Bardwell L. Smith – författare

Bardwell L. Smith offers a fresh perspective on mizuko kuyo, the Japanese ceremony performed to bring solace to those who have experienced miscarriage, stillbirth, or abortion. Showing how old and new forms of myth, symbol, doctrine, praxis, and organization combine and overlap in contemporary mizuko kuyo, Smith provides critical insight from many angles: the sociology of the family, the power of the medical profession, the economics of temples, the import of ancestral connections, the need for healing in both private and communal ways and, perhaps above all, the place of women in modern Japanese religion.At the heart of Smith's research is the issue of how human beings experience the death of a life that has been and remains precious to them. While universal, these losses are also personal and unique. The role of society in helping people to heal from these experiences varies widely and has changed enormously in recent decades. In examples of grieving for these kinds of losses one finds narratives not only of deep sorrow but of remarkable dignity.

Bardwell L. Smith offers a fresh perspective on mizuko kuyo, the Japanese ceremony performed to bring solace to those who have experienced miscarriage, stillbirth, or abortion. Showing how old and new forms of myth, symbol, doctrine, praxis, and organization combine and overlap in contemporary mizuko kuyo, Smith provides critical insight from many angles: the sociology of the family, the power of the medical profession, the economics of temples, the import of ancestral connections, the need for healing in both private and communal ways and, perhaps above all, the place of women in modern Japanese religion.At the heart of Smith's research is the issue of how human beings experience the death of a life that has been and remains precious to them. While universal, these losses are also personal and unique. The role of society in helping people to heal from these experiences varies widely and has changed enormously in recent decades. In examples of grieving for these kinds of losses one finds narratives not only of deep sorrow but of remarkable dignity.

Since the third century BCE, when the king of Sri Lanka converted to Buddhism, the island nation off the southern coast of India has represented a central interest of Buddhist scholarship. The association between its politics and religious life has not always remained harmonious, however, and has contributed to the contemporary turmoil that threatens to tear it apart. In this valuable book, renowned religious scholar Bardwell Smith elucidates the history of Buddhism in Sri Lanka from the time of one of its earliest rulers through to its present-day strife.The essays collected here for the first time explore various themes of Sri Lanka’s long history in novel and constructive ways. Topics include Sinhala Buddhists’ sense of manifest destiny arising from Sri Lanka’s oldest historical chronicles, the Mahavamsa and the Dipavamsa; the nationalist implications of the chronicles’ depiction of the third-century Mahavihara monastery as the site of "original Buddhism"; and concepts of order and legitimation of power in ancient Ceylon. With a new introduction and final chapter, Smith sheds fresh light on today’s Sri Lanka, connecting historical studies with contemporary issues.

Since the third century BCE, when the king of Sri Lanka converted to Buddhism, the island nation off the southern coast of India has represented a central interest of Buddhist scholarship. The association between its politics and religious life has not always remained harmonious, however, and has contributed to the contemporary turmoil that threatens to tear it apart. In this valuable book, renowned religious scholar Bardwell Smith elucidates the history of Buddhism in Sri Lanka from the time of one of its earliest rulers through to its present-day strife.The essays collected here for the first time explore various themes of Sri Lanka’s long history in novel and constructive ways. Topics include Sinhala Buddhists’ sense of manifest destiny arising from Sri Lanka’s oldest historical chronicles, the Mahavamsa and the Dipavamsa; the nationalist implications of the chronicles’ depiction of the third-century Mahavihara monastery as the site of "original Buddhism"; and concepts of order and legitimation of power in ancient Ceylon. With a new introduction and final chapter, Smith sheds fresh light on today’s Sri Lanka, connecting historical studies with contemporary issues.

Although the lines of the palm of the hand are barely visible in the early light, the monks of the Tofukuji monastery have been about their familiar rounds of daily tasks for several hours. Their routine is simple but faithfully practiced. Within its repetition lies the key to the self and the Buddha who resides within.The daily life of the monastery is portrayed here in ninety-seven watercolor sketches. Drawn during his last years by the Zen monk Giei Sato, these sketches recollect his days as an unsui, an apprentice monk. With humor and steadfast warmth Sato depicts the day of leaving home and the day of returning; the rainy season and the snowy season; the chores, the celebrations, the days of cleaning, and the days of begging. Each of the charming drawings is enhanced by a brief description of the event portrayed, a touch of Zen teaching, or a note on monastic life.