Bill Marshall – författare

This is the first full-length monograph in English about one of France's most important contemporary filmmakers, perhaps best known in the English speaking world for his award winning Les Roseaux sauvages/Wild Reeds of 1994. This study locates André Téchiné within historical and cultural contexts that include the Algerian war, May 1968 and contemporary globalisation, and the influence of Roland Barthes, Bertolt Brecht, Ingmar Bergman, William Faulkner and the cinematic French wave. The originality of Téchiné's sixteen feature films lies in his subtle exploration of sexuality and national identity, as he challenges expectations in his depictions of gay relations, the North African dimensions of contemporary French culture, and the centre-periphery relationship between Paris and his native southwest.The book will be of interest to researchers and postgraduates working on French cinema, undergraduates studying Téchiné on their film courses, and all those with a general interest in cinema, contemporary France, and lesbian and gay issues.

This study introduces the reader to Victor Serge's life and extraordinary novels, locating them amidst crucial debates about revolution, communism, anarchism, literature and representation, and in comparison with his contemporaries. Marshall demonstrates that the voice of Serge is unified by a notion of dissent - an active dissent far removed from the quietism and conservatism of other dissidents.

This is the first full-length monograph in English about one of France’s most important contemporary filmmakers, perhaps best known in the English-speaking world for his award-winning Les Roseaux sauvages/Wild Reeds of 1994. This study locates André Téchiné within historical and cultural contexts that include the Algerian War, May 1968 and contemporary globalisation, and the influence of Roland Barthes, Bertolt Brecht, Ingmar Bergman, William Faulkner, and the cinematic French New Wave. The originality of Téchiné’s sixteen feature films lies in his subtle exploration of sexuality and national identity, as he challenges expectations in his depictions of gay relations, the North African dimensions of contemporary French culture, and the centre-periphery relationship between Paris and especially his native southwest. The book also looks at the collaborative nature of Téchiné’s filmmaking, including his work with Catherine Deneuve, who has made more films with him than with any other director, and the role of Philippe Sarde’s musical scores.