Barry Keane – författare

A page-turner featuring one of literature’s earliest female protagonists.Written in 1685, Transaction or the Description of the Entire Life of an Orphan by Way of Plaintful Threnodies, often referred to as Orphan Girl, is a valuable, long-lost, seventeenth-century poetic text that documents women’s writing in the early modern period. In this autobiographical account, Anna Stanislawska speaks confessionally and unsparingly about her life, from her infancy to her widowhood and withdrawal from the world. Stanislawska was an incomparable memoirist, revealing the depths of her private life in a manner not to be matched until modern times. One Body with Two Souls Entwined brings together this spirited poetic account with an in-depth introductory and literary commentary by Barry Keane. Together the book offers a remarkable piece of scholarly, translational, and dramaturgical work and puts it in context amid the backdrop of Polish history.

A long-lost seventeenth-century poetic text exemplifying women's writing in the early modern period.Written in 1685, Orphan Girl traces the life of the Polish noblewoman Anna Stanisławska (1651–1700) as she writes candidly and unsparingly about the course of her life, from her infancy to the time of her second widowhood, and ultimately her withdrawal from a world of which she no longer wants any part. Stanisławska was an incomparable memoirist, revealing the tumultuous course of her three marriages. Described as one of the nine female Polish writers you need to read before you die, she is a writer whose stridency and directness of authorial voice would not be matched until modern times.

The deaths in and around Dunmanway in 1922 have always been shrouded in rumour and supposition. This book seeks to get to the bottom of them. One thing is certain: Captain Herbert Woods shot Commandant Michael O’Neill of the IRA on the stairs of Ballygroman House at 2.30a.m. on the 26th April and killed him. Who was Herbert Woods and why did shoot an unarmed man? Who was Michael O’Neill and what was he doing inside the house at that hour of the morning? What connection had this event to the killing of ten Protestants in West Cork over the next three nights? Are they connected with the killing of four British soldiers in Macroom on the same day? What was the effect on the local Protestant minority? What happened after Herbert Woods and his Hornibrook relations were arrested by the Irish Republican Police and disappeared?This book attempts to answer all these questions. Using previously overlooked evidence it proves that the real story is a simple one of revenge. It directly challenges claims of sectarianism and British involvement presenting a true story of these appalling events.

Irish Drama in Poland is the first book to broadly assess Irish drama’s impact on both Poland’s theatrical world and its cultural and literary heritage in the twentieth century. With a wide-ranging analysis – from Yeats, Synge, O’Casey and Behan, to Wilde, Shaw and Beckett – this engaging study explores the translation, production and reception of Irish plays in Poland. Barry Keane presents readers with the historical and literary context for each production, allowing readers to understand the many ways Irish theatre has informed Poland’s theatrical and literary heritage. Including a foreword by translation scholar Michael Cronin, Irish Drama in Poland drives home the importance of exploring intercultural contexts, allowing readers a more informed understanding of European culture and identity.

Irish Drama in Poland is the first book to broadly assess Irish drama’s impact on both Poland’s theatrical world and its cultural and literary heritage in the twentieth century. With a wide-ranging analysis – from Yeats, Synge, O’Casey and Behan, to Wilde, Shaw and Beckett – this engaging study explores the translation, production and reception of Irish plays in Poland. Barry Keane presents readers with the historical and literary context for each production, allowing readers to understand the many ways Irish theatre has informed Poland’s theatrical and literary heritage. Including a foreword by translation scholar Michael Cronin, Irish Drama in Poland drives home the importance of exploring intercultural contexts, allowing readers a more informed understanding of European culture and identity.

Irish Drama in Poland is the first book to broadly assess Irish drama’s impact on both Poland’s theatrical world and its cultural and literary heritage in the twentieth century. With a wide-ranging analysis – from Yeats, Synge, O’Casey and Behan, to Wilde, Shaw and Beckett – this engaging study explores the translation, production and reception of Irish plays in Poland. Barry Keane presents readers with the historical and literary context for each production, allowing readers to understand the many ways Irish theatre has informed Poland’s theatrical and literary heritage. Including a foreword by translation scholar Michael Cronin, Irish Drama in Poland drives home the importance of exploring intercultural contexts, allowing readers a more informed understanding of European culture and identity.