Barry Unsworth – författare

It is the spring of 1767, two years after the events of Barry Unsworth’s Booker Prize-winning novel Sacred Hunger. Erasmus Kemp, the son of a Liverpool slave ship owner, has had the rebellious sailors of his father’s ship brought back to London to stand trial on charges of mutiny and piracy. However, Sullivan, the Irish fiddler, has escaped and is making his way on foot to the north of England, stealing and scamming as he goes. In London, Kemp is looking to invest some of his fortune on Britain’s new industries: coal-mining and steel. When he receives a tip about some mines for sale in East Durham, Kemp sees the business opportunity he has been waiting for, and he too makes his way north, to the very same village that Sullivan is heading for…

WINNER OF THE 1992 BOOKER PRIZE'Gripping . . . SACRED HUNGER covers a period between 1752 and 1765 . . . it concerns the entangled and conflicted fortunes of two cousins: Erasmus Kemp, the son of a Lancashire merchant, and Matthew Paris, a scholar and surgeon just released from prison for "denying Holy Writ" . . . the Liverpool Merchant is the vessel on which the whole of the novel hinges, and it carries the reader deep into the history of man's iniquitous greed . . . AS REGARDS ITS DRAMATIC BREADTH AND ENERGY, NO RECENT DOMESTIC NOVEL HAS COME WITHIN A MILE OF IT' - Anthony Quinn in the Independent

WINNER OF THE 1992 BOOKER PRIZE'Gripping . . . SACRED HUNGER covers a period between 1752 and 1765 . . . it concerns the entangled and conflicted fortunes of two cousins: Erasmus Kemp, the son of a Lancashire merchant, and Matthew Paris, a scholar and surgeon just released from prison for "denying Holy Writ" . . . the Liverpool Merchant is the vessel on which the whole of the novel hinges, and it carries the reader deep into the history of man's iniquitous greed . . . AS REGARDS ITS DRAMATIC BREADTH AND ENERGY, NO RECENT DOMESTIC NOVEL HAS COME WITHIN A MILE OF IT' - Anthony Quinn in the Independent

“Troy meant one thing only to the men gathered here, as it did to their commanders. Troy was a dream of wealth; and if the wind continued the dream would crumble.”As the harsh wind holds the Greek fleet trapped in the straits at Aulis, frustration and political impotence turn into a desire for the blood of a young and innocent woman – blood that will appease the gods and allow the troops to set sail. And when Iphigeneia, Agamemnon’s beloved daughter, is brought to the coast under false pretences, and when a knife is fashioned out of the finest and most precious of materials, it looks as if the ships will soon be on their way. But can a father really go to these lengths to secure political victory, and can a daughter willingly give up her life for the worldly ambitions of her father?Throwing off the heroic values we expect of them, Barry Unsworth’s mythic characters embrace the political ethos of the twenty-first century and speak in words we recognize as our own. The blowhard Odysseus warns the men to not “marginalize” Agamemnon and to “strike while the bronze is hot.” High-sounding principles clash with private motives, and dark comedy ensues. Here is a novel that stands the world on its head.From the Hardcover edition.

Farnaby, a young Englishman in Istanbul researching a thesis on Ottoman fiscal policy, is nervous at his reunion with the celebrated Mooncranker who once so fatefully influenced and disturbed his life. Mooncranker, a famous intellectual, is now a pitiful alcoholic deserted by his secretary and lover Miranda—the woman Farnaby secretly loved with the violence of youth. Mooncranker sends him to find Miranda at a notorious Turkish spa on the grounds of an ancient city where sex is known to come along with the price of the room. There Farnaby tries to understand Mooncranker's gift to him as a boy of thirteen, which has tainted his life ever since, as he finds himself a pivotal figure in the eccentric destinies of the other residents of the spa.

This early work by the Booker Prize-winning author Barry Unsworth chronicles one of his literary obsessions the corruption of innocence and forms it into a compelling contemporary narrative set in the rambling, overgrown grounds of an English estate. There, relying on his rich sister Audrey's beneficence, Simon obsessively digs a secret system of tunnels from which to spy on others. When Josh, a good-looking naif, becomes a gardener at Audrey's home, the two women of the household, Audrey and her distant relative and housekeeper, Marion, find Josh's strength and seeming innocence a potent spell, and his response escalates unacknowledged tensions between them. Meanwhile, Simon, worried about Josh, takes steps to prevent the exposure of his underground labyrinth. The explosive chemistry between the characters will eventually rip apart and rearrange all their lives.

The year is 1908, the place, a small Greek island in the declining days of the crumbling Ottoman Empire. For twenty years Basil Pascali has spied on the people of his small community and secretly reported on their activities to the authorities in Constantinople. Although his reports are never acknowledged, never acted upon, he has received regular payment for his work. Now he fears that the villagers have found him out and he becomes engulfed in paranoia. In the midst of his panic, a charming Englishman arrives on the island claiming to be an archaeologist, and charms his way into the heart of the woman for whom Pascali pines. A complex game is played out between the two where cunning and betrayal may come to haunt them both. Pascali's Island was made into a feature film starring Ben Kingsley and Helen Mirren.

From the Booker Prize-winning author of Sacred Hunger, "a vivid, sinuous, profound, and entirely beguiling venture." —Richard Eder, Los Angeles Times. Set in the beautiful landscape and rich history of Umbria, Italy, Booker Prize-winning author Barry Unsworth has written a witty and illuminating work of contemporary manners and morals. The region where Hannibal defeated the Romans is now prey to a different type of invasion: outsiders buying villas with innocent and not so innocent dreams. Among those clustered along one hillside road are the Greens, a retired American couple seeking serenity; the Chapmans, whose dispute over a wall escalates into a feud of operatic proportions; and Fabio and Arturo, a gay couple who, searching for peace and self-sufficiency, find treachery instead. Add to this mix a wily and corrupt British "building expert," and a lawyer who practices subterfuge and plans his client's actions like military strategy, and you have a sharp, entertaining, and satisfyingly bittersweet work.

Unable to work on his novel about Liverpool's slave trade, Benson is teaching creative writing and wandering the city. The pupils who bring him their fantasies are a sad, dispossessed group with varying degrees of literary talent. Caught up in a series of bizarre events, Benson nevertheless finds his own imagination sparked by an encounter with two old army colleagues: Thompson, down-and-out and homeless; and Slater, a fabulously wealthy entrepreneur. In trying to heal old wounds, Benson unleashes a plan that just may blow up in his face. "There is a violent resolution to this obsessive and provocative novel that examines the abscesses and abysses beneath the violence of urban life and offers a quixotic personal answer." — The Times [London] "Fine descriptive writing and spirited humanity." — The Guardian Published for the first time in the United States Booker Prize-winning author of Sacred Hunger

Losing Nelson is a novel of obsession, the story of Charles Cleasby, a man unable to see himself separately from the hero—Lord Horatio Nelson—he mistakenly idolizes. He is, in fact, a Nelson biographer run amok. He is convinced that Nelson, Britain's greatest admiral, who lost his own life defeating Napoleon in the Battle of Trafalgar, is the perfect hero. However, in his research he has come upon an incident of horrifying brutality in Nelson's military career that simply stumps all attempts at glorification. "Books about the sea and those who sail it are much in vogue. This seems to have been set off by the surprising and much deserved popularity of Sebastian Junger's The Perfect Storm, not to mention the Aubrey/Maturin novels of Patrick O'Brian. . . . [Losing Nelson is] the best book of the lot."—Jonathan Yardley, Washington Post Book World (1999 Critic's Choice). A Publishers Weekly Best Book of 1999; A New York Times Notable Book of 1999. Reading group guide available.

Foley and Moss are partners in a successful small business, making plaster pixies for the tourist trade. Foley is the artistic member of the partnership; he thinks up the ideas and designs and has pretensions to even greater artistry in his cherub lamps and fixtures. Moss, the seemingly quiet one who supplied the capital for the venture, manufactures them. Barry Unsworth sets his scene magnificently—a Cornish village, Lanruan, thriving on specious tourism, and its local characters: Graham, the primitive painter; Bailey, the loud-mouthed Northerner who comes to Lanruan to make his fortune; Barbara, the nearest thing the village possesses to a bad girl; and above all Gwendoline, who, inadvertently, begins the rift in the partnership between Foley and Moss. The Partnership is a disquieting, darkly funny tale about hidden desires and the unspoken attachments we have for one another.

Kennedy, an opportunist, orchestrates a scam that will have some intended and some thoroughly unintended consequences. For Mitsos, an unresolved family tragedy awakens again, along with his need to avenge his parents' deaths. With utterly convincing characterizations, Barry Unsworth brings us the underbelly of the forge of Western civilization.

Donald Cuthbertson prided himself on being a model for his students and teachers, but he had lately begun to lose his focus. Degree Day is approaching, along with a birthday party for his wife, Lavinia, who is not going quietly into middle age. Her lavish costume party provides the revelers with a darkly comic resolution to romantic dalliance and political intrigue.

It is the spring of 1767, two years after the events of Barry Unsworth’s Booker Prize-winning novel Sacred Hunger. Erasmus Kemp, the son of a Liverpool slave ship owner, has had the rebellious sailors of his father’s ship brought back to London to stand trial on charges of mutiny and piracy. However, Sullivan, the Irish fiddler, has escaped and is making his way on foot to the north of England, stealing and scamming as he goes. In London, Kemp is looking to invest some of his fortune on Britain’s new industries: coal-mining and steel. When he receives a tip about some mines for sale in East Durham, Kemp sees the business opportunity he has been waiting for, and he too makes his way north, to the very same village that Sullivan is heading for…

1914, and an English archaeologist called Somerville is fulfilling a lifelong dream: to direct an excavation in the desert of Mesopotamia. Yet forces beyond his control threaten his work. The Great War is looming, and various interest groups are vying for control over the land and its manyprizes. And Somerville, whose intention is purely to discover and preserve the land's ancient treasures finds his idealism sorely tested. Naked ambition, treachery and greed are at play, in a thrilling adventure from the master of the historical novel.

As the child of an absent mother and a disapproving father, Charles Cleasby found comfort in solitary games of chess. Many years later, in the house where he grew up and now lives alone, he re-enacts the naval battles of his hero Horatio Nelson, moving model ships as carefully as he once did chess pieces.Having long been convinced of a link between ‘this great man’s life and mine’, Charles, surrounded by his collection of Nelson memorabilia, begins work on his biography of the Admiral and is unsettled to find that Nelson may not be the perfect leader he’s always imagined. To doubt his hero’s integrity feels like a terrible betrayal, but if Nelson is not the man Charles thought he was, what does that mean for him?

For five hundred years a statue of the Madonna has watched over Venice. Now, dulled by time and pollution, she is prepared for restoration. As Simon Raikes immerses himself in the painstaking task of cleaning and repairing, he is inexorably drawn to the stories of violence and lust which have surrounded this stone virgin. Simon’s investigations lead him to Chiara Litsov, the wife of a renowned sculptor. A dangerous attraction develops between them and it appears inevitable that once again the stone virgin will bear witness to passion, betrayal and murder.

It is the late fourteenth century, a dangerous time beset by war and plague. Nicholas Barber, a young and wayward cleric, stumbles across a group of travelling players and compounds his sins by joining them.Yet the town where they perform reveals another drama: a young woman is to be hanged for the murder of a twelve-year-old boy. What better way to increase their takings than to make a new play, to enact the murder of Thomas Wells? But as the actors rehearse, they discover that the truth about the boy's death has yet to be revealed...

"Captivating, sensuous, and immensely moving... This is Barry Unsworth, the master of resonant historical fiction, on top form."-Jim Crace