Bonnie Lander Johnson – författare

In late medieval and early modern Europe, definitions of blood in medical writing were slippery and changeable: blood was at once the red fluid in human veins, a humor, a substance governing crucial Galenic models of bodily change, a waste product, a cause of corruption, a source of life, a medical cure, a serum appearing under the guise of all other bodily secretions, and-after William Harvey's discovery of its circulation-the cause of one of the greatest medical controversies of the premodern period. Figurative uses of "blood" are even more difficult to pin down. The term appeared in almost every sphere of life and thought, running through political, theological, and familial discourses.Blood Matters explores blood as a distinct category of inquiry and draws together scholars who might not otherwise be in conversation. Theatrical and medical practice are found to converge in their approaches to the regulation of blood as a source of identity and truth; medieval civic life intersects with seventeenth-century science and philosophy; the concepts of class, race, gender, and sexuality find in the language of blood as many mechanisms for differentiation as for homogeneity; and fields as disparate as pedagogical theory, alchemy, phlebotomy, wet-nursing, and wine production emerge as historically and intellectually analogous. The volume's essays are organized within categories derived from medieval and early modern understanding of blood behaviors-Circulation, Wounds, Corruption, Proof, and Signs and Substances-thereby providing the terms through which interdisciplinary and cross-period conversations can take place.Contributors: Helen Barr, Katharine Craik, Lesel Dawson, Eleanor Decamp, Frances E. Dolan, Elisabeth Dutton, Margaret Healy, Dolly JØrgensen, Helen King, Bonnie Lander Johnson, Hester Lees-Jeffries, Joe Moshenska, Tara Nummedal, Patricia Parker, Ben Parsons, Heather Webb, Gabriella Zuccolin.

In late medieval and early modern Europe, definitions of blood in medical writing were slippery and changeable: blood was at once the red fluid in human veins, a humor, a substance governing crucial Galenic models of bodily change, a waste product, a cause of corruption, a source of life, a medical cure, a serum appearing under the guise of all other bodily secretions, and-after William Harvey's discovery of its circulation-the cause of one of the greatest medical controversies of the premodern period. Figurative uses of "blood" are even more difficult to pin down. The term appeared in almost every sphere of life and thought, running through political, theological, and familial discourses.Blood Matters explores blood as a distinct category of inquiry and draws together scholars who might not otherwise be in conversation. Theatrical and medical practice are found to converge in their approaches to the regulation of blood as a source of identity and truth; medieval civic life intersects with seventeenth-century science and philosophy; the concepts of class, race, gender, and sexuality find in the language of blood as many mechanisms for differentiation as for homogeneity; and fields as disparate as pedagogical theory, alchemy, phlebotomy, wet-nursing, and wine production emerge as historically and intellectually analogous. The volume's essays are organized within categories derived from medieval and early modern understanding of blood behaviors-Circulation, Wounds, Corruption, Proof, and Signs and Substances-thereby providing the terms through which interdisciplinary and cross-period conversations can take place.Contributors: Helen Barr, Katharine Craik, Lesel Dawson, Eleanor Decamp, Frances E. Dolan, Elisabeth Dutton, Margaret Healy, Dolly JØrgensen, Helen King, Bonnie Lander Johnson, Hester Lees-Jeffries, Joe Moshenska, Tara Nummedal, Patricia Parker, Ben Parsons, Heather Webb, Gabriella Zuccolin.

The Shakespearean stage offered London playgoers a glimpse of the illiterate and rural plant cultures rapidly disappearing from their increasingly urban and sophisticated lives. The same cultures also circulated in popular texts offstage: bawdy tree ballads, botanical tales, almanacs and accounts of kitchen physic. Here Bonnie Lander Johnson argues that, while Shakespeare's plants offered audiences a nostalgic vision of childhood, domestic education and rural pastimes, this was in fact done with an ironic gesture that claimed for illiterate culture an intellectual relevance ignored by the learned and largely Protestant realm of print. Addressing a long-standing imbalance in early modern scholarship, she reveals how Shakespeare's plays – and the popular, low botanical beliefs they represent – engaged with questions usually deemed high, literate and elite: theological and liturgical controversies, the politics of state, England's role in Elizabethan naval conflict and the increasingly learned realm of medical authority.

In this book, Bonnie Lander Johnson explores early modern ideas of chastity, demonstrating how crucial early Stuart thinking on chastity was to political, medical, theological and moral debates, and that it was also a virtue that governed the construction of different literary genres. Drawing on a range of materials, from prose to theatre, theological controversy to legal trials, and court ceremonies - including royal birthing rituals - Lander Johnson unearths previously unrecognised opinions about chastity. She reveals that early Stuart theatrical and court ceremonies were part of the same political debate as prose pamphlets and religious sermons. The volume also offers new readings of Milton's Comus, Shakespeare's The Winter's Tale, Henrietta Maria's queenship and John Ford's plays. It will appeal to scholars of early modern literature, theatre, political, medical and cultural history, and gender studies.

In this book, Bonnie Lander Johnson explores early modern ideas of chastity, demonstrating how crucial early Stuart thinking on chastity was to political, medical, theological and moral debates, and that it was also a virtue that governed the construction of different literary genres. Drawing on a range of materials, from prose to theatre, theological controversy to legal trials, and court ceremonies - including royal birthing rituals - Lander Johnson unearths previously unrecognised opinions about chastity. She reveals that early Stuart theatrical and court ceremonies were part of the same political debate as prose pamphlets and religious sermons. The volume also offers new readings of Milton's Comus, Shakespeare's The Winter's Tale, Henrietta Maria's queenship and John Ford's plays. It will appeal to scholars of early modern literature, theatre, political, medical and cultural history, and gender studies.

The first of its kind, this wide-ranging, accessible handbook covers literary engagement with plants in over two thousand years of writing from around the world. It includes within its broad ambit historical periods of Latin, Norse and Anglophone plant literatures, prominent plant genres, and the literatures of major global regions. Chapters explore the history of literary thinking about plants as creatures that do or do not resemble us; our use of plants to negotiate geo-political conflict; the ethical dimension of plant sensibilities; the moral dimension of our desire to engage aesthetically with plants; the ways in which human-plant relations have been used to make and unmake national and ethnic identities; the role of plant-writing in the development of literary form; and the ways we have used plants to navigate modernity's cultural and intellectual shift from theological engagement with the created world to the discourses of modern science.

'Rich and replenishing ... I felt lovesick for it after it was done' ELEANOR CATTON, Booker Prize-winning author'A fascinating, original story' TLS'I really loved this book' JENN ASHWORTH'A real treasure' ROWAN WILLIAMS, former Archbishop of Canterbury__________In the past, we were deeply bound to all things green and growing. We once knew the landscape and the plants around us as well as we knew ourselves. But today our relationship with plants and nature has grown distant - we have lost a sense of plants as precious.Vanishing Landscapes tells the story of how plants disappeared from our daily lives one by one. First were apples, then household medicines like saffron, cloth dyes like woad, grapes for making wine, and then, eventually, the timber and reeds we used to build our houses and the wheat we grew for our bread. In their place came the first corporation, the first factory, the banking system, private property, global trade, and modern medicine.The history of these plants shows us how we became modern, but it also shows a path to recover some of what we have lost. In Vanishing Landscapes, Bonnie Lander Johnson goes in search of the old life and the people who are still connected to the land. She meets farmers in Ireland, wine makers in Yorkshire and cloth dyers in the Highlands. She cuts reeds in the watery Norfolk fens and camps overnight in a West Country orchard to gaze up at an unchanging sky.Vanishing Landscapes brings to life a world we never knew but still long for, and reminds us that it's not too late to find a way back.