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Headstrong and wry, Marcia Marcus (1928–2025) was a fiercely original artist whose work challenges typical understanding of post-war American art. Rejecting mainstream abstraction, Marcus spent five decades painting what compelled her: languorous male nudes, parenthood, great style—subjects her peers rarely explored—all rendered in her distinctive cool and poised hand. Undaunted by New York’s male-dominated art world, she was a vivid presence in downtown Manhattan and Provincetown, pioneering as one of the first women to stage a Happening. Through decades of self-portraiture, she boldly affirmed her own creative voice and upended narrow expectations of gender with wit and defiance.This volume illuminates Marcus’s multifaceted significance: innovative artist of post-war New York, creator of radically assertive self-portraiture, and essential forerunner of figurative painting today.
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This richly illustrated book features an introduction by the National Portrait Gallery’s chief curator and nearly 150 insightful entries on key self-portraits in the museum’s collection. Eye to I provides readers with an overview of self-portraiture while revealing the intersections that exist between art, life, and self-representation.Drawing primarily from the museum’s collection, Eye to I explores how American artists have portrayed themselves over the past two centuries. The book shows that while each individual approaches self-portraiture under unique circumstances, all of their representations raise important questions about self-perception and self-reflection. Sometimes artists choose to reveal intimate details of their inner lives. Other times they use the genre to obfuscate their true selves or invent alter egos. Today, with the proliferation of selfies and the contemporary focus on identity, it is time to reassess the significance of the self-portrait.