his dog. His looks were shocking. His face and neck were bright red with waves of scaly scar tissue buckling it in all directions. His looks frightened children to the point that they were afraid to wander away from their yards without their mother or father. Some said that if he caught children alone he beat them with his flashlight. Of course it never really happened. Although the man was never actually seen by any of the local residents, the folk tale persisted.It is not difficult to imagine that many tales had sprung up about how the mans injuries came about. For some unexplained reason, one man thought he had been a former pirate.One of the tales often repeated was that he was homosexual and his lover had accused him of being untrue and had shot him, maiming him for life. I have no idea how that story came about, or whether there was even a grain of truth to it. Actually, I doubt that the man ever existed.Novels come about for various reasons. The tales have haunted my thoughts through the years. It was time to bring the mystery man to life. Shoot-out At Jasper Creek is my version of the story. Im a lover of Western lore, and I live in the West, so I decided to put the story in context by placing it in the country I know the best with realistic western characters and their local speech habits.Novels come about for various reasons. Shoot-out At Jasper Creek is my way of explaining the folk tale about my grandmothers mystery neighbor who, whether he actually existed in the real world or not, was very real to a community of folks who had a lot of questions, but none of the answers. I dont have them either, but I found myself plotting.

Sixteen of Australia's foremost poets are featured in this volume. They talk candidly about their lives and work: of the craft, the rigour, the pangs and pleasures of their calling; of winged moments caught, however fleetingly, on the page.These writers also speak of transformation and transcendence, the creative process, their individual modes and methods of writing and the act of writing itself. The interviews provide valuable insights on such topics as: gender and writing; landscape; the function of poetry and the poet's social role; influences embraced and withstood - literary, personal, local, regional, national, international. The writers and their poetry are discussed from both within and beyond Australian borders.This collection offers a broad range of Australian poets, most of whom are now in the middle to later years of their career. These poets have contributed significantly to the life and quality of poetry in Australia over recent decades, and continue to play pivotal roles in Australia's cultural domain today, as the country moves towards the threshold of a new century.