Bill Osgerby – författare

American Pie represents the most commercially successful example of the vulgar teen comedy, and this book analyses the film''s development, audience-appeal and cultural significance.

American Pie (1999) is a film that exemplifies that most disparaged of movie genres – the vulgar teen comedy. Largely aimed at young audiences, the vulgar teen comedy is characterised by a brazenly over-the-top humour rooted in the salacious, the scatological and the squirmingly tasteless.

In this book, consideration is given to the relationship between American Pie’s success and broad shifts within both the youth market and the film business. Attention is also given to the film’s representations of youth, gender and sexuality, together with the distinctive character of its comedy and the enduring place of such humour in contemporary popular culture. While chiefly focusing on the original American Pie movie, the book also considers the development of the franchise, with discussion of the movie''s three sequels and four direct-to-DVD releases. The book also charts the history, nature and appeal of vulgar teen comedy as a whole, providing the first concerted analysis of this generally overlooked category of youth film.

Clear, concise and comprehensive, the book is ideal for students, scholars and general readership worldwide.

American Pie represents the most commercially successful example of the vulgar teen comedy, and this book analyses the film''s development, audience-appeal and cultural significance.

American Pie (1999) is a film that exemplifies that most disparaged of movie genres – the vulgar teen comedy. Largely aimed at young audiences, the vulgar teen comedy is characterised by a brazenly over-the-top humour rooted in the salacious, the scatological and the squirmingly tasteless.

In this book, consideration is given to the relationship between American Pie’s success and broad shifts within both the youth market and the film business. Attention is also given to the film’s representations of youth, gender and sexuality, together with the distinctive character of its comedy and the enduring place of such humour in contemporary popular culture. While chiefly focusing on the original American Pie movie, the book also considers the development of the franchise, with discussion of the movie''s three sequels and four direct-to-DVD releases. The book also charts the history, nature and appeal of vulgar teen comedy as a whole, providing the first concerted analysis of this generally overlooked category of youth film.

Clear, concise and comprehensive, the book is ideal for students, scholars and general readership worldwide.

From re-runs of ''TV classics'' like The Avengers or Starsky and Hutch, to soundtracks, club nights and film remakes such as Mission Impossible II, the action series is enjoying a popular revival. Yet little attention has been paid to the history, nature and enduring appeal of the action series, and its place in popular culture, past and present.Action TV traces the development of the action series from its genesis in the 1950s. From The Saint to Knigh t Rider, contributors explore the key shows which defined the genre, addressing issues of audiences and consumption, gender and sexuality, fashion and popular culture. They examine the institutional and cultural factors influencing the action series, and relate shifts in the genre to other forms of popular culture including film, pop music, fashion and popular literature.Chapters include:* Of leather suits and kinky boots: The Avengers, style and popular culture* ''Who loves ya, baby?'': Kojak, action and the great society*''A lone crusader in a dangerous world'': heroics of science and technology in Knight Rider* Angels in chains? feminism, femininity and consumer culture in Charlie''s Angels* ''Who''s the cat that won''t cop out?'' Black masculinity in American action shows of the sixties and seventies

From re-runs of ''TV classics'' like The Avengers or Starsky and Hutch, to soundtracks, club nights and film remakes such as Mission Impossible II, the action series is enjoying a popular revival. Yet little attention has been paid to the history, nature and enduring appeal of the action series, and its place in popular culture, past and present.Action TV traces the development of the action series from its genesis in the 1950s. From The Saint to Knigh t Rider, contributors explore the key shows which defined the genre, addressing issues of audiences and consumption, gender and sexuality, fashion and popular culture. They examine the institutional and cultural factors influencing the action series, and relate shifts in the genre to other forms of popular culture including film, pop music, fashion and popular literature.Chapters include:* Of leather suits and kinky boots: The Avengers, style and popular culture* ''Who loves ya, baby?'': Kojak, action and the great society*''A lone crusader in a dangerous world'': heroics of science and technology in Knight Rider* Angels in chains? feminism, femininity and consumer culture in Charlie''s Angels* ''Who''s the cat that won''t cop out?'' Black masculinity in American action shows of the sixties and seventies

This expansive, lively introduction charts the connections between international youth cultures and the development of global media and communication.

From 1950s drive-ins and jukeboxes to contemporary social media, the book examines modern youth cultures in their social, economic, and political contexts. Exploring the rise of young people as a distinct media market, the book examines the relation of youth to modern consumerism, marketing, and digital technologies. The chapters are packed with analysis of media representations of youth, debates about the media’s ''effects'' on young audiences, and young people’s use of the media to elaborate identities and negotiate social relationships. Drawing on a wealth of international examples, the book explores the impact of globalisation and new media technologies on youth cultures around the world. Assessing a profusion of worldwide research, the book shows how modern youth cultures can only be understood as part of an international web of connections, exchanges, and experiences.

With an ideal balance between detailed examples and engaging analysis, this book is a must-read for anyone interested in youth cultures and the modern media.

This expansive, lively introduction charts the connections between international youth cultures and the development of global media and communication.

From 1950s drive-ins and jukeboxes to contemporary social media, the book examines modern youth cultures in their social, economic, and political contexts. Exploring the rise of young people as a distinct media market, the book examines the relation of youth to modern consumerism, marketing, and digital technologies. The chapters are packed with analysis of media representations of youth, debates about the media’s ''effects'' on young audiences, and young people’s use of the media to elaborate identities and negotiate social relationships. Drawing on a wealth of international examples, the book explores the impact of globalisation and new media technologies on youth cultures around the world. Assessing a profusion of worldwide research, the book shows how modern youth cultures can only be understood as part of an international web of connections, exchanges, and experiences.

With an ideal balance between detailed examples and engaging analysis, this book is a must-read for anyone interested in youth cultures and the modern media.