Bojana Cvejic – författare

An illustrated and in-depth exploration of four of Rosas's early works, Fase, Rosas danst Rosas, Elena's Aria, and Bartók, through sketches, notes, and photographsAnne Teresa De Keersmaeker is one of the most prominent choreographers in contemporary dance. Her 1982 debut with Fase immediately attracted the attention of the international dance scene; since then, De Keersmaeker and her company, Rosas, have created an impressive series of choreographic works that have been described as "pure writing with movement in time and space." This book explores four of Rosas’ early works, Fase, Rosas danst Rosas, Elena’​s Aria, and Bartók, through sketches, notes in reviews, and photographs.Distributed for Mercatorfonds

Starting out from the author’s extensive practice as a dramaturg and educator, this book identifies and elucidates the varied selection of dramaturgical tools that have been used in the experimental practices of contemporary dance, theatre, and performance in Europe since the early 2000s.In order to trace the elements of dramaturgy that are at work in creation and production of a performance, the book focusses on how performances ‘work’ dramaturgically. It illuminates questions, work processes, situations and decision-making through stories in which the making of a performance is unravelled. Drawing on scenes across various contexts in Europe and beyond, with their self-organized platforms, magazines and workshops, the book ventriloquizes a multiplicity of voices, of more than forty dance- and theatre makers, performers, dramaturgs, and artists from other disciplines. It understands dramaturgy as larger, more informal and diffuse than the work of the dramaturg alone. Structured around four dramaturgical clusters—material, methods and procedures, operations, and social relations—the book proposes a non-linear framework through which creation processes can be examined. These clusters address material resistance, heuristic inquiry, audience-probing operations, and the dramatization of social relations in collaborative work.This is a fresh and enlightening book for anyone doing, discussing or thinking about dramaturgy, at university level, in professional practice or beyond.

Starting out from the author’s extensive practice as a dramaturg and educator, this book identifies and elucidates the varied selection of dramaturgical tools that have been used in the experimental practices of contemporary dance, theatre, and performance in Europe since the early 2000s.In order to trace the elements of dramaturgy that are at work in creation and production of a performance, the book focusses on how performances ‘work’ dramaturgically. It illuminates questions, work processes, situations and decision-making through stories in which the making of a performance is unravelled. Drawing on scenes across various contexts in Europe and beyond, with their self-organized platforms, magazines and workshops, the book ventriloquizes a multiplicity of voices, of more than forty dance- and theatre makers, performers, dramaturgs, and artists from other disciplines. It understands dramaturgy as larger, more informal and diffuse than the work of the dramaturg alone. Structured around four dramaturgical clusters—material, methods and procedures, operations, and social relations—the book proposes a non-linear framework through which creation processes can be examined. These clusters address material resistance, heuristic inquiry, audience-probing operations, and the dramatization of social relations in collaborative work.This is a fresh and enlightening book for anyone doing, discussing or thinking about dramaturgy, at university level, in professional practice or beyond.

This book illuminates the relationship between philosophy and experimental choreographic practice today in the works of leading European choreographers. A discussion of key issues in contemporary performance from the viewpoint of Deleuze, Spinoza and Bergson is accompanied by intricate analyses of seven groundbreaking dance performances.

This book illuminates the relationship between philosophy and experimental choreographic practice today in the works of leading European choreographers. A discussion of key issues in contemporary performance from the viewpoint of Deleuze, Spinoza and Bergson is accompanied by intricate analyses of seven groundbreaking dance performances.