Benjamin Linley Wild – författare

Shortlisted for the Association of Dress Historians Book of the Year Award, 2021From West African masquerades to Venetian carnivals and New York society galas, fancy dress has long been used to convey important social and political messages. The only form of clothing that all people, regardless of gender, race, class or sexuality are likely to wear at some point in their lives, fancy dress is a symbol of both escapism and protest; it stands for a vision of fantasy and fun, while also confronting the reality of cultural stereotypes.Exploring all the allure, playfulness and daring of dressing up, Carnival to Catwalk takes the reader on a fascinating journey through the global history of fancy dress. Drawing on a treasure-trove of textual and visual resources, the book encompasses Halloween festivities and transvestite clubs, Mardi Gras parades and gatherings at Versailles, revealing how fancy dress has long been used to celebrate as well as to disguise individual identity.Vividly chronicling evidence from the Middle Ages to the modern day, cultural historian Benjamin Wild throws open the historical dressing-up box and demonstrates the enduring appeal of fancy dress, as it becomes an increasingly central part of modern couture and clothing design. Meticulously researched and beautifully illustrated, Carnival to Catwalk is a remarkable resource for scholars, students and costume enthusiasts alike.

Shortlisted for the Association of Dress Historians Book of the Year Award, 2021From West African masquerades to Venetian carnivals and New York society galas, fancy dress has long been used to convey important social and political messages. The only form of clothing that all people, regardless of gender, race, class or sexuality are likely to wear at some point in their lives, fancy dress is a symbol of both escapism and protest; it stands for a vision of fantasy and fun, while also confronting the reality of cultural stereotypes.Exploring all the allure, playfulness and daring of dressing up, Carnival to Catwalk takes the reader on a fascinating journey through the global history of fancy dress. Drawing on a treasure-trove of textual and visual resources, the book encompasses Halloween festivities and transvestite clubs, Mardi Gras parades and gatherings at Versailles, revealing how fancy dress has long been used to celebrate as well as to disguise individual identity.Vividly chronicling evidence from the Middle Ages to the modern day, cultural historian Benjamin Wild throws open the historical dressing-up box and demonstrates the enduring appeal of fancy dress, as it becomes an increasingly central part of modern couture and clothing design. Meticulously researched and beautifully illustrated, Carnival to Catwalk is a remarkable resource for scholars, students and costume enthusiasts alike.

The Covid-19 pandemic heightened people’s awareness of long-standing inequalities within the fashion industry. Amid calls for greater accountability and ethical awareness, efforts are being made within and beyond the industry, chiefly in the cultural and education sectors, to decentralize fashion: to make the conception, creation and consumption of fashionable dress and appearance less ‘western’-centric.Supporting this premise, Hang-Ups argues that purposeful and permanent change within the fashion industry and fashion education is more likely if it is understood how the contemporary industry became ‘western’-centric. To institute effective change, it is necessary to revert to first principles and understand how the fashion industry developed into what it is today. During a period when the concepts of fashion, history and culture are being intensely scrutinized, and with suggestions they are reaching their nadir, the imperative to understand the extent to which they relate, and facilitate the presentation of people’s fashionable bodies, is urgent. Hang-Ups explores the origins and consequences of the fashion industry’s ‘western’-centrism by focusing on nine binaries, defined in the crucible of empire, that continue to be sites of negotiation as the ‘west’s’ traditions and ideals are contested by different cultural perspectives and changing global realities.

The Covid-19 pandemic heightened people’s awareness of long-standing inequalities within the fashion industry. Amid calls for greater accountability and ethical awareness, efforts are being made within and beyond the industry, chiefly in the cultural and education sectors, to decentralize fashion: to make the conception, creation and consumption of fashionable dress and appearance less ‘western’-centric.Supporting this premise, Hang-Ups argues that purposeful and permanent change within the fashion industry and fashion education is more likely if it is understood how the contemporary industry became ‘western’-centric. To institute effective change, it is necessary to revert to first principles and understand how the fashion industry developed into what it is today. During a period when the concepts of fashion, history and culture are being intensely scrutinized, and with suggestions they are reaching their nadir, the imperative to understand the extent to which they relate, and facilitate the presentation of people’s fashionable bodies, is urgent. Hang-Ups explores the origins and consequences of the fashion industry’s ‘western’-centrism by focusing on nine binaries, defined in the crucible of empire, that continue to be sites of negotiation as the ‘west’s’ traditions and ideals are contested by different cultural perspectives and changing global realities.