Ben P Robertson – författare

Through an examination of her complete works and public response to them, Robertson gauges the extent of Inchbald's reputation as the dignified Mrs Inchbald, as well as providing a clear sense of what it meant to be a female Romantic writer.

Explores the connections between British and American Romanticism, focusing on the novels of Elizabeth Inchbald (1753-1821) and Nathaniel Hawthorne (1804-64). This study argues that Inchbald and Hawthorne are representative of a larger British/American cultural confluence during the eighteenth and nineteenth centuries.

An energetic woman, Inchbald achieved fame as an actress, novelist, playwright and critic. This work includes her eleven surviving diaries, which record Inchbald's social contacts and professional activities, itemize her day-to-day expenditure, and chart the development of affairs such as the Napoleonic Wars and the trial of Queen Caroline.

An energetic woman, Inchbald achieved fame as an actress, novelist, playwright and critic. This work includes her eleven surviving diaries, which record Inchbald's social contacts and professional activities, itemize her day-to-day expenditure, and chart the development of affairs such as the Napoleonic Wars and the trial of Queen Caroline.

An energetic woman, Inchbald achieved fame as an actress, novelist, playwright and critic. This work includes her eleven surviving diaries, which record Inchbald's social contacts and professional activities, itemize her day-to-day expenditure, and chart the development of affairs such as the Napoleonic Wars and the trial of Queen Caroline.

John Moore was a Scottish physician who travelled extensively and wrote immensely popular accounts of these, which brought him international fame. Despite this, his travel writings have not been available since 1820. This collection will be the first in almost two centuries to present his Travel Writings to historians and literary scholars.

John Moore was a Scottish physician who travelled extensively and wrote immensely popular accounts of these, which brought him international fame. Despite this, his travel writings have not been available since 1820. This collection will be the first in almost two centuries to present his Travel Writings to historians and literary scholars.

John Moore was a Scottish physician who travelled extensively and wrote immensely popular accounts of these, which brought him international fame. Despite this, his travel writings have not been available since 1820. This collection will be the first in almost two centuries to present his Travel Writings to historians and literary scholars.

John Moore was a Scottish physician who travelled extensively and wrote immensely popular accounts of these, which brought him international fame. Despite this, his travel writings have not been available since 1820. This collection will be the first in almost two centuries to present his Travel Writings to historians and literary scholars.

Romantic Sustainability is a collection of sixteen essays that examine the British Romantic era in ecocritical terms. Written by scholars from five continents, this international collection addresses the works of traditional Romantic writers such as John Keats, Percy Shelley, William Wordsworth, Lord Byron, and Samuel Coleridge but also delves into ecocritical topics related to authors added to the canon more recently, such as Elizabeth Inchbald and John Clare. The essays examine geological formations, clouds, and landscapes as well as the posthuman and the monstrous. The essays are grouped into rough categories that start with inspiration and the imagination before moving to the varied types of consumption associated with human interaction with the natural world. Subsequent essays in the volume focus on environmental destruction, monstrous creations, and apocalypse. The common theme is sustainability, as each contributor examines Romantic ideas that intersect with ecocriticism and relates literary works to questions about race, gender, religion, and identity.

Nikolai Gretsch's Travel Letters is a fully translated English edition of a three-volume account published by Nikolai Gretsch (1787–1867) in St. Petersburg in 1839.  In the original Russian, Gretsch describes his travels in post-Napoleonic England, France, and Germany in 1837 at the behest of the Russian Empire.  His official task was to examine educational systems, but as he travelled, he also noticed the cultural norms in his surroundings, the history of each country, and the personal experiences of the people he met.  On his return home, Gretsch assembled his entertaining and often humorous personal observations into the edition that forms the basis for the present translation.  His astute observations provide a rich contemporary resource for information about the countries he visited, especially given his status as an outsider.  Additionally, as a result of his government position, Gretsch was able to move in social circles that would have been closed to many other people.  In England, he once found himself in the same room with Princess (the future Queen) Victoria, and in France, he dined with Victor Hugo.  Gretsch’s observations offer a treasure-trove of contextual information that will be valuable to anyone interested in cultural interactions during the nineteenth century.

Nikolai Gretsch's Travel Letters is a fully translated English edition of a three-volume account published by Nikolai Gretsch (1787–1867) in St. Petersburg in 1839. In the original Russian, Gretsch describes his travels in post-Napoleonic England, France, and Germany in 1837 at the behest of the Russian Empire. His official task was to examine educational systems, but as he travelled, he also noticed the cultural norms in his surroundings, the history of each country, and the personal experiences of the people he met. On his return home, Gretsch assembled his entertaining and often humorous personal observations into the edition that forms the basis for the present translation. His astute observations provide a rich contemporary resource for information about the countries he visited, especially given his status as an outsider. Additionally, as a result of his government position, Gretsch was able to move in social circles that would have been closed to many other people. In England, he once found himself in the same room with Princess (the future Queen) Victoria, and in France, he dined with Victor Hugo. Gretsch’s observations offer a treasure-trove of contextual information that will be valuable to anyone interested in cultural interactions during the nineteenth century.

Nikolai Gretsch's Travel Letters is a fully translated English edition of a three-volume account published by Nikolai Gretsch (1787–1867) in St. Petersburg in 1839. In the original Russian, Gretsch describes his travels in post-Napoleonic England, France, and Germany in 1837 at the behest of the Russian Empire. His official task was to examine educational systems, but as he travelled, he also noticed the cultural norms in his surroundings, the history of each country, and the personal experiences of the people he met. On his return home, Gretsch assembled his entertaining and often humorous personal observations into the edition that forms the basis for the present translation. His astute observations provide a rich contemporary resource for information about the countries he visited, especially given his status as an outsider. Additionally, as a result of his government position, Gretsch was able to move in social circles that would have been closed to many other people. In England, he once found himself in the same room with Princess (the future Queen) Victoria, and in France, he dined with Victor Hugo. Gretsch’s observations offer a treasure-trove of contextual information that will be valuable to anyone interested in cultural interactions during the nineteenth century.

John Moore was a Scottish physician who travelled extensively and wrote immensely popular accounts of these, which brought him international fame. Despite this, his travel writings have not been available since 1820. This collection will be the first in almost two centuries to present his Travel Writings to historians and literary scholars.

Through an examination of her complete works and public response to them, Robertson gauges the extent of Inchbald's reputation as the dignified Mrs Inchbald, as well as providing a clear sense of what it meant to be a female Romantic writer.