Berteke Waaldijk – författare

In 1898, the year Queen Wilhelmina of the Netherlands was inaugurated, five hundred women organized an enormous public exhibition showcasing women’s contributions to Dutch society as workers in a strikingly broad array of professions. The National Exhibition of Women’s Labor, held in The Hague, was attended by more than ninety thousand visitors. Maria Grever and Berteke Waaldijk consider the exhibition in the international contexts of women’s history, visual culture, and imperialism. A comprehensive social history, Transforming the Public Sphere describes the planning and construction of the Exhibition of Women’s Labor and the event itself-the sights, the sounds, and the smells-as well as the role of exhibitions in late-nineteenth-century public culture. The authors discuss how the 1898 exhibition displayed the range and variety of women’s economic, intellectual, and artistic roles in Dutch culture, including their participation in such traditionally male professions as engineering, diamond-cutting, and printing and publishing. They examine how people and goods from the Dutch colonies were represented, most notably in an extensive open-air replica of a “Javanese village.” Grever and Waaldijk reveal the tensions the exhibition highlighted: between women of different economic classes; between the goal of equal rights for women and the display of imperial subjects and spoils; and between socialists and feminists, who competed fiercely with one another for working women’s support. Transforming the Public Sphere explores an event that served as the dress rehearsal for advances in women’s public participation during the twentieth century.

In 1898, the year Queen Wilhelmina of the Netherlands was inaugurated, five hundred women organized an enormous public exhibition showcasing women’s contributions to Dutch society as workers in a strikingly broad array of professions. The National Exhibition of Women’s Labor, held in The Hague, was attended by more than ninety thousand visitors. Maria Grever and Berteke Waaldijk consider the exhibition in the international contexts of women’s history, visual culture, and imperialism.

A comprehensive social history, Transforming the Public Sphere describes the planning and construction of the Exhibition of Women’s Labor and the event itself—the sights, the sounds, and the smells—as well as the role of exhibitions in late-nineteenth-century public culture. The authors discuss how the 1898 exhibition displayed the range and variety of women’s economic, intellectual, and artistic roles in Dutch culture, including their participation in such traditionally male professions as engineering, diamond-cutting, and printing and publishing. They examine how people and goods from the Dutch colonies were represented, most notably in an extensive open-air replica of a “Javanese village.” Grever and Waaldijk reveal the tensions the exhibition highlighted: between women of different economic classes; between the goal of equal rights for women and the display of imperial subjects and spoils; and between socialists and feminists, who competed fiercely with one another for working women’s support. Transforming the Public Sphere explores an event that served as the dress rehearsal for advances in women’s public participation during the twentieth century.

At the conference for social work in Mainz 2001 ("Designing the Social Sphere, a Challenge for Europe") a workshop took place, which was dedi­ cated to the historiography of welfare in Europe in the years between 1900 and 1950. This workshop was organized by the editors of this book and vis­ ited by more than 30 experts from 14 European countries. The exchange of knowledge during the workshop was meant as a first step to an internationally shaped organisation for historical studies on social work - and all participants agreed that beside the merits of general founda­ tions the contribution of the female pioneers of welfare should playa domi­ nant role in the further research activities. To give this idea a strong perspective we decided to establish a "Network for Historical Studies of Gender and Social Work" which has in the mean­ time over 60 members from 21 European countries.

The articles in this book share a dedication to broadening and stretching the scholarly field of feminist citizenship studies and invite the reader to reflect on the many different ways citizenship is formed in contemporary Europe. They do so by stretching the concept of citizenship itself, going beyond legalistic definitions, and by asking new questions about the ways in which citizenship is constructed, the entitlements to benefits, and to social and political participation, how cultures of knowledge allow participation and how inclusion and exclusion can be represented. In all cases «gender» is one of the categories that allow a deeper insight and a better perception of the way the ideals of citizenship have helped people to overcome exclusion. As the articles show, access to citizenship differs from context to context. Citizenship is never only a legal status: it has to do with cultural diversity, with recognition of difference, with access to professions and hierarchies on the labour market, not least in universities with traditions in political as well as visual representation. The collection is an introduction to new research in the field of European gender studies.

In diesem Buch stellen 23 AutorInnen aus elf Ländern Beiträge zu Biografien von Pionierinnen der Sozialen Arbeit und zu ihrem Einfluss auf die Entwicklung von Organisationen und Strukturen der Wohlfahrtspflege vor.