Horrific scenes of anti-Jewish violence in Europe filled the newsreels in American theaters in the 1930s and 1940s.What could be done to make sure it didn’t happen in America? One Jewish organization hit upon a remarkable idea—to enlist some of America’s most beloved cartoonists to wage a war on bigotry.Cartoonists Against Racism uncovers the secret campaign to create anti-racist comics and cartoons to flood America’s newspapers, classrooms, and union halls. Meet the artists and the work that was their ammunition in the battle for America’s soul.The book showcases impactful anti-racism artwork from the era’s preeminent cartoonists, including multiple Pulitzer Prize winners Bill Mauldin and Vaughn Shoemaker; New Yorker cartoonists Carl Rose, Mischa Richter, and Frank Hanley; famed antiwar cartoonist Robert Osborn; Dave Berg of Mad magazine; renowned sports cartoonist Willard Mullin; noted labor cartoonist Bernard Seaman; comics artist Mac Raboy (Flash Gordon, Captain Marvel Jr.); and Eric Godal, who escaped from Nazi Germany and became a leading cartoonist in the American press and acclaimed artist Dick Dorgan.
"The real war," said Walt Whitman, "will never get in the books." During World War II, the truest glimpse most Americans got of the "real war" came through the flashing black lines of twenty-two-year-old infantry sergeant Bill Mauldin. Week after week, Mauldin defied army censors, German artillery, and Patton's pledge to "throw his ass in jail" to deliver his wildly popular cartoon, "Up Front," to the pages of Stars and Stripes. "Up Front" featured the wise-cracking Willie and Joe, whose stooped shoulders, mud-soaked uniforms, and pidgin of army slang and slum dialect bore eloquent witness to the world of combat and the men who lived—and died—in it.This taut, lushly illustrated biography—the first of two-time Pulitzer Prize winner Bill Mauldin—is illustrated with more than ninety classic Mauldin cartoons and rare photographs. It traces the improbable career and tumultuous private life of a charismatic genius who rose to fame on his motto: "If it's big, hit it."
During WWII, the closest most Americans ever came to combat was through the cartoons of Bill Mauldin, the most beloved enlisted man in the US Army. This new paperback edition of the 2008 hardback box set brings together Mauldin's complete works from 1940 through to the end of the war in one volume. The collection of over 600 cartoons, most never reprinted, is more than the record of a great artist: it is an essential chronicle of America's citizen-soldiers from peace through war to victory.