Bob Johnson – författare

Fossil fuels power our cars, our food supply, our climate-controlled homes, our work, and our play. That much we know. What we understand less, and what this book makes clear, is how fossil fuels also condition Americans' sensory lives, erotic experiences, and aesthetics; how they structure what we assume to be normal and healthy; and how they prop up a distinctly modern bargain with nature that allows populations and economies to grow wildly beyond the previously understood limits of the organic economy. Carbon Nation ranges across film and literary studies, journalism, politics, art history, and ecology, to chart the course by which prehistoric carbon calories influenced--in both conscious and unconscious ways--the modern American economy and body. This includes our ways of being, sensing, and knowing as different classes, races, sexes, and conditions learned to embrace, absorb, and navigate the material manifestations, cultural potentialities, and myriad costs of fossil fuels. Combining historical ecology with cultural criticism, this book reveals the profound depths of our dependencies on carbon and the long repressed cultural history of our evasion and neglect of those dependencies. The ecological roots of modern America are introduced in the first half of the book with the revolution in material growth generated by the move from limited organic soil resources to subsoil energies. In the works of Eugene O'Neill, Upton Sinclair, Sherwood Anderson, and Stephen Crane, the author exposes how coal as a cultural object is used to suppress our dependencies, buried beneath modernist narratives of progress, consumption, and unbridled growth. In films like Charlie Chaplin's Modern Times and George Stevens's Giant we discover cinematic expressions of our deep-seated anxieties about living in a dizzying new world wrought by fossil fuels. Any discussion of fossil fuels must go beyond energy policy and technology. As Bob Johnson reminds us, in provocative and powerful ways, what we take to be natural in the modern world is, in fact, historical, and our history and our culture have risen from this relatively recent embrace of the coal mine, the stoke hole, and the oil derrick.

Fossil fuels don’t simply impact our ability to commute to and from work.They condition our sensory lives, our erotic experiences, and our aesthetics; they structure what we assume to be normal and healthy; and they prop up a distinctly modern bargain with nature that allows populations and economies to grow wildly beyond the older and more clearly understood limits of the organic economy.Carbon Nation ranges across film and literary studies, ecology, politics, journalism, and art history to chart the course by which prehistoric carbon calories entered into the American economy and body. It reveals how fossil fuels remade our ways of being, knowing, and sensing in the world while examining how different classes, races, sexes, and conditions learned to embrace and navigate the material manifestations and cultural potential of these new prehistoric carbons.The ecological roots of modern America are introduced in the first half of the book where the author shows how fossil fuels revolutionized the nation’s material wealth and carrying capacity. The book then demonstrates how this eager embrace of fossil fuels went hand in hand with both a deliberate and an unconscious suppression of that dependency across social, spatial, symbolic, an psychic domains. In the works of Eugene O’Neill, Upton Sinclair, Sherwood Anderson, and Stephen Crane, the author reveals how Americans’ material dependencies on prehistoric carbon were systematically buried within modernist narratives of progress, consumption, and unbridled growth; while in films like Charlie Chaplin’’s Modern Times and George Steven’s Giant he uncovers cinematic expressions of our own deep-seated anxieties about living in a dizzying new world wrought by fossil fuels.Any discussion of fossil fuels must go beyond energy policy and technology. In Carbon Nation, Bob Johnson reminds us that what we take to be natural in the modern world is, in fact, historical, and that our history and culture arise from this relatively recent embrace of the coal mine, the stoke hole, and the oil derrick.

Fossil fuels don’t simply impact our ability to commute to and from work.They condition our sensory lives, our erotic experiences, and our aesthetics; they structure what we assume to be normal and healthy; and they prop up a distinctly modern bargain with nature that allows populations and economies to grow wildly beyond the older and more clearly understood limits of the organic economy.Carbon Nation ranges across film and literary studies, ecology, politics, journalism, and art history to chart the course by which prehistoric carbon calories entered into the American economy and body. It reveals how fossil fuels remade our ways of being, knowing, and sensing in the world while examining how different classes, races, sexes, and conditions learned to embrace and navigate the material manifestations and cultural potential of these new prehistoric carbons.The ecological roots of modern America are introduced in the first half of the book where the author shows how fossil fuels revolutionized the nation’s material wealth and carrying capacity. The book then demonstrates how this eager embrace of fossil fuels went hand in hand with both a deliberate and an unconscious suppression of that dependency across social, spatial, symbolic, an psychic domains. In the works of Eugene O’Neill, Upton Sinclair, Sherwood Anderson, and Stephen Crane, the author reveals how Americans’ material dependencies on prehistoric carbon were systematically buried within modernist narratives of progress, consumption, and unbridled growth; while in films like Charlie Chaplin’''s Modern Times and George Steven’s Giant he uncovers cinematic expressions of our own deep-seated anxieties about living in a dizzying new world wrought by fossil fuels.Any discussion of fossil fuels must go beyond energy policy and technology. In Carbon Nation, Bob Johnson reminds us that what we take to be natural in the modern world is, in fact, historical, and that our history and culture arise from this relatively recent embrace of the coal mine, the stoke hole, and the oil derrick.

Managing Operations is a concise guide to the fundamentals of operations management. Using examples and case studies from public, private and voluntary sector organizations, this book will enable managers to develop their competency to an excellent standard in an industrial or commercial setting.As well as being very practically based, Managing Operations also provides the theory behind operations management.The book is based on the Management Charter Initiative's Occupational Standards for Management NVQs and SVQs at level 4. It is particularly suitable for managers on the Certificate in Management, or Part 1 of the Diploma, especially those accredited by the IM and Edexcel.Managing Operations is part of the highly successful series of textbooks for managers which cover the knowledge and understanding required as part of any competency-based management programme. The books cover the three main levels of management: supervisory/first-line management (NVQ level 3), middle management (Certificate/NVQ level 4) and senior management (Diploma/NVQ level 5). Also included are titles which cover management issues in particular sectors, such as schools or the public sector, in more depth. You will find a full listing of other titles available at the front of this book.Bob Johnson is a freelance management consultant and trainer with extensive experience of the retail, service, government and voluntary sectors. He has managed operations in the sales, marketing, purchasing, training and consultancy functions.

Managing Operations is a concise guide to the fundamentals of operations management. Using examples and case studies from public, private and voluntary sector organizations, this book will enable managers to develop their competency to an excellent standard in an industrial or commercial setting.As well as being very practically based, Managing Operations also provides the theory behind operations management.The book is based on the Management Charter Initiative''s Occupational Standards for Management NVQs and SVQs at level 4. It is particularly suitable for managers on the Certificate in Management, or Part 1 of the Diploma, especially those accredited by the IM and Edexcel.Managing Operations is part of the highly successful series of textbooks for managers which cover the knowledge and understanding required as part of any competency-based management programme. The books cover the three main levels of management: supervisory/first-line management (NVQ level 3), middle management (Certificate/NVQ level 4) and senior management (Diploma/NVQ level 5). Also included are titles which cover management issues in particular sectors, such as schools or the public sector, in more depth. You will find a full listing of other titles available at the front of this book.Bob Johnson is a freelance management consultant and trainer with extensive experience of the retail, service, government and voluntary sectors. He has managed operations in the sales, marketing, purchasing, training and consultancy functions.

Managing Operations is a concise guide to the fundamentals of operations management. Using examples and case studies from public, private and voluntary sector organizations, this book will enable managers to develop their competency to an excellent standard in an industrial or commercial setting.As well as being very practically based, Managing Operations also provides the theory behind operations management.The book is based on the Management Charter Initiative''s Occupational Standards for Management NVQs and SVQs at level 4. It is particularly suitable for managers on the Certificate in Management, or Part 1 of the Diploma, especially those accredited by the IM and Edexcel.Managing Operations is part of the highly successful series of textbooks for managers which cover the knowledge and understanding required as part of any competency-based management programme. The books cover the three main levels of management: supervisory/first-line management (NVQ level 3), middle management (Certificate/NVQ level 4) and senior management (Diploma/NVQ level 5). Also included are titles which cover management issues in particular sectors, such as schools or the public sector, in more depth. You will find a full listing of other titles available at the front of this book.Bob Johnson is a freelance management consultant and trainer with extensive experience of the retail, service, government and voluntary sectors. He has managed operations in the sales, marketing, purchasing, training and consultancy functions.

Managing Operations is a concise guide to the fundamentals of operations management. Using examples and case studies from public, private and voluntary sector organizations, this book will enable managers to develop their competency to an excellent standard in an industrial or commercial setting. As well as being very practically based, Managing Operations also provides the theory behind operations management.The book is based on the Management Charter Initiative's Occupational Standards for Management NVQs and SVQs at level 4. It is particularly suitable for managers on the Certificate in Management, or Part 1 of the Diploma, especially those accredited by the IM and Edexcel.Managing Operations is part of the highly successful series of textbooks for managers which cover the knowledge and understanding required as part of any competency-based management programme. The books cover the three main levels of management: supervisory/first-line management (NVQ level 3), middle management (Certificate/NVQ level 4) and senior management (Diploma/NVQ level 5). Also included are titles which cover management issues in particular sectors, such as schools or the public sector, in more depth. You will find a full listing of other titles available at the front of this book.Bob Johnson is a freelance management consultant and trainer with extensive experience of the retail, service, government and voluntary sectors. He has managed operations in the sales, marketing, purchasing, training and consultancy functions.

Charlie lives close to the normally placid Humber River. And while his fascination belies his paralyzing fear of water, he is drawn both to its shores and to the lissome young girl who becomes his first love. As their feelings grow, they must navigate the universal and sometimes painful challenges of teen years. For Charlie, that means struggles with body-image, sexual awakening, and the bewilderment of entering high school. On the home front, he witnesses his grandparents' lose their beloved Downsview farm to the encroaching suburbs of North York; his father struggles with traumatic memories of his war years; his mother carries the burden of a secret sin; and his young sister questions the nature of God. For Marie, it means finding a way to reconcile the old-world village traditions and values of her Italian immigrant parents and values with Canada's more permissive freedoms and expectations and her own desires.Until finally, the Humber escapes its banks to create havoc on that terrible night, requiring Charlie and Maria to deal with a flood of emotions as they face the tenuous link between life and death and their own mortality