Beverle Graves Myers – författare

Venice, the dazzling city on the lagoon, is sailing toward the ruin of her maritime empire, determined to go down in a maelstrom of pleasure, music, and masquerade.

Venice, 1731. Opera is the popular entertainment of the day, and the castrati are its reigning stars. Tito Amato, mutilated as a boy to preserve his enchanting soprano voice, returns to the city of his birth with his friend Felice, a castrato whose voice has failed. Disaster strikes Tito’s opera premier when the singer loses one beloved friend to poison and another to unjust accusation and arrest. Alarmed that the merchant-aristocrat who owns the theater is pressing the authorities to close the case, Tito races the executioner to find the real killer.

The possible suspects could people the cast of one of his operas: a libertine nobleman and his spurned wife, a jealous soprano, an ambitious composer, and a patrician family bent on the theater’s ruin. With Carnival gaiety swirling around him and rousing Venetian passions in an ominous crescendo, Tito finds that the most astonishing secrets lurk behind the masks of his own family and friends.

Venice, 1734. Castrato soprano Tito Amato, star of Venice opera, has let fame go to his head. Neglecting his vocal practice for dubious pleasures, Tito finds himself demoted to secondary roles and overshadowed by a visiting singer who usurps his position. But when the murder of scene painter Luca Cavalieri threatens to close the opera house, Tito sees an opportunity to reclaim his status and jumps at the chance to find the killer. He is aided by Englishman Augustus “Gussie” Rumbolt, who is in Europe making his grand tour. The hunt for the person who wears the mask of Palantinus carries Tito and Gussie into the treacherous depths of the city of Venice, dedicated as it is to masquerade and pleasure, where Tito matches wits with the masked leader of a secret society bent on the destruction of Venice’s Jewish ghetto.

In September 1740, singer Tito Amato is offered the lead role in an opera being staged at an isolated villa in the Italian hills. Puzzled by the air of secrecy that enshrouds the production but attracted by a generous fee, Tito agrees.

The countryside is awash with the golden hues of autumn, but the bucolic mood quickly turns menacing when a notorious figure from Tito’s past turns up at the villa. That night, at the stroke of twelve, a soprano stumbles over a stranger who has been beaten to death with the clock pendulum.

With the local constable away on a boar hunt, the midnight murderer strikes with impunity, raising terror to a fevered crescendo. Tito must pursue his own quest for answers, a quest that leads straight into the painful secrets of his heart and beyond.

In Venice in 1742, Tito Amato is singing lead roles at the Teatro San Marco. On opening night, he has the entire audience entranced, except for one box with its scarlet curtains tightly drawn. Is this a lovers’ assignation or a meeting deep in political intrigue? Annoyed at being ignored, Tito aims the full force of his golden throat at the fourth-tier box and is astounded when the curtains part and a woman tumbles over the railing.

The victim is Zulietta Giardino, a mischievous courtesan involved with a young glassmaker. As Tito was the only one to see the masked man who pushed Zulietta to her death, the chief of Venice’s rudimentary police force requests the singer’s assistance. Did a wager over a rival courtesan’s jewels spell Zulietta’s death? Or did the motive involve sinister events in the glass factories of Murano?

In December 1941, America is reeling from the brutal attack on Pearl Harbor. Both patriotism and paranoia grip New York as the city frantically mobilizes for war. Nurse Louise Hunter is outraged when the FBI, in a midnight sweep of prominent Japanese residents, storms in to arrest her patient’s wife. The desperately ill Professor Oakley is married to artist Masako Fumi. The nurse vows to help the professor free Masako. But when the murdered body of Masako’s art dealer is discovered in the gallery where he’d been closing down her controversial show, Masako’s troubles multiply. Homicide detective Michael McKenna doubts her guilt, but an ambitious government man schemes to lever the homicide and ensuing espionage accusations into a political cause célèbre.

Struggling to focus on one man’s murder while America plunges into a worldwide war, Louise and McKenna defy both racism and ham-fisted government agents in order to expose the real killer.

In this historical mystery series debut, when murder almost occurs at her doorstep, a young innkeeper in ancient Roman Britain must find who’s responsible.

Roman Britain in 91 AD is a raw frontier province, part of the mighty Empire ruled by Domitian Caesar. Though it is almost fifty years since the legions invaded, many native tribes still hate their conquerors and seize any chance to harass the Roman settlers who are flocking in to colonize the new province. Tension is especially high in the north, where Aurelia Marcella, a young innkeeper from Italy, runs the Oak Tree Inn on the road to York.

A string of savage murders disrupts her peaceful life, and she and her Roman friends find themselves under attack from a secret native war-band whose aim is to drive all Romans out. When a traveler, Quintus, is nearly killed close to the inn, he and Aurelia must track down the rebel warriors and identify their mysterious masked leader, the Shadow of Death. Can they find and destroy him before his campaign of terror turns into open rebellion?

Praise for Shadows in the Night

“Jane Finnis’ gripping story of terrorism in Roman Britain is relevant and real for us today.” —Rhys Bowen, New York Times–bestselling author

 “Thoroughly plausible. Warmly recommended.” —Historical Novel Society