Bernard Cooper – författare

Growing up in the suburbs—confused about his sexuality, about his consumer-oriented world, about the death of his older brother—Bernard Cooper falls in love with Pop art and sets off for the California Institute of the Arts, the center of the burgeoning field of conceptual art, in this beguiling memoir. The most famous, and infamous, artists of the time drift through the place, including Allan Kaprow and John Baldessari, not to mention the student who phones the Identi-Kit division of the Los Angeles Police Department and has them make a composite drawing of the Mona Lisa.My Avant-Garde Education is at once an artist's coming-of-age story and a personal chronicle of the era of conceptual art, from a writer "of uncommon subtlety and nuance" (David Ulin, Los Angeles Times). It is a record of the wonders and follies of a certain era in art history, always aware that awakening to art is, for a young person, inseparable from awakening to the ever-shifting nature of the self.

Synopsis coming soon.......

Bernard Cooper''s new memoir is searing, soulful, and filled with uncommon psychological nuance and laugh-out-loud humor. Like Tobias Wolff''s This Boy''s Life, Cooper''s account of growing up and coming to terms with a bewildering father is a triumph of contemporary autobiography. Edward Cooper is a hard man to know.Dour and exuberant by turns, his moods dictate the always uncertain climate of the Cooper household. Balding, octogenarian, and partial to a polyester jumpsuit, Edward Cooper makes an unlikely literary muse. But to his son he looms larger than life, an overwhelming and baffling presence. As The Bill from My Father begins, Bernard and his father find themselves the last remaining members of the family that once included his mother, Lillian, and three older brothers. Now retired and living in a run-down trailer, Edward Cooper had once made a name for himself as a divorce attorney whose cases included "The Case of the Captive Bride" and "The Case of the Baking Newlywed," as they were dubbed by the Herald Examiner. An expert at "the dissolution of human relationships," the elder Cooper is slowly succumbing to dementia. As the author attempts, with his father''s help, to forge a coherent picture of the Cooper family history, he discovers some peculiar documents involving lawsuits against other family members, and recalls a bill his father once sent him for the total cost of his upbringing, an itemized invoice adding up to 2 million dollars. Edward''s ambivalent regard for his son is the springboard from which this deeply intelligent memoir takes flight. By the time the author receives his inheritance (which includes a message his father taped to the underside of a safe deposit box), and sees the surprising epitaph inscribed on his father''s headstone, The Bill from My Father has become a penetrating meditation on both monetary and emotional indebtedness, and on the mysterious nature of memory and love.

The essays in Maps to Anywhere plot terrain that is at once familiar and subtly strange. Writing on subjects ranging from his family to the origin of the barbershop pole, Bernard Cooper digs into the glimmering surface of the southern California landscape, observing the collision of the American Dream with the realities of everyday life. From the fragments, he discovers landmarks by which he attempts to make sense of contemporary America.

Edward Cooper was a hard man to know. Dour and exuberant by turns, his moods dictated the always-uncertain climate of the Cooper household. Now – balding, octogenarian – he makes an unlikely literary muse. But to his now middle-aged son, he looms larger than life, an overwhelming, baffling presence.Edward Cooper made his name as a divorce attorney in LA whose cases were devoured by the tabloids. Now, he is slowly succumbing to dementia. As Bernard attempts to forge a coherent picture of his family history, he uncovers Edward's lawsuits against other family members, and recalls the itemized invoice his father once sent him for the total cost of his upbringing, for the sum of two million dollars.'Bernard Cooper's The Bill from My Father is a glorious cornucopia of love and pain. Not only is Cooper an exemplary writer but he can parse an emotion down to its most resonant note. This memoir amazes' Alice Sebold, author of The Lovely Bones'Cooper is a beautiful writer . . . his book is in a class of its own . . . Somehow, this is a story about all parents and their grown-up children and how they manage to keep going through all the insults and mixed messages and botched attempts to express love' Observer'Cooper's wry, rueful memoir of a lifetime's wrangling with the old guy is memorably moving, emotionally disciplined, devilish in the detail and smartly funny. Read it now' The Times

Filling the need for new and improved energy sources is an area where societal effects of science and technology will surely increase. The editors and authors have attempted in this volume to present the most current work on the science and technology of coal and coal utilization. Serious disagreement exists on several key issues such as carbon dioxide release and acid rain. At the same time, however, coal is the world''s most abundant fossil fuel and will have to be used to supply the world''s energy needs for the next several decades. The 1979 National Research Council Report, "En­ ergy in Transition: 1985-2010," has estimated that the United States alone may go from a 1979 coal consumption of 14 QUADS per annum (approximately 750 million tons per year) to approximately 40-50 QUADS per annum (approximately 2 billion tons per year) by the year 2010. If this scale of coal utilization is to become a reality, a significant level of research and development will be necessary to establish advanced process technologies and to improve related areas such as materials and instrumentation. The editors hope that this volume will allow a technically educated person to become aware of the several aspects of coal utilization, from characterization of coal itself to the processes of coal utilization. B. R. Cooper and W. A. Ellingson March, 1983 vii Contents 1. THE SCIENCE AND TECHNOLOGY OF COAL AND COAL UTILIZATION . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 1 Bernard R. Cooper and William A. Ellingson 2. COAL CHARACTERIZATION. . . . . . . . . . . . . . . . . . . . . . . . . . . .