Bill Gaston – författare

Weaving together five heartbreaking stories, Bill Gaston transforms the cruelty of life into something not only beautiful but heartwarming. A recently divorced, early retiree accidentally burns down his house on the day he pays off the mortgage, only to discover that for the first time in his life he’s forgotten to pay a bill: his insurance premium. An old friend of his, a middle-aged musician, prepares for her suicide to end the pain of esophageal cancer. Her father, who left his family to study Buddhism in Tibet, ends his days in a Toronto facility for Alzheimer’s patients. The three are tied together not only by their bonds of affection, but by a book called The World, written by the old man in his youth. The book, possibly biographical, tells the story of a historian who unearths a cache of letters, written in Chinese, in an abandoned leper colony off the coast of Victoria. He and the young Chinese translator fall in love, only to betray each other in the cruellest way possible, each violating what the other reveres most.

Bill Gaston’s characteristic keen insight and wit dazzle in this new collection. Here, we see the world through the prism of unfamiliar perspectives: a bank executive whose excellent sex life might in fact be killing her, an amorous tree surgeon better attuned to the values of his “patients” than to other people, a vacationing schizophrenic wary of his housemates, a pizza-delivery boy convinced he’s witnessed magic—all struggling with the world as they see it.

This versatile collection—at times darkly playful, absurd, or shockingly real—illustrates how we can fail to understand the simplest of truths and how we are trapped by the peculiarities of our own points of view.

In Gaston’s hands, the outlandish becomes comprehensible and everyday life begins to look strange. What unifies these stories and their characters is the underlying faith in the humanity of even the most dangerously misguided among us.

Brazenly entertaining, but just as often heartbreaking, Juliet Was a Surprise portrays the humour and unfairness of life through the blunders of quixotic men and women with whom we can’t help but sympathize.

From a Giller-nominated, multiple award-winner, here is a tender, wry and unforgettable memoir of all the things fathers and sons fail to say to each other, for readers of Plum Johnson''s They Left Us Everything, David Adams Richards''s Lines on the Water, and Helen Macdonald''s H is for Hawk.Bill Gaston''s relationship with his father was stormy. Sons clash with fathers, particularly with towering, authoritarian figures like Gaston Senior. Fairly or unfairly, sons look for reasons to rebel, particularly against boring suburban fathers who seem to prize conformity above all else. And fairly or unfairly, sons judge their fathers when they can''t handle their booze.     But even a father and son as doomed to clash as Gaston and his father could fish together. When they were shoulder-to-shoulder, joined in shared anticipation and common purpose, gazing at the waves of the Pacific Ocean, they were no longer betrayed by their differences. When Gaston''s father dies, this is the memory of his father that he keeps alive.     In the years that follow, however, he learns more about his father''s realtionship with his father. It too was marked by heavy drinking, though it took a much darker turn.     What Gaston comes to realize is that the man his younger self had been so eager to judge was in fact capable of near-heroic feats of self-mastery. And as a father of grown sons himself, he acutely feels the wounds he must have inflicted years before by withholding so much he now knows that fathers long for.      Returning to the past, Gaston goes back to those times in the boat, and comes to understand his own story anew as he sees his father in a new light.     Warm, often funny, and alive to all the ways in which the words for love so often come too late, Just Let Me Look at You captures a father''s inexpressible tenderness for a child and the longing he feels when that child becomes a man.

Indian summer, 1607. Intrepid explorer and map-maker Samuel de Champlain has founded a new and precarious settlement in Annapolis Royal, New France (present-day Nova Scotia). As winter looms, two threats emerge: boredom amongst the men and the deadly sickness scurvy. Champlain hits upon the idea of a moveable feast -- an order of "good cheer" -- where nobles and men can enjoy good local food, excellent wine, and camaraderie.Separated by the breadth of a continent and exactly four hundred years is twenty-first-century blue-collar worker Andy Winslow and his friends, whose urban landscape is threatened by encroaching environmental and economic disaster. In alternating narratives, award winning author and master storyteller Bill Gaston bridges the divide across land and time in this illuminating story about survival, love, friendship, and feast.

On a June morning in 2022, Bill Gaston drives off the Victoria–Port Angeles ferry in a rented Dodge Charger with his two sons. Born in the USA but “Canadian through and through,” Gaston is on a road trip to Tabor, Iowa, the town founded by his great, great, great-grandparents as the westernmost hub of the Underground Railroad. The Gastons’ eleven-day trip to Tabor and back takes them up and down and across a swathe of rural red states. Motivated equally by a curiosity to find out what really makes Americans tick and the motto ya gotta stop, the Gastons explore the American west, navigate unmapped dirt roads, eat too many French fries, overnight in clapped-out motels, visit a Buddhist mountain monastery, marvel at spectacular landforms, and enjoy unlikely conversations with real Americans. Both a sideways glance at contemporary American culture and a mordant yet tender account of the true meaning of ancestry, Spying on America is an unpredictably insightful exploration of family, Canada’s neighbour, and the “American bald ego.”

Here is the best of Bill Gaston's stories since the publication of his Giller Prize nominated collection, Mount Appetite (2002). In this extraordinary work, Gaston crafts his fiction around the idea of the gargoyle -- the concrete representation of extremes of human emotions.In Gaston's marvellous, riotous, Rabelaisian world, Gargoyles are physical manifestations of the disfigurements and contortions to which we human beings subject ourselves. Indeed, as Gaston wrote each story, he sketched out a distinct gargoyle to look down over it. For that reason, each story in this collection has a strange and unique guardian spirit whose sometimes benevolent, and sometimes malevolent, presence informs the characters and their actions. Gargoyles shows one of our best writers at the top of his form.