Bill Hunt – författare

This is a story of EspionageService to Country, and Personal Vendetta.Two fathers, two sons, all spies, all in service to their respective countries, this in turn caused them to weave those webs. Especially the strands, that caused the vendetta. In this, his first suspense story Bill Hunt lets you see and understand some of the mind-set involved in an Army occupational specialty, which is not for the weak of heart.

The luminous work of Bill Armstrong has long stretched the boundaries and expectations of contemporary photography. In his explorations and subversion of the ostensible objectivity and precision that have distinguished photography among the visual arts, Armstrong foregrounds the medium’s qualities that photographers had been attempting to exploit since the beginning of the twentieth century: colour and focus.All a Blur showcases Mr. Armstrong's Infinity series, an ongoing project he has been working on for over 25 years. The book presents 21 different portfolios, all made by using his unique process of photographing a collage of found or appropriated images extremely out of focus or distorted by handheld time exposures. The variety of subjects and results he achieves with this process is so broad it has been said that he has developed a medium of his own invention that lies at the intersection of photography, painting and collage.  With mysterious and poetic images that reflect on history, philosophy, identity and spirituality, Armstrong conjures a unique alternate reality that might exist in dreams, in memory, or, perhaps, in a parallel universe. At the same time, the subject of the work is colour. By taking away focus and the usual expectations of photography, Armstrong is able to investigate the qualities and effects of pure colour in a profound way, freed from the limits of representation.

Contemporary cameraless photography from master printer Michael Flomen. Master printer Michael Flomen expands his darkroom out into the wild to create large-scale, avant-garde, cameraless photograms in confluence with nature. From the streets of the world to the wilds of North America, this monograph traces in 182 images and 8 critical essays the evolution of Flomen’s originality of vision. As a way to take on abstraction with photography, Michael Flomen leaves behind the camera and embraces his light-sensitive materials. Elements such as water, the light emitted from fireflies, wind, rain, and other natural phenomena are emblematic of his work. Collaborating with nature, Flomen creates monumental photograms, revealing things we cannot see with the naked eye. The art in this book comes to us at a critical time when humanity is learning to mend its relationship with the environment.