Blain Brown – författare

The Basics of Filmmaking is an introductory textbook tailored to the needs of beginning and intermediate film students and independent filmmakers that expertly guides you through the entirety of the craft, from screenwriting all the way through to editing, with detailed chapters covering each department involved in the filmmaking process.The book takes a behind-the-scenes look at every aspect of the filmmaking process: writing the screenplay (and getting it critiqued by a professional), pre-production, cinematography, lighting, the shooting process, getting good audio, editing, and even going to a pitch meeting to sell it. It addresses the real fundamentals, the mechanics and the basic concepts of how to write, produce, direct, shoot, record, and edit your movie.Written by Blain Brown, a seasoned expert who has worked professionally as a cinematographer, screenwriter, director, producer, line producer, assistant director, gaffer, grip, and editor; this is a must have resource for any filmmaking student.Featuring an accompanying companion website with video examples of scene directing methods, continuity and coverage, working with the camera, lighting, audio, and editing, and downloadable production forms you can fill out and use for your projects.

The Basics of Filmmaking is an introductory textbook tailored to the needs of beginning and intermediate film students and independent filmmakers that expertly guides you through the entirety of the craft, from screenwriting all the way through to editing, with detailed chapters covering each department involved in the filmmaking process.The book takes a behind-the-scenes look at every aspect of the filmmaking process: writing the screenplay (and getting it critiqued by a professional), pre-production, cinematography, lighting, the shooting process, getting good audio, editing, and even going to a pitch meeting to sell it. It addresses the real fundamentals, the mechanics and the basic concepts of how to write, produce, direct, shoot, record, and edit your movie.Written by Blain Brown, a seasoned expert who has worked professionally as a cinematographer, screenwriter, director, producer, line producer, assistant director, gaffer, grip, and editor; this is a must have resource for any filmmaking student.Featuring an accompanying companion website with video examples of scene directing methods, continuity and coverage, working with the camera, lighting, audio, and editing, and downloadable production forms you can fill out and use for your projects.

This book covers both the artistry and craftsmanship of cinematography and visual storytelling. Few art forms are as tied to their tools and technology as is cinematography. Take your mastery of these new tools, techniques, and roles to the next level with this cutting-edge roadmap from author and filmmaker Blain Brown.This 4th edition has been thoroughly updated throughout to include detailed information on the latest lighting and camera equipment, as well as expanded and updated discussion on the following areas: shooting on a budget, color spaces with emphasis on the new UHD standards, the decision-making process in choosing what lights and equipment to use, considerations concerning power issues, safety and what electrical supply is needed for various types of lights, an examination of the cinematographer’s role in preproduction, and much more. Topics Include:• Visual storytelling• Continuity and coverage• Cameras and digital sensors• The tools and basics of film lighting• Methods of shooting a scene• Continuity and coverage• Exposure• Color• Understanding digital images• Using linear, gamma, and log video• Image control and grading on the set• Data management and the DIT• Optics and focus• Camera movement• Set operations• Green screen, high speed, and other topics.Whether you are a student of filmmaking, someone just breaking into the business, working in the field and looking to move up the ladder, or an experienced filmmaker updating your knowledge of tools and techniques, this book provides both the artistic background of visual language and also the craft of shooting for continuity, lighting tools and methods, and the technical side of capturing images on digital or on film.The companion website (www.routledge.com/cw/brown) features additional material, including lighting demonstrations, basic methods of lighting, methods of shooting a scene, using diffusion, and other topics.

This book covers both the artistry and craftsmanship of cinematography and visual storytelling. Few art forms are as tied to their tools and technology as is cinematography. Take your mastery of these new tools, techniques, and roles to the next level with this cutting-edge roadmap from author and filmmaker Blain Brown.This 4th edition has been thoroughly updated throughout to include detailed information on the latest lighting and camera equipment, as well as expanded and updated discussion on the following areas: shooting on a budget, color spaces with emphasis on the new UHD standards, the decision-making process in choosing what lights and equipment to use, considerations concerning power issues, safety and what electrical supply is needed for various types of lights, an examination of the cinematographer’s role in preproduction, and much more. Topics Include:• Visual storytelling• Continuity and coverage• Cameras and digital sensors• The tools and basics of film lighting• Methods of shooting a scene• Continuity and coverage• Exposure• Color• Understanding digital images• Using linear, gamma, and log video• Image control and grading on the set• Data management and the DIT• Optics and focus• Camera movement• Set operations• Green screen, high speed, and other topics.Whether you are a student of filmmaking, someone just breaking into the business, working in the field and looking to move up the ladder, or an experienced filmmaker updating your knowledge of tools and techniques, this book provides both the artistic background of visual language and also the craft of shooting for continuity, lighting tools and methods, and the technical side of capturing images on digital or on film.The companion website (www.routledge.com/cw/brown) features additional material, including lighting demonstrations, basic methods of lighting, methods of shooting a scene, using diffusion, and other topics.

It’s a whole new world for cinematographers, camera assistants, and postproduction artists. New equipment, new methods, and new technologies have to be learned and mastered. New roles such as that of the DIT (Digital Imaging Technician), Digital Loader, and Data Manager are integral to today’s motion picture production process. Take your mastery of these new tools, techniques, and roles to the next level with this cutting-edge roadmap from esteemed author and filmmaker Blain Brown.The Filmmaker’s Guide to Digital Imaging covers both the theory and the practice, featuring full-color, in-depth coverage of essential terminology, technology, and industry-standard best-practices. Brown covers new industry-wide production standards such as ASC-CDL and the ACES workflow. Interviews with professional cinematographers and DITs working on Hollywood productions equip you with knowledge that is essential if you want to work in today’s motion picture industry, whether as a cinematographer, DIT, Digital Loader, Data Manager, camera assistant, editor, or VFX artist.Topics include:Digital sensors and camerasThe structure of digital imagesWaveform monitors, vectorscopes, and test chartsUsing linear, gamma, and log encoded video filesExposure techniques for HD and UltraHDUnderstanding digital colorCodecs and file formatsThe DIT cartDownloading, ingesting, and managing video filesWorkflow from camera to DIT cart to postUsing metadata and timecodeThe companion website (www.focalpress.com/cw/brown) features additional material, including demonstrations and interviews with experienced DITs and cinematographers.

This fully revised and updated fourth edition of Motion Picture and Video Lighting explores the technical, aesthetic, and practical aspects of lighting for film and video. It covers not only how to light, but also why. The process of lighting is emphasized, as well as practical techniques and visual storytelling with light.Written by experienced filmmaker, film school teacher, and author Blain Brown, this book emphasizes how the image, the mood, and the visual impact of a film are, to a great extent, determined by the skill and sensitivity of the director of photography in using lighting. It provides an indispensable, highly illustrated, and comprehensive guide to making every scene look its best.This new edition has been expanded to provide further guidance at the introductory level for students, those just starting their careers, and people already working in the business who want to move up.Topics include:Lighting SourcesLEDsThe Lighting ProcessLighting BasicsControlling LightLighting ScenesA Lighting PlaybookStorytelling With LightElectricity and DistributionGripologySet OperationsTechnical IssuesA robust accompanying companion website also includes video tutorials and other resources for students and professionals alike, including lighting demonstrations, basic methods of lighting, using diffusion, color control, and other topics.

This fully revised and updated fourth edition of Motion Picture and Video Lighting explores the technical, aesthetic, and practical aspects of lighting for film and video. It covers not only how to light, but also why. The process of lighting is emphasized, as well as practical techniques and visual storytelling with light.Written by experienced filmmaker, film school teacher, and author Blain Brown, this book emphasizes how the image, the mood, and the visual impact of a film are, to a great extent, determined by the skill and sensitivity of the director of photography in using lighting. It provides an indispensable, highly illustrated, and comprehensive guide to making every scene look its best.This new edition has been expanded to provide further guidance at the introductory level for students, those just starting their careers, and people already working in the business who want to move up.Topics include:Lighting SourcesLEDsThe Lighting ProcessLighting BasicsControlling LightLighting ScenesA Lighting PlaybookStorytelling With LightElectricity and DistributionGripologySet OperationsTechnical IssuesA robust accompanying companion website also includes video tutorials and other resources for students and professionals alike, including lighting demonstrations, basic methods of lighting, using diffusion, color control, and other topics.

Directly addressing how filmmakers can craft visually powerful films through practical skills that can be used throughout the filmmaking process, author Blain Brown explores how we use space, color, camera angles, composition, motion, POV and all the other methods in the day-to-day work of telling stories visually. Brown interrogates not only the tangible aspects of visual storytelling, but also the more abstract areas as well including visual metaphor, manipulating time and space, and visual subtext. It covers all the aspects of visual storytelling that directors, cinematographers, and editor use to tell stories visually. Written by a working filmmaker with over 30 years’ experience as a director and cinematographer, this book looks at both the how and the why of visual storytelling, consistently drawing on the day-to-day real-world environment of making a film. Ideal for intermediate and advanced students of filmmaking as well as professionals working in the industry. Topics Include: • Building A World • Cinematic Space • Visual Metaphor • Frame & Composition • Using Color • Time & Space • Light & Shadow • Visual Forces • POV & Eyelines • Motion • Lens & Focus • Establishing • Case Studies.

Directly addressing how filmmakers can craft visually powerful films through practical skills that can be used throughout the filmmaking process, author Blain Brown explores how we use space, color, camera angles, composition, motion, POV and all the other methods in the day-to-day work of telling stories visually. Brown interrogates not only the tangible aspects of visual storytelling, but also the more abstract areas as well including visual metaphor, manipulating time and space, and visual subtext. It covers all the aspects of visual storytelling that directors, cinematographers, and editor use to tell stories visually. Written by a working filmmaker with over 30 years’ experience as a director and cinematographer, this book looks at both the how and the why of visual storytelling, consistently drawing on the day-to-day real-world environment of making a film. Ideal for intermediate and advanced students of filmmaking as well as professionals working in the industry. Topics Include: • Building A World • Cinematic Space • Visual Metaphor • Frame & Composition • Using Color • Time & Space • Light & Shadow • Visual Forces • POV & Eyelines • Motion • Lens & Focus • Establishing • Case Studies.