Bradford K. Mudge – författare

The Cambridge Companion to Erotic Literature offers an introduction to key debates in the study of erotic literature from antiquity to the present. It addresses one of the longest standing controversies in literary history: the boundary between acceptable and unacceptable treatments of human sexuality. Whether scurrilous Roman satire, irreverent Restoration drama, or bold Modernist novel, erotic literature pushes the boundaries of the acceptable and challenges the conventions of more mainstream literatures. In fifteen chapters that range from ancient Greece and Rome to twentieth-century American, English, French, and Dutch literature, experts in the field confront a variety of related topics, such as the definition and scope of erotic literature, the nature of textual pleasure, historical shifts in the understanding of the normal and the perverse, the relationship between gender and genre, sexual violence, homosexuality, sadomasochism, necrophilia, satire, pornography, etc. Students new to the scholarship are provided with a clear and useful introduction; those already familiar with the field are given an exciting glimpse into the most recent work.

When Flesh Becomes Word collects nine different examples of British libertine literature that appeared before 1750. Three of these--The School of Venus (1680), Venus in the Cloister (1725), and A Dialogue Between a Married Lady and a Maid (1740)--are famous "e;whore dialogues,"e; dramatic conversations between an older, experienced woman and a younger, inexperienced maid. Previously unavailable to the modern reader, these dialogues combine sex education, medical folklore, and erotic literature in a decidedly proto-pornographic form. This edition presents other important examples of libertine literature, including bawdy poetry, a salacious medical treatise, an irreverent travelogue, and a criminal biography. The combination of both popular and influential texts presented in this edition provides an accessible introduction to the variety of material available to eighteenth-century readers before the publication of John Cleland's Memoirs of a Woman of Pleasure in 1749.

This fresh and persuasively argued book examines the origins of pornography in Britain and presents a comprehensive overview of women's role in the evolution of obscene fiction. Carefully monitoring the complex interconnections between three related debates--that over the masquerade, that over the novel, and that over prostitution--Mudge contextualizes the growing literary need to separate good fiction from bad and argues that that process was of crucial importance to the emergence of a new, middle-class state. Looking closely at sermons, medical manuals, periodical essays, and political tracts as well as poetry, novels, and literary criticism, The Whore's Story tracks the shifting politics of pleasure in eighteenth-century Britain and charts the rise of modern, pornographic sensibilities.

When Flesh Becomes Word collects nine different examples of British libertine literature that appeared before 1750. Three of these--The School of Venus (1680), Venus in the Cloister (1725), and A Dialogue Between a Married Lady and a Maid (1740)--are famous "whore dialogues," dramatic conversations between an older, experienced woman and a younger, inexperienced maid. Previously unavailable in an affordable edition, these dialogues combine sex education, medical folklore, and erotic literature in a decidedly proto-pornographic form. This edition presents other important examples of libertine literature, including bawdy poetry, a salacious medical treatise, an irreverent travelogue, and a criminal biography. The combination of The combination of both popular and influential texts presented in this edition provides an accessible introduction to the variety of material available to eighteenth-century readers before the publication of John Cleland's Memoirs of a Woman of Pleasure in 1749.

When Flesh Becomes Word collects nine different examples of British libertine literature that appeared before 1750. Three of these--The School of Venus (1680), Venus in the Cloister (1725), and A Dialogue Between a Married Lady and a Maid (1740)--are famous "whore dialogues," dramatic conversations between an older,experienced woman and a younger, inexperienced maid. Previously unavailable in an affordable edition these dialogues combine sex education, medical folklore, and erotic literature in a decidedly proto-pornographic form. This edition presents other important examples of libertine literature, including bawdy poetry, a salacious medical treatise, an irreverent travelogue, and a criminal biography. The combination of both popular and influential texts presented in this edition provides an accessible introduction to the variety of material available to eighteenth-century readers before the publication of John Cleland's Memoirs of a Woman of Pleasure in 1749.

This fresh and persuasively argued book examines the origins of pornography in Britain and presents a comprehensive overview of women''s role in the evolution of obscene fiction. Carefully monitoring the complex interconnections between three related debates--that over the masquerade, that over the novel, and that over prostitution--Mudge contextualizes the growing literary need to separate good fiction from bad and argues that that process was of crucial importance to the emergence of a new, middle-class state. Looking closely at sermons, medical manuals, periodical essays, and political tracts as well as poetry, novels, and literary criticism, The Whore''s Story tracks the shifting politics of pleasure in eighteenth-century Britain and charts the rise of modern, pornographic sensibilities.

When Flesh Becomes Word collects nine different examples of British libertine literature that appeared before 1750. Three of these--The School of Venus (1680), Venus in the Cloister (1725), and A Dialogue Between a Married Lady and a Maid (1740)--are famous "whore dialogues," dramatic conversations between an older, experienced woman and a younger, inexperienced maid. Previously unavailable to the modern reader, these dialogues combine sex education, medical folklore, and erotic literature in a decidedly proto-pornographic form. This edition presents other important examples of libertine literature, including bawdy poetry, a salacious medical treatise, an irreverent travelogue, and a criminal biography. The combination of both popular and influential texts presented in this edition provides an accessible introduction to the variety of material available to eighteenth-century readers before the publication of John Cleland''s Memoirs of a Woman of Pleasure in 1749.

The Cambridge Companion to Erotic Literature offers an introduction to key debates in the study of erotic literature from antiquity to the present. It addresses one of the longest standing controversies in literary history: the boundary between acceptable and unacceptable treatments of human sexuality. Whether scurrilous Roman satire, irreverent Restoration drama, or bold Modernist novel, erotic literature pushes the boundaries of the acceptable and challenges the conventions of more mainstream literatures. In fifteen chapters that range from ancient Greece and Rome to twentieth-century American, English, French, and Dutch literature, experts in the field confront a variety of related topics, such as the definition and scope of erotic literature, the nature of textual pleasure, historical shifts in the understanding of the normal and the perverse, the relationship between gender and genre, sexual violence, homosexuality, sadomasochism, necrophilia, satire, pornography, etc. Students new to the scholarship are provided with a clear and useful introduction; those already familiar with the field are given an exciting glimpse into the most recent work.

The Cambridge Companion to Erotic Literature offers an introduction to key debates in the study of erotic literature from antiquity to the present. It addresses one of the longest standing controversies in literary history: the boundary between acceptable and unacceptable treatments of human sexuality. Whether scurrilous Roman satire, irreverent Restoration drama, or bold Modernist novel, erotic literature pushes the boundaries of the acceptable and challenges the conventions of more mainstream literatures. In fifteen chapters that range from ancient Greece and Rome to twentieth-century American, English, French, and Dutch literature, experts in the field confront a variety of related topics, such as the definition and scope of erotic literature, the nature of textual pleasure, historical shifts in the understanding of the normal and the perverse, the relationship between gender and genre, sexual violence, homosexuality, sadomasochism, necrophilia, satire, pornography, etc. Students new to the scholarship are provided with a clear and useful introduction; those already familiar with the field are given an exciting glimpse into the most recent work.