Benjamin Lefebvre – författare

This book offers new critical approaches for the study of adaptations, abridgments, translations, parodies, and mash-ups that occur internationally in contemporary children’s culture. It follows recent shifts in adaptation studies that call for a move beyond fidelity criticism, a paradigm that measures the success of an adaptation by the level of fidelity to the "original" text, toward a methodology that considers the adaptation to be always already in conversation with the adapted text. This book visits children’s literature and culture in order to consider the generic, pedagogical, and ideological underpinnings that drive both the process and the product. Focusing on novels as well as folktales, films, graphic novels, and anime, the authors consider the challenges inherent in transforming the work of authors such as William Shakespeare, Charles Perrault, L.M. Montgomery, Laura Ingalls Wilder, and A.A. Milne into new forms that are palatable for later audiences particularly when—for perceived ideological or political reasons—the textual transformation is not only unavoidable but entirely necessary. Contributors consider the challenges inherent in transforming stories and characters from one type of text to another, across genres, languages, and time, offering a range of new models that will inform future scholarship.

This book offers new critical approaches for the study of adaptations, abridgments, translations, parodies, and mash-ups that occur internationally in contemporary children’s culture. It follows recent shifts in adaptation studies that call for a move beyond fidelity criticism, a paradigm that measures the success of an adaptation by the level of fidelity to the "original" text, toward a methodology that considers the adaptation to be always already in conversation with the adapted text. This book visits children’s literature and culture in order to consider the generic, pedagogical, and ideological underpinnings that drive both the process and the product. Focusing on novels as well as folktales, films, graphic novels, and anime, the authors consider the challenges inherent in transforming the work of authors such as William Shakespeare, Charles Perrault, L.M. Montgomery, Laura Ingalls Wilder, and A.A. Milne into new forms that are palatable for later audiences particularly when—for perceived ideological or political reasons—the textual transformation is not only unavoidable but entirely necessary. Contributors consider the challenges inherent in transforming stories and characters from one type of text to another, across genres, languages, and time, offering a range of new models that will inform future scholarship.

Years before she published her internationally celebrated first novel, Anne of Green Gables, L.M. Montgomery (1874–1942) started contributing short works to periodicals across North America. While these works consisted primarily of poems and short stories, she also experimented with a wider range of forms, particularly during the early years of her career, at which point she tested out several authorial identities before settling on the professional moniker "L.M. Montgomery."

A Name for Herself: Selected Writings, 1891–1917 is the first in a series of volumes collecting Montgomery’s extensive contributions to periodicals. Leading Montgomery scholar Benjamin Lefebvre discusses these so-called miscellaneous pieces in relation to the works of English-speaking women writers who preceded her and the strategies they used to succeed, including the decision to publish under gender-neutral signatures. Among the highlights of the volume are Montgomery’s contributions to student periodicals, a weekly newspaper column entitled "Around the Table," a long-lost story narrated first by a woman trapped in an unhappy marriage and then by the man she wishes she had married instead, and a new edition of her 1917 celebrity memoir, "The Alpine Path." Drawing fascinating links to Montgomery’s life writing, career, and fiction, this volume will offer scholars and readers alike an intriguing new look at the work of Canada’s most enduringly popular author.

Years before she published her internationally celebrated first novel, Anne of Green Gables, L.M. Montgomery (1874–1942) started contributing short works to periodicals across North America. While these works consisted primarily of poems and short stories, she also experimented with a wider range of forms, particularly during the early years of her career, at which point she tested out several authorial identities before settling on the professional moniker "L.M. Montgomery."

A Name for Herself: Selected Writings, 1891–1917 is the first in a series of volumes collecting Montgomery’s extensive contributions to periodicals. Leading Montgomery scholar Benjamin Lefebvre discusses these so-called miscellaneous pieces in relation to the works of English-speaking women writers who preceded her and the strategies they used to succeed, including the decision to publish under gender-neutral signatures. Among the highlights of the volume are Montgomery’s contributions to student periodicals, a weekly newspaper column entitled "Around the Table," a long-lost story narrated first by a woman trapped in an unhappy marriage and then by the man she wishes she had married instead, and a new edition of her 1917 celebrity memoir, "The Alpine Path." Drawing fascinating links to Montgomery’s life writing, career, and fiction, this volume will offer scholars and readers alike an intriguing new look at the work of Canada’s most enduringly popular author.