Brendan King – författare

Dame Beryl Bainbridge was one of the most popular and recognisable English novelists of her generation. She was shortlisted for the Booker Prize five times, and her critically acclaimed novels The Dressmaker (1973), The Bottle Factory Outing (1974), An Awfully Big Adventure (1990), Every Man For Himself (1996) and Master Georgie (1998), confirmed her status as one of the major literary figures of the past fifty years.A unique voice in fiction, and unforgettable in person, Beryl Bainbridge was famous for her gregarious drinking habits and her unconventional lifestyle. Yet underneath the public image of a quirky eccentric lay a complex and sometimes traumatic private life that she rarely talked about and which was often only hinted at in her novels.In this first full-length biography, Brendan King draws on a mass of unpublished letters and diaries to reveal the real woman behind the popular image. He explores Bainbridge''s difficult childhood in Formby, her career as a young actress at the Liverpool Playhouse, and her life as a single mother and writer in Camden Town. Along the way he tackles her complex private life: her failed marriage to the painter Austin Davies, her affairs, and her longstanding relationship with her publisher, Colin Haycraft.This frank portrait of Beryl Bainbridge tells the story of a life that is every bit as dramatic and compelling as one of her own perfectly-crafted novels.

Dame Beryl Bainbridge was one of the most popular and recognisable English novelists of her generation. She was shortlisted for the Booker Prize five times, and her critically acclaimed novels The Dressmaker (1973), The Bottle Factory Outing (1974), An Awfully Big Adventure (1990), Every Man For Himself (1996) and Master Georgie (1998), confirmed her status as one of the major literary figures of the past fifty years.A unique voice in fiction, and unforgettable in person, Beryl Bainbridge was famous for her gregarious drinking habits and her unconventional lifestyle. Yet underneath the public image of a quirky eccentric lay a complex and sometimes traumatic private life that she rarely talked about and which was often only hinted at in her novels.In this first full-length biography, Brendan King draws on a mass of unpublished letters and diaries to reveal the real woman behind the popular image. He explores Bainbridge''s difficult childhood in Formby, her career as a young actress at the Liverpool Playhouse, and her life as a single mother and writer in Camden Town. Along the way he tackles her complex private life: her failed marriage to the painter Austin Davies, her affairs, and her longstanding relationship with her publisher, Colin Haycraft.This frank portrait of Beryl Bainbridge tells the story of a life that is every bit as dramatic and compelling as one of her own perfectly-crafted novels.

This book describes how young Black men on a disadvantaged housing estate in London navigate the estate’s expectations for their behaviour as they operate within a street code that endorses violence, knife-carrying and challenging masculinity. This street code informs the men’s masculine identities by promoting values of misogyny, violence and the possession of expensive material objects while subduing any performance or features deemed as weak or feminine. Chapters detail the daily pressure on young men to gain respect and perform the estate’s street code while also providing examples of young men who have escaped or rejected its influence. King also outlines how youth workers can support those trapped by the estate’s street code by embodying personalised or caring masculinity features that seek to transform the dominant masculinity.

This book describes how young Black men on a disadvantaged housing estate in London navigate the estate’s expectations for their behaviour as they operate within a street code that endorses violence, knife-carrying and challenging masculinity. This street code informs the men’s masculine identities by promoting values of misogyny, violence and the possession of expensive material objects while subduing any performance or features deemed as weak or feminine. Chapters detail the daily pressure on young men to gain respect and perform the estate’s street code while also providing examples of young men who have escaped or rejected its influence. King also outlines how youth workers can support those trapped by the estate’s street code by embodying personalised or caring masculinity features that seek to transform the dominant masculinity.