Ben Roberts – författare

This collection of essays highlights innovative work in the developing field of media archaeology. It explores the relationship between theory and practice and the relationship between media archaeology and other disciplines. There are three sections to the collection proposing new possible fields of research for media studies: Media Archaeological Theory; Experimental Media Archaeology; Media Archaeology at the Interface. The book includes essays from acknowledged experts in this expanding field, such as Thomas Elsaesser, Wanda Strauven and Jussi Parikka.

This collection of essays highlights innovative work in the developing field of media archaeology. It explores the relationship between theory and practice and the relationship between media archaeology and other disciplines. There are three sections to the collection proposing new possible fields of research for media studies: Media Archaeological Theory; Experimental Media Archaeology; Media Archaeology at the Interface. The book includes essays from acknowledged experts in this expanding field, such as Thomas Elsaesser, Wanda Strauven and Jussi Parikka.

This collection of essays highlights innovative work in the developing field of media archaeology. It explores the relationship between theory and practice and the relationship between media archaeology and other disciplines. There are three sections to the collection proposing new possible fields of research for media studies: Media Archaeological Theory; Experimental Media Archaeology; Media Archaeology at the Interface. The book includes essays from acknowledged experts in this expanding field, such as Thomas Elsaesser, Wanda Strauven and Jussi Parikka.

I wake up the first morning of my life and here is my Mom lying down feeding us ten puppies that she has never seen, but soon realized we were hers. This is just one of many stories as told through my eyes. It includes my owners, siblings, travel, dog shows, training, boating and lots of great fun.

This is the first in-depth study of urban ritual in relation to the British industrial setting. Centring on a case study of three communities which witnessed contrasting experiences of industrialisation, it charts the way municipal ceremony was utilised to showcase urban development, local identity and community pride. By drawing upon municipal records, press reports, visual culture and ephemera, it considers a wide range of public events such as royal celebrations and commemorations, urban development ceremonies, local jubilees and public funerals, to uncover the evolution of civic ritual over a century. This represents a significant step forward in relation to the burgeoning field of urban ritual studies by recognizing the importance of precedent in the planning of civic ritual and its potential to be a form of entertainment. In doing so, it establishes the way municipal politicians and community leaders utilized civic ritual to convey specific meaning and to rival neighbouring towns and cities. Civic Ritual, Commemoration and Public Celebration in Urban Britain, 1850-1950 makes an original contribution to the literature on civic ritual by comparing and contrasting previously unconnected ceremonial events. While previous studies suggest that civic ritual declined from the late 19th century, this study demonstrates that local celebrations were remade as recreational opportunities in response to cultural change. The interdependency of seemingly unrelated civic events is made clear, as similar or identical civic ritual was repeated for various ceremonies. Through the adoption of recreational commemoration and the use of modern technology, the public became active participants in municipal ceremony. This allowed civic ritual to be implemented in a manner which kept pace with socio-cultural development and the mass leisure industry, shedding considerable light on the national use of urban ceremony in the process.

UNDERSTANDING DECAY. A string of assassinations made by a politically-motivated killer known only to the public as The Quill serves as the spark to ignite a full scale revolution. Beginning with the fan-favourite 2000AD and Judge Dredd, Greg Di Angilla has since worked on the highly popular card game Magic The Gathering, as well as as concept artist on films like World War Z, Doomsday, Hellboy and Dredd.