Bjørn Schiermer - Böcker

Sociology is a constantly changing scientific endeavour, adventure and practice that was born with the advent of modernity. One of the main reasons for the rise of sociology was modern society’s wish to understand itself. In this introduction to sociology, the authors emphasize the importance and centrality of the idea of the sociological imagination, as it was conceived by sociologist C. Wright Mills.

 

This book will enhance and further develop your sociological imagination with a ‘sensibility’ that has its breeding ground in the Scandinavian countries; this is the first comprehensive attempt to write an international/Nordic text book and introductory text to sociology.

 

This book is aimed primarily at first year students in sociology but will be of interest to anyone who is looking for a comprehensive guide to the exciting field of sociology.

This volume seeks to address what its contributors take to be an important lacuna in youth cultural research: a lack of interest in the phenomenon of collectivity and collective aspects of youth culture. It gathers scholars from diverse research backgrounds – ranging from contemporary subculture studies, fan culture studies, musicology, youth transitions studies, criminology, technology and work-life studies – who all address collective phenomena in young lives. Ranging thematically from music experience and festival participation, via soccer fan culture, leisure, street art, youth climate activism, to the design of EU youth policies and Australian government ‘project’ work with young migrants, the chapters develop a variety of approaches to collective aspects to young cultural practices and material cultures. To establish these new approaches, the contributors combine new theories and fresh empirical work; they critically engage with the tradition and they complement or even reconfigure traditional approaches in and around the field. The book will be of interest to researchers in a broad range of areas in and around the field of youth culture studies including post-subculture studies, cultural studies, musicology, fan-culture and youth transition research, but it is also of acute interest for theoretically interested sociologists. The volume offers a new afterword by French sociologist Michel Maffesoli.