Barry Gifford – författare

The Cavalry Charges: Writings on Books, Film, and Music, Revised Edition is a collection of anecdotal reflections that relate many of the experiences that shaped Barry Gifford as a writer. Representative of Gifford’s body of work, this volume is divided into three sections: books, film and television, and music. Within these sections, Gifford’s best work is showcased, including a nine-part dossier on Marlon Brando’s One-Eyed Jacks, in which Gifford examines the public and private lives of those involved in the film, producing an innovative framework for the movie. New to the collection are four previously published essays: a brief look at the novels of Álvaro Mutis; a reflection on Gifford’s schooling under Nebraska poet John Neihardt; an essay on Elliot Chaze and his novel, Black Wings Has My Angel; and a short piece on Sailor and Lula.

The Cavalry Charges: Writings on Books, Film, and Music, Revised Edition is a collection of anecdotal reflections that relate many of the experiences that shaped Barry Gifford as a writer. Representative of Gifford’s body of work, this volume is divided into three sections: books, film and television, and music. Within these sections, Gifford’s best work is showcased, including a nine-part dossier on Marlon Brando’s One-Eyed Jacks, in which Gifford examines the public and private lives of those involved in the film, producing an innovative framework for the movie. New to the collection are four previously published essays: a brief look at the novels of Álvaro Mutis; a reflection on Gifford’s schooling under Nebraska poet John Neihardt; an essay on Elliot Chaze and his novel, Black Wings Has My Angel; and a short piece on Sailor and Lula.

For both the film buff and the general moviegoer a handbook that unlocks the secrets of a hundred noir movies ""Gifford knows his noir. The essays are better than some of the films he writes about."" - Elmore Leonard For a tour of noir cinema this handbook is the perfect companion and Barry Gifford is an ideal guide. His choice selection of films exposes the menacing, moody, and oftentimes violent underbelly of this dark movie genre that occupies a favorite niche in American popular culture. Some are classics, some are little known and seldom seen, but all, once viewed, are deeply remembered by aficionados of noir. Gifford's roll call of unforgettables includes these, and more: The Asphalt Jungle, Body and Soul, Body Heat, Charley Varrick, Chinatown, The Devil Thumbs a Ride, D.O.A., Double Indemnity, High Sierra, Key Largo, Kiss of Death, Mean Streets, Mildred Pierce, Mr. Majestyk, Out of the Past, The Strange Love of Martha Ivers, Strangers on a Train, White Heat, along with several noir classics from Europe -- Repulsion, The Hidden Room, Shoot the Piano Player, The 400 Blows, Odd Man Out. Gifford identifies the directors and names the many noir stars, the greats and not-so-greats who were cast in the indelible roles of hoods, B-girls, psychopaths, grifters, gumshoes, waifs, tarts, femme fatales, mobsters, molls, and ex-cons. In an introduction novelists Edward Gorman and Dow Mossman applaud Gifford's selections and his insights: ""The movies discussed here range from the lowest of the B's to the biggest of the A's, and this book is going to make you want to run out and locate every one of them (and good luck to you; finding The Devil Thumbs a Ride could take you a lifetime). Through Barry Gifford's eyes we begin to see their similarities and their value. What Andrew Sarris did for the mainstream film in The American Cinema, Barry does here for the crime film."" With a connoisseur's insight and an offbeat sensitivity perfectly tailored to his subjects, Gifford's brief essays cover a hundred of the noir buff's favorites. His highly polished impressions take the reader through five decades of noir to find both the heart and the art of the plotline. Barry Gifford is a poet, novelist, and playwright. He lives in the San Francisco Bay Area. Among his books is Hotel Room Trilogy (University Press of Mississippi).

FOR SOME PEOPLE, IT’S ALWAYS MIDNIGHT . . .From the mind of writer Barry Gifford (Wild at Heart, Lost Highway), adapted by That Texas Blood's Chris Condon and a rotating cast of visionary artists—including Brian Level (Poison Ivy), Alexandre Tefenkgi (The Good Asian), Artyom Topilin (I Hate This Place) and Marco Finnegan (The Keeper)—come four interconnected stories of convicts, lost souls, and human monsters journeying through a labyrinth of perversion, religious dogma, and murder in the Deep South.A pair of murderous lovers in Florida carrying out a bloody agenda. A perverse political and religious power struggle between a brother and a sister. An easygoing drifter who suddenly finds himself a fugitive on the run. And a bright-eyed young girl discovering her place in the cold dark world. At the end of the twentieth century, chaos and horror were the American dream.Collecting Night People #1–4.