Seminar paper from the year 2000 in the subject English Language and Literature Studies - Literature, grade: 2 (B), University of Potsdam (Institute for Anglistics), language: English, abstract: Already in 1611 William Shakespeare argued in his romance "e;The Tempest"e; with the conquest of the New World. A wide space in this play is fulfilled by the analysis of the relationship between the European imperialist and the submissive native, shown by theexample of Prospero, the rightful duke of Milan, and the creature Caliban, the savage and deformed slave 1. Nearly 400 years later, in 1982, the South African author Nadine Gordimer deals with thesituation of the abused slave in her novel July s People again. She creates a fictional situation where the former white-coloured masters have lost their power after a successful revolution of the suppressed black majority. The white middle-class-family the Smales become themselves sla ves as they are from now on dependent from their servant July, who offers them a refuge in his homeland. In the upcoming analysis I want to show that Nadine Gordimer created a situation which can be seen as If Caliban s wish came true... , as she continues the attempt of the slave to recover his liberty. I want to compare both novels in order to prove that Gordimer orientated herself very much on Shakespeare s play and makes use of typical characteristics of the master and the slave we find in there. Her work should be regarded on the one hand as continuation and on the other hand as a lean on The Tempest . 1 Shakespeare, William. The Tempest. Ed. Rex Gibson. Cambridge: Cambridge UP,1995. List of Characters , 1.

Seminar paper from the year 2001 in the subject English Language and Literature Studies - Linguistics, grade: 2 (B), University of Potsdam (Institute for Anglistics/American Studies), language: English, abstract: The concept of turn-taking covers a wide range: it is not just a theoretical construction in the linguistic field of discourse analysis, but an omnipresent pattern in communicative events, governing speech-acts and defining social roles as it establishes and maintains social relationships. Turn-taking is considered to play an essential role in structuring people's social interactions in terms of control and regulation of conversation. Therefore the system of turn-taking has become object of analyses both for linguists and for sociologists. The starting point of the analysis was to show regularities of conversational structure by describing the ways in which participants take turns in speaking. The first important approach to turn-taking was made by Duncan in 1972. From then on turn-taking has been accepted as one of the standard tasks "e;which mustbe managed if interaction is to occur 1. The most influential work in the area of turn-taking is the study by Sacks, Schegloff and Jefferson ( SS&J ) from 1974. They embody the so called American approach of conversation analysis . Their theoretical approach has to be seen as standard work for further discussions, although there have been several objections against it. SS&J regarded informal conversational settings and analysed the conventions which regulate turn-taking in there. They found out that there is an existence ofrules the participants are aware of. SS&J say that the central principle in conversation is that speakers follow in taking turns to avoid gaps and overlaps in conversation 2 If gaps occur they are short. SS&J propose a simplest system for the organisation of turn-taking in conversation. The model consists of two components: the turn-construction and the turn-taking component. [...] 1 Leeds-Hurwitz, Wendy. Communication in Everyday Life A Social Interpretation. Norwood: Ablex Publ., 1989. 112. 2 Jaworski, Adam / Coupland, Nikolas (ed.) . The Discourse Reader. London: Routledge, 1999. 20.

Seminar paper from the year 2000 in the subject English Language and Literature Studies - Literature, grade: 2,5, University of Potsdam (Institut fur Anglistik/Amerikanistik), course: PS 'Shakespeare's 'The Tempest' and the View of the Other', language: English, abstract: Already in 1611 William Shakespeare argued in his romance "e;The Tempest"e; with the conquest of the New World. A wide space in this play is fulfilled by the analysis of the relationship between the European imperialist and the submissive native, shown by the example of Prospero, the rightful duke of Milan, and the creature Caliban, the "e;savage and deformed slave"e;. Nearly 400 years later, in 1982, the South African author Nadine Gordimer deals with the situation of the abused slave in her novel July s People again. She creates a fictional situation where the former white-coloured masters have lost their power after a successful revolution of the suppressed black majority. The white middle-class-family the Smales become themselves slaves as they are from now on dependent from their servant July, who offers them a refuge in his homeland. In the upcoming analysis I want to show that Nadine Gordimer created a situation which can be seen as If Caliban s wish came true... , as she continues the attempt of the slave to recover his liberty. I want to compare both novels in order to prove that Gordimer orientated herself very much on Shakespeare s play and makes use of typical characteristics of the master and the slave we find in there. Her work should be regarded on the one hand as continuation and on the other hand as a lean on The Tempest .

Seminar paper from the year 2000 in the subject English Language and Literature Studies - Linguistics, grade: 2, University of Potsdam (Institut fur Anglistik/Amerikanistik), course: PS '20th century English poetry', language: English, abstract: If you look at a list showing the most important English poets in 20th century literature, Charles Tomlinson is often one of the persons you will miss, or at least, only find in the background. Instead, the list is fixed on poets like Ted Hughes, Philip Larkin or Seamus Heaney. This has got several reasons: it is not the fact that Charles Tomlinson has published only a few works, but it is the difficulty to put him and his poems in one category. Tomlinson, who has published since 1950 in each decade, has been influenced by the different conceptions about art throughout the years. The poem I want to analyse was written in 1953, at the beginning of Tomlinson s writing, in a time, when English poetry was dominated by the realistic style of writing of the Movement poets. This poem deals about the English painter John Constable, who is famous for his landscape paintings and especially his cloud pictures. The poem is a good example to show Tomlinson s position towards the term of art in general and his opinion about contemporary poetry. As he is today most famous for his poems about natural phenomena, this poem can be regarded as one of his most meaningful ones. The upcoming analysis should discuss this poem in order to its content, structure and style and should especially answer the question where in the 20thcentury Tomlinson and his concept of poetry should be integrated and where he stands for.

Seminar paper from the year 2002 in the subject American Studies - Culture and Applied Geography, grade: 2,0, Humboldt-University of Berlin (Institut fur Anglistik/Amerikanistik), course: HS Youth Culture, Popular Culture and Aesthetics , language: English, abstract: [...] The increasing importance of Hispanics in U.S. society has brought up a number ofnew literature regarding the Hispanic community, especially in the context of film. Twoimportant authors / editors should be named at the beginning: At first, Chon A. Noriega,who has published the latest overview of Chicano cinema in 20003. Second Gary D. Keller,who edited a number of groundbreaking (Noriega on Keller) surveys about thedevelopment of Chicano cinema in the 20th century. This seminar paper covers a longer,more recent period of time, and names also movies from Hispanics or about Hispanicsafter the year 2000, which were not mentioned in these books. Therefore I will refer tosome websites dealing with Chicano cinema. I will begin my analysis with describing the Hispanic image in Hollywood. Theirpresentation in 20th century mainstream cinema is not just decisive for the image thatconsumers have about the Latino culture, but has also been decisive for the obstaclestowards an Hispanic establishment in Hollywood.

If you’ve ever wondered what goes through architects’ minds when they design buildings, you’ll be happy to know that there’s no shortage of brilliant reading material to satisfy your curiosity. Wading through the archives at your local library may prove fruitful to your endeavor, but it won’t give you the instant gratification that Architectural Theory will.This book brings together all of the most important and influential essays about architecture written since the Renaissance, copiously illustrated and neatly organized chronologically by country. From Alberti and Palladio to Le Corbusier and Koolhaas, the best treatises by architecture’s greatest masters are gathered here, each accompanied by an essay discussing its historical context and significance. This is the all-in-one, must-have book for anyone interested in what architects have to say about their craft.The comprehensive overview that will help transform even the most uninformed novices into well-informed connoisseurs!

Seminar paper from the year 2000 in the subject English Language and Literature Studies - Literature, grade: 2 (B), University of Potsdam (Institute for Anglistics), language: English, abstract: Already in 1611 William Shakespeare argued in his romance "e;The Tempest"e; with the conquest of the New World. A wide space in this play is fulfilled by the analysis of the relationship between the European imperialist and the submissive native, shown by theexample of Prospero, the rightful duke of Milan, and the creature Caliban, the savage and deformed slave 1. Nearly 400 years later, in 1982, the South African author Nadine Gordimer deals with thesituation of the abused slave in her novel July s People again. She creates a fictional situation where the former white-coloured masters have lost their power after a successful revolution of the suppressed black majority. The white middle-class-family the Smales become themselves sla ves as they are from now on dependent from their servant July, who offers them a refuge in his homeland. In the upcoming analysis I want to show that Nadine Gordimer created a situation which can be seen as If Caliban s wish came true... , as she continues the attempt of the slave to recover his liberty. I want to compare both novels in order to prove that Gordimer orientated herself very much on Shakespeare s play and makes use of typical characteristics of the master and the slave we find in there. Her work should be regarded on the one hand as continuation and on the other hand as a lean on The Tempest . 1 Shakespeare, William. The Tempest. Ed. Rex Gibson. Cambridge: Cambridge UP,1995. List of Characters , 1.

Seminar paper from the year 2001 in the subject English Language and Literature Studies - Linguistics, grade: 2 (B), University of Potsdam (Institute for Anglistics/American Studies), language: English, abstract: The concept of turn-taking covers a wide range: it is not just a theoretical construction in the linguistic field of discourse analysis, but an omnipresent pattern in communicative events, governing speech-acts and defining social roles as it establishes and maintains social relationships. Turn-taking is considered to play an essential role in structuring people's social interactions in terms of control and regulation of conversation. Therefore the system of turn-taking has become object of analyses both for linguists and for sociologists. The starting point of the analysis was to show regularities of conversational structure by describing the ways in which participants take turns in speaking. The first important approach to turn-taking was made by Duncan in 1972. From then on turn-taking has been accepted as one of the standard tasks "e;which mustbe managed if interaction is to occur 1. The most influential work in the area of turn-taking is the study by Sacks, Schegloff and Jefferson ( SS&J ) from 1974. They embody the so called American approach of conversation analysis . Their theoretical approach has to be seen as standard work for further discussions, although there have been several objections against it. SS&J regarded informal conversational settings and analysed the conventions which regulate turn-taking in there. They found out that there is an existence ofrules the participants are aware of. SS&J say that the central principle in conversation is that speakers follow in taking turns to avoid gaps and overlaps in conversation 2 If gaps occur they are short. SS&J propose a simplest system for the organisation of turn-taking in conversation. The model consists of two components: the turn-construction and the turn-taking component. [...] 1 Leeds-Hurwitz, Wendy. Communication in Everyday Life A Social Interpretation. Norwood: Ablex Publ., 1989. 112. 2 Jaworski, Adam / Coupland, Nikolas (ed.) . The Discourse Reader. London: Routledge, 1999. 20.

Seminar paper from the year 2000 in the subject English Language and Literature Studies - Literature, grade: 2,5, University of Potsdam (Institut fur Anglistik/Amerikanistik), course: PS 'Shakespeare's 'The Tempest' and the View of the Other', language: English, abstract: Already in 1611 William Shakespeare argued in his romance "e;The Tempest"e; with the conquest of the New World. A wide space in this play is fulfilled by the analysis of the relationship between the European imperialist and the submissive native, shown by the example of Prospero, the rightful duke of Milan, and the creature Caliban, the "e;savage and deformed slave"e;. Nearly 400 years later, in 1982, the South African author Nadine Gordimer deals with the situation of the abused slave in her novel July s People again. She creates a fictional situation where the former white-coloured masters have lost their power after a successful revolution of the suppressed black majority. The white middle-class-family the Smales become themselves slaves as they are from now on dependent from their servant July, who offers them a refuge in his homeland. In the upcoming analysis I want to show that Nadine Gordimer created a situation which can be seen as If Caliban s wish came true... , as she continues the attempt of the slave to recover his liberty. I want to compare both novels in order to prove that Gordimer orientated herself very much on Shakespeare s play and makes use of typical characteristics of the master and the slave we find in there. Her work should be regarded on the one hand as continuation and on the other hand as a lean on The Tempest .

Seminar paper from the year 2000 in the subject English Language and Literature Studies - Linguistics, grade: 2, University of Potsdam (Institut fur Anglistik/Amerikanistik), course: PS '20th century English poetry', language: English, abstract: If you look at a list showing the most important English poets in 20th century literature, Charles Tomlinson is often one of the persons you will miss, or at least, only find in the background. Instead, the list is fixed on poets like Ted Hughes, Philip Larkin or Seamus Heaney. This has got several reasons: it is not the fact that Charles Tomlinson has published only a few works, but it is the difficulty to put him and his poems in one category. Tomlinson, who has published since 1950 in each decade, has been influenced by the different conceptions about art throughout the years. The poem I want to analyse was written in 1953, at the beginning of Tomlinson s writing, in a time, when English poetry was dominated by the realistic style of writing of the Movement poets. This poem deals about the English painter John Constable, who is famous for his landscape paintings and especially his cloud pictures. The poem is a good example to show Tomlinson s position towards the term of art in general and his opinion about contemporary poetry. As he is today most famous for his poems about natural phenomena, this poem can be regarded as one of his most meaningful ones. The upcoming analysis should discuss this poem in order to its content, structure and style and should especially answer the question where in the 20thcentury Tomlinson and his concept of poetry should be integrated and where he stands for.

Seminar paper from the year 2002 in the subject American Studies - Culture and Applied Geography, grade: 2,0, Humboldt-University of Berlin (Institut fur Anglistik/Amerikanistik), course: HS Youth Culture, Popular Culture and Aesthetics , language: English, abstract: [...] The increasing importance of Hispanics in U.S. society has brought up a number ofnew literature regarding the Hispanic community, especially in the context of film. Twoimportant authors / editors should be named at the beginning: At first, Chon A. Noriega,who has published the latest overview of Chicano cinema in 20003. Second Gary D. Keller,who edited a number of groundbreaking (Noriega on Keller) surveys about thedevelopment of Chicano cinema in the 20th century. This seminar paper covers a longer,more recent period of time, and names also movies from Hispanics or about Hispanicsafter the year 2000, which were not mentioned in these books. Therefore I will refer tosome websites dealing with Chicano cinema. I will begin my analysis with describing the Hispanic image in Hollywood. Theirpresentation in 20th century mainstream cinema is not just decisive for the image thatconsumers have about the Latino culture, but has also been decisive for the obstaclestowards an Hispanic establishment in Hollywood.

If you’ve ever wondered what goes through architects’ minds when they design buildings, you’ll be happy to know that there’s no shortage of brilliant reading material to satisfy your curiosity. Wading through the archives at your local library may prove fruitful to your endeavor, but it won’t give you the instant gratification that Architectural Theory will.This book brings together all of the most important and influential essays about architecture written since the Renaissance, copiously illustrated and neatly organized chronologically by country. From Alberti and Palladio to Le Corbusier and Koolhaas, the best treatises by architecture’s greatest masters are gathered here, each accompanied by an essay discussing its historical context and significance. This is the all-in-one, must-have book for anyone interested in what architects have to say about their craft.The comprehensive overview that will help transform even the most uninformed novices into well-informed connoisseurs!