Bashô – författare

A lavish collector’s edition of the complete poems of eminent Japanese master of the haiku, Matsuo Bashō—​with a new index that contains the full Japanese text of the original poems.Matsuo Bashō (1644–1694) is arguably the greatest figure in the history of Japanese literature and the master of the haiku. Bashō: The Complete Haiku of Matsuo Bashō offers in English a full picture of the haiku of Bashō, 980 poems in all.  In Fitzsimons’s beautiful rendering, Bashō is much more than a philosopher of the natural world and the leading exponent of a refined Japanese sensibility. He is also a poet of queer love and eroticism; of the city as well as the country, the indoors and the outdoors, travel and staying put; of lonesomeness as well as the desire to be alone. Bashō: The Complete Haiku of Matsuo Bashō reveals how this work speaks to our concerns today as much as it captures a Japan emerging from the Middle Ages. For dedicated scholars and those coming upon Bashō for the first time, this beautiful collector’s edition of Fitzsimons’s elegant award-winning translation, with the original Japanese (including kanji, hiragana, and katakana), allows readers to enjoy these works in all their glory.

This is the essential English edition of the complete poems of the eminent Japanese master of the haiku, Matsuo Bashō.  Matsuo Bashō (1644–1694) is arguably the greatest figure in the history of Japanese literature and the master of the haiku. Bashō: The Complete Haiku of Matsuo Bashō offers in English a full picture of the haiku of Bashō, 980 poems in all. Andrew Fitzsimons’ translation is the first to adhere strictly to form: all of the poems are translated following the syllabic count of the originals. This book also translates a number of Bashō’s headnotes to poems ignored by previous English-language translators.  In Fitzsimons’ beautiful rendering, Bashō is much more than a philosopher of the natural world and the leading exponent of a refined Japanese sensibility. He is also a poet of queer love and eroticism; of the city as well as the country, the indoors and the outdoors, travel and staying put; of lonesomeness as well as the desire to be alone.His poetry explores the full range of social experience in Edo Japan as he moved among friends and followers high and low, the elite and the demi-monde, the less fortunate: poor farmers, abandoned children, disregarded elders. Bashō: The Complete Haiku of Matsuo Bashō reveals how this work speaks to our concerns today as much as it captures a Japan emerging from the Middle Ages. For dedicated scholars and those coming upon Bashō for the first time, Fitzsimons’ elegant translation—with an insightful introduction and helpful notes—allows readers to enjoy these works in all their glory.

Basho (1644-1694) is the most famous Haiku poet of Japan. He made his living as a teacher and writer of Haiku and is celebrated for his many travels around Japan, which he recorded in travel journals. This translation of his most mature journal, Oku-No-Hosomichi, details the most arduous part of a nine-month journey with his friend and disciple, Sora, through the backlands north of the capital, west to the Japan Sea and back toward Kyoto. More than a record of the journey, Basho's journal is a poetic sequence that has become a centre of the Japanese mind/heart. Ten illustrations by Hide Oshiro illuminate the text.