Ben Masters – författare

Eliot Lamb has dreaded this moment for the past three years of his life: the final night of university. Gathered with his mates in the King's Arms, he begins the ultimate descent - Pub, Bar, Club. Staring into the foam of his first pint, he knows that before the night reaches its climactic conclusion on the sweaty dance-floor of Filth, he must solve the dilemma of his knotty love-life, risk his closest friendship, face up to a tragic secret, and deal with the fact that he hasn't a clue what to do with the rest of his life. And with the entire literary canon running wild in his imagination and a series of ominous text messages lighting up his mobile phone, things aren't going to be easy.Noughties is an inventive and lyrical comic novel about the highs and lows of modern university life. Eliot may know a lot about Renaissance poetry, the post-modern novel, French literary theory, and how to get hammered at a highly competitive rate, but he is fast realising that adulthood beckons, and it's going to be asking a lot more of him than that.

We live in a time of linguistic plainness. This is the age of the tweet and the internet meme; the soundbite, the status, the slogan. Everything reduced to its most basic components. Stripped back. Pared down. Even in the world of literature, where we might hope to find some linguistic luxury, we are flirting with a recessionary mood. Big books abound, but rhetorical largesse at the level of the sentence is a shrinking economy. There is a prevailing minimalist sensibility in the twenty-first century. Novel Style is driven by the conviction that elaborate writing opens up unique ways of thinking that are endangered when expression is reduced to its leanest possible forms. By re-examining the works of essential English stylists of the late twentieth century (Anthony Burgess, Angela Carter, Martin Amis), as well as a newer generation of twenty-first-century stylists (Zadie Smith, Nicola Barker, David Mitchell), Ben Masters argues for the ethical power of stylistic flamboyance in fiction and demonstrates how being a stylist and an ethicist are one and the same thing. A passionate championing of elaborate writing and close reading, Novel Style illuminates what it means to have style and how style can change us. .

We live in a time of linguistic plainness. This is the age of the tweet and the internet meme; the soundbite, the status, the slogan. Everything reduced to its most basic components. Stripped back. Pared down. Even in the world of literature, where we might hope to find some linguistic luxury, we are flirting with a recessionary mood. Big books abound, but rhetorical largesse at the level of the sentence is a shrinking economy. There is a prevailing minimalist sensibility in the twenty-first century. Novel Style is driven by the conviction that elaborate writing opens up unique ways of thinking that are endangered when expression is reduced to its leanest possible forms. By re-examining the works of essential English stylists of the late twentieth century (Anthony Burgess, Angela Carter, Martin Amis), as well as a newer generation of twenty-first-century stylists (Zadie Smith, Nicola Barker, David Mitchell), Ben Masters argues for the ethical power of stylistic flamboyance in fiction and demonstrates how being a stylist and an ethicist are one and the same thing. A passionate championing of elaborate writing and close reading, Novel Style illuminates what it means to have style and how style can change us. .

We live in a time of linguistic plainness. This is the age of the tweet and the internet meme; the soundbite, the status, the slogan. Everything reduced to its most basic components. Stripped back. Pared down. Even in the world of literature, where we might hope to find some linguistic luxury, we are flirting with a recessionary mood. Big books abound, but rhetorical largesse at the level of the sentence is a shrinking economy. There is a prevailing minimalist sensibility in the twenty-first century.Novel Style is driven by the conviction that elaborate writing opens up unique ways of thinking that are endangered when expression is reduced to its leanest possible forms. By re-examining the works of essential English stylists of the late twentieth century (Anthony Burgess, Angela Carter, Martin Amis), as well as a newer generation of twenty-first-century stylists (Zadie Smith, Nicola Barker, David Mitchell), Ben Masters argues for the ethical power of stylistic flamboyance in fiction and demonstrates how being a stylist and an ethicist are one and the same thing. A passionate championing of elaborate writing and close reading, Novel Style illuminates what it means to have style and how style can change us..

On an epic 3,000-mile journey through the most pristine backcountry of the American West, four friends rode horseback across an almost contiguous stretch of unspoiled public lands, border to border, from Mexico to Canada.For their trail horses, they adopted wild mustangs from the US Bureau of Land Management that were perfectly adapted to the rocky terrain and harsh conditions of desert and mountain travel.A meticulously planned but sometimes unpredictable route brought them face to face with snowpack, downpours, and wildfire; unrelenting heat, raging rivers, and sheer cliffs; jumping cactus, rattlesnakes, and charging bull moose; sickness, injury, and death. But they also experienced a special camaraderie with each other and with the mustangs. Through it all, they had a constant traveling companion - a cameraman, shooting for the documentary film Unbranded.The trip's inspiration and architect, Ben Masters, is joined here by the three other riders, Ben Thamer, Thomas Glover, and Jonny Fitzsimons; two memorable teachers and horse trainers; and the film's producers and intrepid cameramen in the telling of this improbable story of adventure and self-discovery.

On an epic 3,000-mile journey through the most pristine backcountry of the American West, four friends rode horseback across an almost contiguous stretch of unspoiled public lands, border to border, from Mexico to Canada.For their trail horses, they adopted wild mustangs from the US Bureau of Land Management that were perfectly adapted to the rocky terrain and harsh conditions of desert and mountain travel.A meticulously planned but sometimes unpredictable route brought them face to face with snowpack, downpours, and wildfire; unrelenting heat, raging rivers, and sheer cliffs; jumping cactus, rattlesnakes, and charging bull moose; sickness, injury, and death. But they also experienced a special camaraderie with each other and with the mustangs. Through it all, they had a constant traveling companion - a cameraman, shooting for the documentary film Unbranded.The trip's inspiration and architect, Ben Masters, is joined here by the three other riders, Ben Thamer, Thomas Glover, and Jonny Fitzsimons; two memorable teachers and horse trainers; and the film's producers and intrepid cameramen in the telling of this improbable story of adventure and self-discovery.

When a team of five explorers embarked on a 1,200-mile journey down the Rio Grande, the river that marks the southern boundary of Texas and the US-Mexico border, their goal was to experience and capture on film the rugged landscapes of this vast frontier before the controversial construction of a border wall changed this part of the river forever.The crew—Texas filmmaker Ben Masters, Brazilian immigrant Filipe DeAndrade, Texas conservationist Jay Kleberg, wildlife biologist Heather Mackey, and Guatemalan-American river guide Austin Alvarado—began the trip in El Paso, pedaling mountain bikes through the city's dry river bed. Their path took them on horseback through the Big Bend, down the Wild and Scenic stretch of the river in canoes, and back to bikes from Laredo to Brownsville. They paddled the last ten miles through a forest of river cane to the Gulf of Mexico.As they made their way to the Gulf, they met and talked with the people who know and live on the river—border patrol, wildlife biologists, ranchers, politicians, farmers, social workers, locals, and travelers. They climbed the wall (in twenty seconds). They encountered rare black bears, bighorn sheep, and birds of all kinds. And they sought to understand the complexities of immigration, the efficacy of a wall, and the impact of its construction on water access, wildlife, and the culture of the borderlands.The River and the Wall is both a wild adventure on a spectacular river and a sobering commentary on the realities of walling it off.

When Ben Masters' father, a dedicated naturalist, is confined to the house with inoperable cancer, he is unable to follow the butterfly season for the first time since his childhood. His son must become his connection to the outdoors, reporting back on his beloved Purple Emperors, Lulworth Skippers, Wood Whites and Silver-studded Blues. The problem is, his son knows practically nothing about the natural world.Blending natural history, pop culture, and literary biography, this unforgettable memoir charts a terminal summer when butterflies become a way for father and son to talk about masculinity, memory, identity, generational differences, and, ultimately, loss and continuation.The Flitting takes readers on an unlikely journey, flitting between the lives and works of Vladimir Nabokov and other literary lepidopterists; the artistic metamorphoses of Prince and Joni Mitchell; butterflies and gender in Virginia Woolf, Angela Carter and The Sopranos; the voices of John Clare and Luther Vandross. These diverse subjects come together in an intensely authentic portrait of a father and son sharing passions, lessons and regrets as they run out of time.

When Ben Masters' father, a dedicated naturalist, is confined to the house with inoperable cancer, he is unable to follow the butterfly season for the first time since his childhood. His son must become his connection to the outdoors, reporting back on his beloved Purple Emperors, Lulworth Skippers, Wood Whites and Silver-studded Blues. The problem is, his son knows practically nothing about the natural world.Blending natural history, pop culture, and literary biography, this unforgettable memoir charts a terminal summer when butterflies become a way for father and son to talk about masculinity, memory, identity, generational differences, and, ultimately, loss and continuation.The Flitting takes readers on an unlikely journey, flitting between the lives and works of Vladimir Nabokov and other literary lepidopterists; the artistic metamorphoses of Prince and Joni Mitchell; butterflies and gender in Virginia Woolf, Angela Carter and The Sopranos; the voices of John Clare and Luther Vandross. These diverse subjects come together in an intensely authentic portrait of a father and son sharing passions, lessons and regrets as they run out of time.

They are the biggest names of the late-twentieth-century London literary scene - Martin Amis, Ian McEwan, Julian Barnes, Christopher Hitchens, Clive James et al - a group of close friends that met weekly for legendary lunches and dominated literary gossip for decades. He is a struggling author setting out to write the first ever group biography of this circle - the writers who have loomed largest in his life.Framed over the course of one day, The Lit Pack follows Ben Masters as he tries to write the opening sentence of his book. But, surrounded by piles of notes, amassed from years of reading and archival research, he keeps getting distracted by the travails of parenting, self-doubt, work and social media. What emerges instead is an 'exploded biography' - a searching and sometimes fraught conversation between a millennial writer and his boomer heroes - in which the author's life becomes entangled with those of his subjects, playing on a series of ironic opposites: the metropolitan and the regional, celebrity and obscurity, sociality and reclusiveness.The Lit Pack is an unforgettable meditation on what it is to be a writer and a reader,a parent and a partner, and a heartfelt story that grapples with masculinity, generational differences, fandom and love.