Bette Howland – författare

The acclaimed collection that restored to the literary canon "a long-overlooked artist of live-wire incisiveness, shredding wit, and improbable beauty."Calm Sea and Prosperous Voyage restores to the literary canon an extraordinarily gifted writer, who was recognized as a major talent, with Guggenheim and MacArthur “genius” fellowships, before all but disappearing from public view for decades, until nearly the end of her life when her work was rediscovered.Bette Howland herself was an outsider: an intellectual from a working-class neighborhood in Chicago; a divorcée and single mother, to the disapproval of her family; an artist chipped away at by poverty and perfection. Each of these facets plays a central role in her work. Mining her deepest emotions for her art, she chronicles the tensions of her generation—and her native city—with a flair for language in the tradition of Lucia Berlin, Kathleen Collins, and Grace Paley. Calm Sea and Prosperous Voyage introduces a new generation of readers to a wry, brilliant observer and a writer of great empathy and sly, joyous humor. With an afterword by Honor Moore.

'One of the significant writers of her generation.' Saul Bellow'Her prose is cooler than a cocktail and sharper than a Japanese knife . . . Nora Ephron meets Lorrie Moore, which is about as good as it gets.' Rachel Cooke, Observer'We should be glad to have her back . . . Howland has the pinpoint vision that can make any sentence into a jewel.' John Self, The TimesBlue in Chicago brings together the bittersweet short stories of the remarkable American writer Bette Howland. Hailed as a major talent before all but disappearing from public view, this tenderly compiled collection restores her vital voice to our shelves. Bette Howland was an outsider: an intellectual from a working-class neighborhood in Chicago; a divorcee and single mother, to the disapproval of her Jewish family; an artist chipped away at by poverty and self-doubt. Her stories radiate a passionate commitment to the lives of ordinary people and the humble grace of everyday.From city streets to the hospital to the public library to the mundane family outing, her sly humour, aching melancholy and tender insight illuminate every page. Here is an astonishing literary voice rediscovered. Blue in Chicago features an afterword by Honor Moore and was published in the US under the title Calm Sea and Prosperous Voyage.'Beautifully bittersweet . . . funny, ruefully poetic and effortlessly perceptive.' Daily Mail'Captivating writing: rhythmic, alert, empathetic . . . I haven’t enjoyed another book more this year.' Telegraph'Profound . . . To read Bette Howland is to be handed a gift you didn't know you needed.' Irenosen Okojie, author of Nudibranch

'One of the significant writers of her generation.' Saul Bellow'Her prose is cooler than a cocktail and sharper than a Japanese knife . . . Nora Ephron meets Lorrie Moore, which is about as good as it gets.' Rachel Cooke, Observer'We should be glad to have her back . . . Howland has the pinpoint vision that can make any sentence into a jewel.' John Self, The TimesBlue in Chicago brings together the bittersweet short stories of the remarkable American writer Bette Howland. Hailed as a major talent before all but disappearing from public view, this tenderly compiled collection restores her vital voice to our shelves. Bette Howland was an outsider: an intellectual from a working-class neighborhood in Chicago; a divorcee and single mother, to the disapproval of her Jewish family; an artist chipped away at by poverty and self-doubt. Her stories radiate a passionate commitment to the lives of ordinary people and the humble grace of everyday.From city streets to the hospital to the public library to the mundane family outing, her sly humour, aching melancholy and tender insight illuminate every page. Here is an astonishing literary voice rediscovered. Blue in Chicago features an afterword by Honor Moore and was published in the US under the title Calm Sea and Prosperous Voyage.'Beautifully bittersweet . . . funny, ruefully poetic and effortlessly perceptive.' Daily Mail'Captivating writing: rhythmic, alert, empathetic . . . I haven’t enjoyed another book more this year.' Telegraph'Profound . . . To read Bette Howland is to be handed a gift you didn't know you needed.' Irenosen Okojie, author of Nudibranch

‘Reminiscent of Edna O’Brien, with shades too of Jean Rhys.’ – The Irish TimesThings to Come and Go showcases the incomparable talent of Bette Howland in three novellas of stunning power, beauty, and sustaining humour.‘Birds of a Feather’ is a daughter’s story of her extended, first-generation family, the ‘big, brassy yak-yakking Abarbanels’. Esti, a merciless, astute observer, recalls growing up amid (the confusions and difficulties of) their history, quarrels, judgements, noisy love and inescapable bonds of blood.In ‘The Old Wheeze’ a single mother in her twenties returns to her sunless apartment after a date at the ballet. Shifting between four viewpoints – the young woman, the older professor who took her out, her son, and her son’s babysitter – the story masterfully captures the impossibility of liberating ourselves from the self.In ‘The Life You Gave Me’, a woman at the midpoint of life is called to her father’s sickbed. A lament for all that is forever unsaid and unsayable, the story is ‘an anguished meditation on growing up, growing old and being left behind, a complaint against time.’ (The New York Times)First published in 1984, Things to Come and Go, Bette Howland’s final book, is a collection of haunting urgency about arrivals and departures, and the private, insoluble dramas in the lives of three women.With an introduction by Rumaan Alam, bestselling author of Leave the World Behind.

‘Reminiscent of Edna O’Brien, with shades too of Jean Rhys.’ – The Irish TimesThings to Come and Go showcases the incomparable talent of Bette Howland in three novellas of stunning power, beauty, and sustaining humour.‘Birds of a Feather’ is a daughter’s story of her extended, first-generation family, the ‘big, brassy yak-yakking Abarbanels’. Esti, a merciless, astute observer, recalls growing up amid (the confusions and difficulties of) their history, quarrels, judgements, noisy love and inescapable bonds of blood.In ‘The Old Wheeze’ a single mother in her twenties returns to her sunless apartment after a date at the ballet. Shifting between four viewpoints – the young woman, the older professor who took her out, her son, and her son’s babysitter – the story masterfully captures the impossibility of liberating ourselves from the self.In ‘The Life You Gave Me’, a woman at the midpoint of life is called to her father’s sickbed. A lament for all that is forever unsaid and unsayable, the story is ‘an anguished meditation on growing up, growing old and being left behind, a complaint against time.’ (The New York Times)First published in 1984, Things to Come and Go, Bette Howland’s final book, is a collection of haunting urgency about arrivals and departures, and the private, insoluble dramas in the lives of three women.With an introduction by Rumaan Alam, bestselling author of Leave the World Behind.

‘Dazzlingly and daringly written’ Rachel Cooke, ObserverW-3 is a small psychiatric ward in a large university hospital, a world of pills and passes dispensed by an all-powerful staff, a world of veteran patients with grab-bags of tricks, a world of dishevelled, moment-to-moment existence on the edge of permanence.Bette Howland was one of those patients. In 1968, Howland was thirty-one, a single mother of two young sons, struggling to support her family on the part-time salary of a librarian; and labouring day and night at her typewriter to be a writer. One afternoon, while staying at her friend Saul Bellow’s apartment, she swallowed a bottle of pills.W-3 is a vivid – and often surprisingly funny – portrait of the extraordinary community of Ward 3 and a record of a defining moment in a writer’s life. The book itself would be her salvation: she wrote herself out of the grave.Originally published in 1974 and rediscovered forty years later, this is the first edition of W-3 to be published in the UK. With an original introduction by Yiyun Li, author of Where Reasons End.‘W-3 is one hell of a debut’ Lucy Scholes, Paris Review‘Howland is finally getting the recognition that she deserves’ Sarah Hughes, iNews

‘Dazzlingly and daringly written’ Rachel Cooke, ObserverW-3 is a small psychiatric ward in a large university hospital, a world of pills and passes dispensed by an all-powerful staff, a world of veteran patients with grab-bags of tricks, a world of dishevelled, moment-to-moment existence on the edge of permanence.Bette Howland was one of those patients. In 1968, Howland was thirty-one, a single mother of two young sons, struggling to support her family on the part-time salary of a librarian; and labouring day and night at her typewriter to be a writer. One afternoon, while staying at her friend Saul Bellow’s apartment, she swallowed a bottle of pills.W-3 is a vivid – and often surprisingly funny – portrait of the extraordinary community of Ward 3 and a record of a defining moment in a writer’s life. The book itself would be her salvation: she wrote herself out of the grave.Originally published in 1974 and rediscovered forty years later, this is the first edition of W-3 to be published in the UK. With an original introduction by Yiyun Li, author of Where Reasons End.‘W-3 is one hell of a debut’ Lucy Scholes, Paris Review‘Howland is finally getting the recognition that she deserves’ Sarah Hughes, iNews

An extraordinary portrait of a brilliant mind on the brink: A new edition of the 1974 memoir by the author of the acclaimed collection Calm Sea and Prosperous Voyage. With an introduction by Yiyun Li.“For a long time it had seemed to me that life was about to begin—real life. But there was always some obstacle in the way. Something to be got through first, some unfinished business; time still to be served, a debt to be paid. Then life could begin. At last it had dawned on me that these obstacles were my life.”From the author of the acclaimed collection Calm Sea and Prosperous Voyage comes W-3, the account of a brilliant mind on the brink. In 1968, Bette Howland was thirty-one, a single mother of two young sons, struggling to support her family on the part-time salary of a librarian; and laboring day and night at her typewriter to be a writer. One afternoon, while staying at her friend Saul Bellow’s apartment, she swallowed a bottle of pills. W-3 is both an extraordinary portrait of the community of Ward 3, the psychiatric wing of the Chicago hospital where she was admitted; and record of a defining moment in a writer’s life. The book itself would be her salvation: she wrote herself out of the grave.First published in 1974, the memoir that launched Bette Howland’s career is being reissued as part of A Public Space’s ongoing revival of “one of the significant writers of her generation.” (Saul Bellow) With a new introduction by Yiyun Li.

An extraordinary portrait of a brilliant mind on the brink: A new edition of the 1974 memoir by the author of the acclaimed collection Calm Sea and Prosperous Voyage. With an introduction by Yiyun Li. “For a long time it had seemed to me that life was about to begin—real life. But there was always some obstacle in the way. Something to be got through first, some unfinished business; time still to be served, a debt to be paid. Then life could begin. At last it had dawned on me that these obstacles were my life.” From the author of the acclaimed collection Calm Sea and Prosperous Voyage comes W-3, the account of a brilliant mind on the brink. In 1968, Bette Howland was thirty-one, a single mother of two young sons, struggling to support her family on the part-time salary of a librarian; and laboring day and night at her typewriter to be a writer. One afternoon, while staying at her friend Saul Bellow’s apartment, she swallowed a bottle of pills. W-3 is both an extraordinary portrait of the community of Ward 3, the psychiatric wing of the Chicago hospital where she was admitted; and record of a defining moment in a writer’s life. The book itself would be her salvation: she wrote herself out of the grave. First published in 1974, the memoir that launched Bette Howland’s career is being reissued as part of A Public Space’s ongoing revival of “one of the significant writers of her generation.” (Saul Bellow) With a new introduction by Yiyun Li.