Bernard MacLaverty – författare

For Cal, some of the choices are devastatingly simple...He can work in an abattoir that nauseates him or join the dole queue; he can brood on his past or plan a future with Marcella. Springing out of the fear and violence of Ulster, Cal is a haunting love story in a land were tenderness and innocence can only flicker briefly in the dark.

SOON TO BE A MAJOR FILM A retired couple, Gerry and Stella Gilmore, fly to Amsterdam for a midwinter break. A holiday to refresh the senses, to see the sights and to generally take stock of what remains of their lives.But amongst the wintry streets and icy canals we see their relationship fracturing beneath the surface. And when memories re-emerge of a troubled time in their native Ireland things begin to fall apart. As their midwinter break comes to an end, we understand how far apart they are – and can only watch as they struggle to save themselves.‘Midwinter Break is a work of extraordinary emotional precision and sympathy, about coming to terms – to an honest reckoning – with love and the loss of love, with memory and pain...this is a novel of great ambition by an artist at the height of his powers’ Colm Tóibín

On a promontory jutting out into the Atlantic wind stands the Home run by Brother Benedict, where boys are taught a little of God and a lot of fear. To Michael Lamb, one of the youngest brothers, the regime is without hope, and when he inherits a small legacy he defies his elders and runs away, taking with him a twelve-year-old boy, Owen Kane. Radio Eireann call it a kidnapping. For Michael the act is the beginning of Owen's salvation. Posing as father and son, they concentrate on discovering the happiness that is so unfamiliar to them both. But as the outside world closes in around them - as time, money and opportunity run out - Michael finds himself moving towards a solution that is as uncompromising as it is inspired by love.

Any book of stories from Bernard MacLaverty is a cause for celebration, but Matters of Life and Death is more than that, as it is - without question - one of the finest contemporary examples of the short story as a genre. Beginning with the sudden, nauseating terror of a family caught up in an explosion of shocking sectarian violence and ending with the white-out of an Iowa blizzard and a different kind of fear, Matters of Life and Death is a book about bonds and connections, made and broken, secret and known. Vivid, beautifully controlled and written with effortless skill and empathy, these stories are object lessons in the art of short fiction.

Returning to Belfast after a long absense, to attend her father`s funeral. Catherine McKenna-a young composer-remembers exactly why she left: the claustrophobic intimacies of the Catholic enclave, her fastidious, nagging mother, and the pervading tensions of a city at war with itself. She remembers a more innocent time, when the Loyalists Lambeg drums sounded mysterious and exciting; she remembers her shattered relationship with the drunken, violent Dave, she remembers the child she had with him, waiting back in Glasgow. This is a novel, about coming to terms with the past and the healing power of music, GRACE NOTES is a master story-teller`s triumphant return to the long form: a powerful lyrical novel of great distinction.

A coming-of-age story of a northern Irish boy getting out from under the thumb of mother, church, and country.

Any book of stories from Bernard MacLaverty is a cause for celebration, but Matters of Life and Death is more than that, as it is - without question - one of the finest contemporary examples of the short story as a genre. Beginning with the sudden, nauseating terror of a family caught up in an explosion of shocking sectarian violence and ending with the white-out of an Iowa blizzard and a different kind of fear, Matters of Life and Death is a book about bonds and connections, made and broken, secret and known. Vivid, beautifully controlled and written with effortless skill and empathy, these stories are object lessons in the art of short fiction.

Returning to Belfast after a long absense, to attend her father`s funeral. Catherine McKenna-a young composer-remembers exactly why she left: the claustrophobic intimacies of the Catholic enclave, her fastidious, nagging mother, and the pervading tensions of a city at war with itself. She remembers a more innocent time, when the Loyalists Lambeg drums sounded mysterious and exciting; she remembers her shattered relationship with the drunken, violent Dave, she remembers the child she had with him, waiting back in Glasgow. This is a novel, about coming to terms with the past and the healing power of music, GRACE NOTES is a master story-teller`s triumphant return to the long form: a powerful lyrical novel of great distinction.

This is the story of the growing up of Martin Brennan, a troubled boy in troubled times, a boy who knows all the questions but none of the answers. This is Belfast in the late sixties. Before he can become an adult, Martin must unravel the sacred and contradictory mysteries of religion, science and sex; he must learn the value of friendship; but most of all he must pass his exams - at any cost. A book that celebrates the desire to speak and the need to say nothing, The Anatomy School moves from the enforced silence of Martin's Catholic school retreat, through the hilarious tea-and-biscuits repartee of his eccentric elders to the awkward wit and loose profanity of his two friends - the charismatic Kavanagh and the subversive Blaise Foley. An absorbing, tense and often very funny novel which takes Martin from the initiations of youth to the devoutly-wished-for consummation of the flesh, Bernard MacLaverty's new book is a remarkable re-creation of the high anxieties and deep joys of learning to find a place in the world.

The long-awaited new collection from Bernard MacLaverty examines worlds in collision, relationships fragmenting, innocence face to face with real life, real death. A Catholic schoolboy minding goal has a theological debate with a B-Special; a chess game in Spain is a catalyst for grief and redemption; a Belfast man out walking his dog is kidnapped at gunpoint and told to say his ABC. . . Interwoven through the book are wry, elliptical 'stories within stories' about fiction and the writing of it, featuring 'your man' -a comically beleaguered alter ego. Acting as foils to the brilliance of the real thing, these very short pieces point up the tough lyricism of MacLaverty's work. As always, his writing is vivid, exact and pellucid, his characters perfectly observed, the surface of the prose deceptively still. It is only once we enter the world of the stories that we begin to make out the huge shapes that move there: loss, love, disappointment, fierce joy.WALKING THE DOG has been worth waiting for: it is a powerful, honest and moving book by one of the great storytellers of our age.

On a promontory jutting out into the Atlantic wind stands the Home run by Brother Benedict, where boys are taught a little of God and a lot of fear. To Michael Lamb, one of the youngest brothers, the regime is without hope, and when he inherits a small legacy he defies his elders and runs away, taking with him a twelve-year-old boy, Owen Kane. Radio Eireann call it a kidnapping. For Michael the act is the beginning of Owen's salvation. Posing as father and son, they concentrate on discovering the happiness that is so unfamiliar to them both. But as the outside world closes in around them - as time, money and opportunity run out - Michael finds himself moving towards a solution that is as uncompromising as it is inspired by love.

For Cal, some choices are devastatingly simple... He can work in an abattoir that nauseates him or join the dole queue; he can brood on his past or plan a future with Marcella. Springing out of the fear and violence of Ulster, Cal is a haunting love story in a land were tenderness and innocence can only flicker briefly in the dark.

On a promontory jutting out into the Atlantic wind stands the Home run by Brother Benedict, where boys are taught a little of God and a lot of fear. To Michael Lamb, one of the youngest brothers, the regime is without hope, and when he inherits a small legacy he defies his elders and runs away, taking with him a twelve-year-old boy, Owen Kane. Radio Eireann call it a kidnapping. For Michael the act is the beginning of Owen''s salvation. Posing as father and son, they concentrate on discovering the happiness that is so unfamiliar to them both. But as the outside world closes in around them - as time, money and opportunity run out - Michael finds himself moving towards a solution that is as uncompromising as it is inspired by love.

For Cal, some of the choices are devastatingly simple. . . He can work in an abattoir that nauseates him or join the dole queue; he can brood on his past or plan a future with Marcella. Springing out of the fear and violence of Ulster, CAL is a haunting love stroy in a land were tenderness and innocence can only flicker briefly in the dark.

‘Characters all but leap off the page with believability in these marvellous stories of life (and death) in Belfast’ Sunday TimesMelding his native Irish sensibilities to those of his adopted west-coast Scotland, these tales attend to life’s big events: love and loss, separation and violence, death and betrayal. But the stories teem with smaller significant moments too – private epiphanies, chilling exchanges, intimate encounters. Each of these extraordinary stories – with their wry, self-deprecating humour, their elegance and subtle wisdom – gets to the very heart of life.

SOON TO BE A MAJOR FILM A retired couple, Gerry and Stella Gilmore, fly to Amsterdam for a midwinter break. A holiday to refresh the senses, to see the sights and to generally take stock of what remains of their lives.But amongst the wintry streets and icy canals we see their relationship fracturing beneath the surface. And when memories re-emerge of a troubled time in their native Ireland things begin to fall apart. As their midwinter break comes to an end, we understand how far apart they are – and can only watch as they struggle to save themselves.‘Midwinter Break is a work of extraordinary emotional precision and sympathy, about coming to terms – to an honest reckoning – with love and the loss of love, with memory and pain...this is a novel of great ambition by an artist at the height of his powers’ Colm Tóibín

The extraordinary new story collection from one of Ireland's greatest writers and bestselling author of Mindwinter Break.Bernard MacLaverty is a consummately gifted short-story writer and novelist whose work - like that of John McGahern, William Trevor, Edna O'Brien or Colm Tóibín - is deceptively simple on the surface, but carries a turbulent undertow. Everywhere, the dark currents of violence, persecution and regret pull at his subject matter: family love, the making of art, Catholicism, the Troubles and, latterly, ageing.Blank Pages is a collection of twelve extraordinary new stories that show the emotional range of a master. 'Blackthorns', for instance, tells of a poor out-of-work Catholic man who falls gravely ill in the sectarian Northern Ireland of 1942 but is brought back from the brink by an unlikely saviour. The most recently written story here is the harrowing but transcendent 'The End of Days', which imagines the last moments in the life of painter Egon Schiele, watching his wife dying of Spanish flu - the world's worst pandemic, until now.Much of what MacLaverty writes is an amalgam of sadness and joy, of circumlocution and directness. He never wastes words but neither does he ever forget to make them sing. Each story he writes creates a universe.

The extraordinary new story collection from one of Ireland's greatest writers and bestselling author of Mindwinter Break.Bernard MacLaverty is a consummately gifted short-story writer and novelist whose work - like that of John McGahern, William Trevor, Edna O'Brien or Colm Tóibín - is deceptively simple on the surface, but carries a turbulent undertow. Everywhere, the dark currents of violence, persecution and regret pull at his subject matter: family love, the making of art, Catholicism, the Troubles and, latterly, ageing.Blank Pages is a collection of twelve extraordinary new stories that show the emotional range of a master. 'Blackthorns', for instance, tells of a poor out-of-work Catholic man who falls gravely ill in the sectarian Northern Ireland of 1942 but is brought back from the brink by an unlikely saviour. The most recently written story here is the harrowing but transcendent 'The End of Days', which imagines the last moments in the life of painter Egon Schiele, watching his wife dying of Spanish flu - the world's worst pandemic, until now.Much of what MacLaverty writes is an amalgam of sadness and joy, of circumlocution and directness. He never wastes words but neither does he ever forget to make them sing. Each story he writes creates a universe.

Set in the Northern Ireland of the 1980s, Cal tells the story of a young Catholic man living in a Protestant area. For Cal, some choices are devastatingly simple: he can work in an abattoir that nauseates him or join the dole queue; he can brood on his past or plan a future with Marcella. Springing out of the fear and violence of Ulster, Cal is a haunting love story that unfolds in a land where tenderness and innocence can only flicker briefly in the dark.See also: Lies of Silence by Brian Moore

A haunting story of love and division against the backdrop of the Troubles: an Irish modern classic.Cal is a Catholic boy on a Protestant estate. His Ulster is a violent world in the grip of fear, a land where tenderness flickers only briefly in the dark. As Cal becomes guiltily entangled with local IRA activities, he also meets Marcella, a librarian - and a Protestant. Cal's choices are devastatingly simple: brood on the past, or try to plan a future with the woman he loves?'Simple humanity, eloquently caught' New York Times'McLaverty has a true feeling for tragedy' Anita Brookner