Benjamin Hudson – författare

This book studies two Viking families who appear in the records of the Atlantic littoral as pagan raiders and reinvent themselves as established Christian rulers. Their rise and transformation from the 10th to the 12th centuries highlights a period and people important for understanding the political, religious, and culture development of Europe in the High Middle Ages.

Macbeth is arguably the world's most famous monarch. Both the historical king and the literary character have fascinated writers and audiences for centuries, beginning with the poets who recited their verses at the medieval monarch's court. Macbeth's legend began almost immediately after his death as medieval and Renaissance writers gradually replaced the king with a semi-literary character developed and embroidered to suit their own political and cultural agenda. The process of transformation culminated in playwright William Shakespeare's The Tragedie of Macbeth.Investigating the man and the legend, Benjamin Hudson traces the eleventh-century prince's rise to prominence from local warlord to international ruler. Battling Vikings, English, and his fellow Scots, Macbeth was involved in a Dano-Norwegian conflict, made a pilgrimage to Rome, and gave refuge to Norman knights. He was more than a mere warlord. With his queen, Gruoch, the widow of a man who killed Macbeth's father, he was a benefactor of churches. The historical prince was an important innovator who used new fighting tactics, developed an international outlook to government, and encouraged intellectual pursuits. Hudson also tracks the ways in which popularizers developed the women behind the fictional Lady Macbeth and the weird sisters.Drawing on centuries of Celtic and Scandinavian sources, popular entertainment, political theory, folklore, and art, Macbeth before Shakespeare recovers the genuine king from the historical record and shows how he was replaced by the legendary monster of ambition.

The thirteenth-century manuscript The Chronicles of the Kings of Man and the Isles is the earliest surviving piece of historical documentation from the Isle of Man and a uniquely important source describing the rise and fall of the medieval Kingdom of Man and the Isles between about 1016 and 1316. The text is the natural starting point for anyone interested in the history of the region, its Norse–Gaelic ruling dynasty and the kingdom’s relationship with other powers in the British Isles. This completely new translation of the Chronicles is accompanied by a historical commentary explaining the complex array of people, places and events that crowd the often-turbulent medieval history of this region. Newly translated extracts from other contemporary documents such as the Saga of King Hakon of Norway further contextualise the social, political and religious history of the kingdom and provide useful background for the Chronicles year-by-year account.This user-friendly translation, with its wealth of supporting commentary and documentation, will be a vital resource for scholars and students as well as a fascinating read for enthusiasts.

The Picts is a survey of the historical and cultural developments in northern Britain between AD 300 and AD 900. Discarding the popular view of the Picts as savages, they are revealed to have been politically successful and culturally adaptive members of the medieval European world.   Re-interprets our definition of ‘Pict’ and provides a vivid depiction of their political and military organizationOffers an up-to-date overview of Pictish life within the environment of northern BritainExplains how art such as the ‘symbol stones’ are historical records as well as evidence of creative inspiration.Draws on a range of transnational and comparative scholarship to place the Picts in their European context

‘Williams’s favourite among his plays, [Cat on a Hot Tin Roof] is perhaps his most impassioned and articulate statement on human isolation, the wrenching problems of communication between people and the ways in which death defines life.’ NEW YORK TIMESIn Cat on a Hot Tin Roof, a Southern family meet to celebrate 'Big Daddy' Pollitt's 65th birthday. But as the party unfolds, the facade of a happy family gathering is fractured by sexual frustration, repressed love and greed in the light of their father's impending death.This edition includes a commentary by Benjamin Hudson, which explores the major themes of the play, including illness and mortality; white supremacy through the plantation setting; mendacity and 'fake news'; alcoholism and addiction; as well as sexuality, womanhood and mid-century notions of masculinity. It draws attention to the context of the play, including the cultural, social and political landscape of the Mississippi Delta and St. Louis; the first-hand witnessing of Black life in the South; homosexuality and outsider sympathy; and American conservatism and the idealised 1950s family. It also delves into recent productions and adaptations of the play, including the Bollywood and Antoine Fuqua film adaptations.

The Picts is a survey of the historical and cultural developments in northern Britain between AD 300 and AD 900. Discarding the popular view of the Picts as savages, they are revealed to have been politically successful and culturally adaptive members of the medieval European world.   Re-interprets our definition of ‘Pict’ and provides a vivid depiction of their political and military organizationOffers an up-to-date overview of Pictish life within the environment of northern BritainExplains how art such as the ‘symbol stones’ are historical records as well as evidence of creative inspiration.Draws on a range of transnational and comparative scholarship to place the Picts in their European context