Beverly Taylor - Böcker

The contributors to this volume represent acknowledged experts in the field as well as a number of promising young scholars. They provide a thorough examination of how Romantic authors grappled with the problem of describing the connections between consciousness, unconsciousness, and language in their endeavor to capture this interplay in their art. As this collection bears witness, the Romantics sought to discard old ideas about language and literature and to mold new forms in their search to recover, in both literature and life, the sense of human possiblity. The essays, while strikingly diverse in topic and approach, explore this broad issue and come to a surprisingly similar conclusion: for Romantic writers, genuine consciousness, whatever it might imply about self-awareness, not only made it possible for an individual to affiliate with something outside himself, but even made such bonding necessary.

The revival of interest in Arthurian legend in the 19th century was a remarkable phenomenon, apparently at odds with the spirit of the age. Tennyson was widely criticised for his choice of a medieval topic; yet The Idylls of the Kingwere accepted as the national epic, and a flood of lesser works was inspired by them, on both sides of the Atlantic. Elisabeth Brewer and Beverly Taylor survey the course of Arthurian literature from 1800 to the presentday, and give an account of all the major English and American contributions. Some of the works are well-known, but there are also a host of names which will be new to most readers, and some surprises, such as J. Comyns Carr's King Arthur, rightly ignored as a text, but a piece oftheatrical history, for Sir Henry Irving played King Arthur, Ellen Terry was Guinevere, Arthur Sullivan wrote the music, and Burne-Jones designed the sets.The Arthurian works of the Pre-Raphaelites are discussed at length, as are the poemsof Edward Arlington Robinson, John Masefield and Charles Williams. Other writers have used the legends as part of a wider cultural consciousness: The Waste Land, David Jones's In Parenthesis and The Anathemata, and the echoes ofTristan and Iseult in Finnigan's Wake are discussed in this context. Novels on Arthurian themes are given their due place, from the satirical scenes of Thomas Love Peacock's The Misfortunes of Elphin and Mark Twain's A Connecticut Yankee at King Arthur's Court to T.H. White's serio-comic The Once and Future King and the many recent novelists who have turned away from the chivalric Arthur to depict him as a Dark Age ruler.The Return of King Arthurincludes a bibliography of British and American creative writing relating to the Arthurian legends from1800 to the present day.

This collection of original essays offers a broad and varied discussion of gender issues and treatments of sexuality in Victorian poetry, fiction, and visual arts. Featuring a representative selection of artists-poets, novelists, painters, sculptors, playwrights, and dancers-these critical analyses explore the ways in which women as artists, as subjects, and as icons function either to challenge and revise or to reify their society's gender ideologies. Enhanced by a diversity of approaches, the collection introduces revisionist readings of well-known literary works and examines interconnections between literature and the visual arts. In the first two parts, which address Victorian poetry and fiction, the readings illuminate previously unexplained features of poems and novels by such writers as Alfred Tennyson, Elizabeth Barrett Browning, Matthew Arnold, Christina Rossetti, A. C. Swinburne, Gerard Manley Hopkins, Anne Bront\u00eb, Charles Dickens, George Eliot, Rudyard Kipling, Thomas Hardy, Kate Chopin, and Oscar Wilde. The third part of the collection focuses on the themes of gender conventions and subversions that occur in visual representations-paintings and cartoons, sculpture and architectural reliefs, drama, opera, and music-hall dance. Rather than presenting literature and art as self-contained, the collection advances the assumption that creative works participate in a larger ideological current of society. Thus, where relevant, the contributors reference politics, economics, science, and other modes of cultural discourse. Such an approach retrieves the historical contexts surrounding the production and reception of the poetry, fiction, and visual arts examined.

A canonical Victorian writer and thinker, Barrett Browning personified the engaged intellectual. This edition provides a foundation for a complete analysis and interpretation of her works – and of Victorian Britain. The edition presents accurate and accessible texts of all her published literary works. Volume 1 General Introduction Poems, 4th edn (1856).

A canonical Victorian writer and thinker, Barrett Browning personified the engaged intellectual. This edition provides a foundation for a complete analysis and interpretation of her works – and of Victorian Britain. The edition presents accurate and accessible texts of all her published literary works. Volume 2: Poems, 4th edn (1856), continued.

A canonical Victorian writer and thinker, Barrett Browning personified the engaged intellectual. This edition provides a foundation for a complete analysis and interpretation of her works – and of Victorian Britain. The edition presents accurate and accessible texts of all her published literary works. Volume 3: Aurora Leigh, 4th edn (1859)

A canonical Victorian writer and thinker, Barrett Browning personified the engaged intellectual. This edition provides a foundation for a complete analysis and interpretation of her works – and of Victorian Britain. The edition presents accurate and accessible texts of all her published literary works. Volume 4 The Battle of Marathon (1820) An Essay on Mind, with Other Poems (1826) from Prometheus Bound, and Miscellaneous Poems (1833) from T e Seraphim and Other Poems (1838) Poems before Congress (1860) Other Previously Published Prose and Poetry.

A canonical Victorian writer and thinker, Barrett Browning personified the engaged intellectual. This edition provides a foundation for a complete analysis and interpretation of her works – and of Victorian Britain. The edition presents accurate and accessible texts of all her published literary works. Volume 5 Last Poems (1862) Works Unpublished in EBB’s Lifetime Consolidated Index.