Beatrice Teissier – författare

The Marcopoli Collection of ancient Near Eastern cylinder and stamp seals offers a remarkable window into the art and history of Syria and surrounding regions. Established in the late 19th century by the Marcopoli family, hereditary Italian consuls in Aleppo, this collection is a testament to their fascination with archaeology and commitment to preserving relics of the past. Under Paolo Marcopoli''s stewardship, the collection expanded significantly and stands today as a treasure trove of artifacts, particularly rich in Syrian seals from the third and early second millennia. These seals are invaluable for enhancing our understanding of Syrian glyptic art, adding new layers of iconographical data and exceptional artistry to the historical record. This catalogue focuses primarily on the collection''s cylinder seals, providing detailed descriptions and insights into their styles and iconography, and classifies the seals based on established conventions. The seals'' broad geographic origins—from Syria to southern and northern Mesopotamia, and potentially Iran—further enrich the collection''s diversity. This work is essential for scholars and enthusiasts of ancient Near Eastern history and art, offering a glimpse into the region''s cultural heritage, complete with meticulous documentation and cross-references to other significant collections. A forthcoming catalogue will explore the equally fascinating stamp seals of this collection. This title was originally published in 1984. The Marcopoli Collection of ancient Near Eastern cylinder and stamp seals offers a remarkable window into the art and history of Syria and surrounding regions. Established in the late 19th century by the Marcopoli family, hereditary Italian consuls in Ale

On 4 August 2020 a massive explosion in the port area obliterated parts of Beirut and damaged many others, bringing fresh international attention to a city already recovering from civil war and weakened by economic instability. This book contributes to the rediscovery of Beirut by inviting the visitor and reader to explore a city that is unique in the region for its multicultural heritage, where antiquity jostles with Ottoman and French colonial influence as well as with striking expressions of modernity. The history of Beirut, as with so many other cities, is multi-layered; but this is exceptionally conspicuous in the cultural, denominational and economic diversity of its neighbourhoods. These are best investigated slowly and on foot, a strategy both practicable and pleasurable despite a tyrannical car culture. Between 2019 and 2021, in the aftermath of the explosion, Beatrice Teissier walked through the city’s streets and recorded her impressions as a record of Beirut’s architectural fabric and turbulent recent history. Beirut: Scarred City offers twelve itineraries in parts of west, central and east Beirut, with a foray south, which take the reader to easily accessible areas of the city. From crumbling mansions to brutalist high-rises, from seascapes to inner-city parks and cemeteries, from ancient ruins to the latest reconstruction, from graffiti to international street art and contemporary art galleries, each area tells its story.The present crisis is not avoided, and the author discusses Lebanon’s economic crisis, the political problems that have beset the city since the civil war and the controversies surrounding reconstruction. References to contemporary Arab literature on Beirut and, more personally, private insights and conversations give voice to the spirit of the city and to the resilience and creativity of its citizens.

The adventurer and artist John Castle, of mixed British and Prussian descent, was one of several foreigners commissioned by the Russian Empire to take part in the Orenburg Expedition which started in 1734. Its aims were to secure and encircle Bashkiria, to the north of present-day western Kazakhstan. The Russians planned to establish a line of forts, a trading base and centre for overseeing the Kazakhs at Orenburg at the junction of the Or and Ural (Jaik) rivers and to investigate the natural resources of the region. The Expedition attracted numerous merchants, surveyors and curious travellers. Castle volunteered to visit Khan Abulkhayir of the Lesser Kazakh Horde and to negotiate with him on behalf of the Russians. At the time Abulkhayir had been compelled, against the will of his people, to swear an oath of allegiance to Russia, and the situation with the Kazakhs remained volatile. Castle set off into virtually uncharted territory in the midst of chaos due to a major Bashkir rebellion prompted by the Orenburg Expedition. During his two-month journey he recorded his impressions of places, people and customs.Castle's diary describes this dangerous journey, subsequent events and his return to safety. It provides information on the tense political dynamics of the time, on the ethnography, geography and natural resources of Kazakhstan and on the difficult interactions between foreign members of the Expedition and Russian officials. The diary's rich ethnographic content, which includes first-hand observations of exorcism and divination rituals and the local administration of justice, gives clear - and for its time extremely rare - insights into the combined use of customary Kazakh steppe practices and Islam. It is a major historiographical source because it is written from the point of view of a foreigner and not a Russian. This book is the first English translation (by Sarah Tolley) and edition of John Castle's Journal von der AO 1736 aus Orenburg zu dem Abul Geier Chan der Kirgis-Kaysak Tartarichen Horda - , Riga 1784 (Journal of a Journey undertaken in AO 1736 from Orenburg to Abul Geier, Khan of the Kirgis Caysak Horde - ). It reproduces the diary in full, with its glossary and 13 plates. These include unique illustrations of the Khan, his yurt and life on the steppe.An introduction provides the context of the Expedition, and footnotes accompany the text giving further clarifications and explanations.

The Caucasus has long suffered the impact of Russian colonialism - enforced with particular brutality in the nineteenth century. This military and cultural domination provided the background to growing British interest in what had hitherto been largely 'terra incognita'. Beatrice Teissier explores Britain’s involvement through the eyes of visitors, consuls and other observers who travelled from the Black Sea coast to the Caucasus mountain chains, to Chechnya, Dagestan and even the Caspian. At first alarmed at Russia’s expansion in territory previously under Ottoman and Persian control, the British toyed with the idea of supporting Circassian independence, and later rebels in Dagestan, in order to gauge whether ‘tribal’ people could fight against Russia and thus serve the British Empire. This attracted agents and partisans to the cause.But times changed. After the Crimean War and the ‘pacification’ of the mountain people, consuls were established on the Black Sea coast and the area opened up to adventure and tourism. Consuls sent back reports on issues such as the ethnic cleansing of Circassians, Abkhazians and others, the Russo-Turkish War of 1877- 78, rising authoritarianism and Russia’s appetite for war. Pragmatic as ever, they also reported on ongoing trade relations with Britain.Other travellers included politically engaged individuals, exercised by the plight of the Armenians, the rise of nationalism and the prospect of an independent Georgia. Others had specific interests such as ethnography, antiquarianism, competitive mountaineering and hunting. All reported on life in the Caucasus, from urban Tiflis (now Tbilisi) to poor, remote villages, where feudal communities facing the incursions of Russian administration. Spectacular scenery, local customs and the plight of threatened minorities are recurring motifs in the writing of researchers and tourists alike.Arranged by region and thematically, this book explores the vagaries of British foreign policy, ethnographic and antiquarian observation, record- breaking mountaineering and the ways in which travellers used illustrations and photography to project their view of the Caucasus and of themselves. Relevant in the context of Moscow’s current policy and continued unrest in a contested region, this is a timely and accessible account of formative British attitudes to the Caucasus and Russia’s sphere of influence.