Basile Baudez – författare

The first comprehensive account of how and why architects learned to communicate through colorArchitectural drawings of the Italian Renaissance were largely devoid of color, but from the seventeenth century through the nineteenth, polychromy in architectural representation grew and flourished. Basile Baudez argues that colors appeared on paper when architects adapted the pictorial tools of imitation, cartographers' natural signs, military engineers' conventions, and, finally, painters' affective goals in an attempt to communicate with a broad public.Inessential Colors traces the use of color in European architectural drawings and prints, revealing how this phenomenon reflected the professional anxieties of an emerging professional practice that was simultaneously art and science. Traversing national borders, the book addresses color as a key player in the long history of rivalry and exchange between European traditions in architectural representation and practice.Featuring a wealth of previously unpublished drawings, Inessential Colors challenges the long-standing misreading of architectural drawings as illustrations rather than representations, pointing instead to their inherent qualities as independent objects whose beauty paved the way for the visual system architects use today.

This book investigates the interconnections between textile and architecture via a variety of case studies from the Middle Ages through the twentieth century and from diverse geographic contexts. Among the oldest human technologies, building and weaving have intertwined histories. Textile structures go back to Palaeolithic times and are still in use today and textile furnishings have long been used in interiors. Beyond its use as a material, textile has offered a captivating model and metaphor for architecture through its ability to enclose, tie together, weave, communicate, and adorn. Recently, architects have shown a renewed interest in the textile medium due to the use of computer-aided design, digital fabrication, and innovative materials and engineering. The essays edited and compiled here, work across disciplines to provide new insights into the enduring relationship between textiles and architecture. The contributors critically explore the spatial and material qualities of textiles as well as cultural and political significance of textile artifacts, patterns, and metaphors in architecture. Textile in Architecture is organized into three sections: “Ritual Spaces,” which examines the role of textiles in the formation and performance of socio-political, religious, and civic rituals; “Public and Private Interiors” explores how textiles transformed interiors corresponding to changing aesthetics, cultural values, and material practices; and “Materiality and Material Translations,” which considers textile as metaphor and model in the materiality of built environment. Including cases from Morocco, Samoa, France, India, the UK, Spain, the Ancient Andes and the Ottoman Empire, this is essential reading for any student or researcher interested in textiles in architecture through the ages.

This book investigates the interconnections between textile and architecture via a variety of case studies from the Middle Ages through the twentieth century and from diverse geographic contexts. Among the oldest human technologies, building and weaving have intertwined histories. Textile structures go back to Palaeolithic times and are still in use today and textile furnishings have long been used in interiors. Beyond its use as a material, textile has offered a captivating model and metaphor for architecture through its ability to enclose, tie together, weave, communicate, and adorn. Recently, architects have shown a renewed interest in the textile medium due to the use of computer-aided design, digital fabrication, and innovative materials and engineering. The essays edited and compiled here, work across disciplines to provide new insights into the enduring relationship between textiles and architecture. The contributors critically explore the spatial and material qualities of textiles as well as cultural and political significance of textile artifacts, patterns, and metaphors in architecture. Textile in Architecture is organized into three sections: “Ritual Spaces,” which examines the role of textiles in the formation and performance of socio-political, religious, and civic rituals; “Public and Private Interiors” explores how textiles transformed interiors corresponding to changing aesthetics, cultural values, and material practices; and “Materiality and Material Translations,” which considers textile as metaphor and model in the materiality of built environment. Including cases from Morocco, Samoa, France, India, the UK, Spain, the Ancient Andes and the Ottoman Empire, this is essential reading for any student or researcher interested in textiles in architecture through the ages.

When architecture serves as a tool for punishment through confinement and isolation, every design choice affects lives. What is prison architecture? Where do spaces of incarceration from jails to migration camps and beyond materialize? How do their spatial logics haunt our contemporary societies? For the first time, Carceral Architecture offers readers an account of prison design and its effects by centering the voices of people impacted by the correctional system in the United States alongside those of activists, architects, designers, scholars, artists, and students. In so doing, it highlights a much-neglected issue of our time and helps reimagine a society that continues to be marked by the reality of mass incarceration. With contributions by Amy Mielke, Andrea Armstrong, Anna Arabindan Kesson, Basile Baudez, Charlie McWeeny, Christopher Etienne, Christopher Talib Charriez, Dolfinette Martin, Een Jabriel,Élisabeth Lusset, Ennead Lab, Ess Pokornowski, Falk Bretschneider, Grégoire Korganow, Ibrahim Sulaimani, Isabelle Bonzom, Isabelle Heullant-Donat, Ithaka S+R, Jessica Womack, Jill Stockwell, Joel Negron, Juan Moreno Haines, Katie Chizuko Solien, Kennedy Mattes, MASS Design Group, Myriam Taylor Fair, Nafeesah Goldsmith, (Per) Sister, Regina Chen, rl Goldberg, Sam Johnson, Sarah Lopez, Sowande’ Mustakeem, Spencer Weinreich, Syrita Seib, Tammy Ortiz (Ithaka S+R), and Victoria Bergbauer A groundbreaking critical analysis of the architecture of jails, prisons, and beyond A diverse collection of voices from experts and scholars to activists and incarcerated individuals Includes an addendum with historical and pedagogical tools With a foreword by New York Times architecture critic Michael Kimmelman