Brett Bourbon – författare

Approaching the study of literature as a unique form of the philosophy of language and mind—as a study of how we produce nonsense and imagine it as sense—this is a book about our human ways of making and losing meaning. Brett Bourbon asserts that our complex and variable relation with language defines a domain of meaning and being that is misconstrued and missed in philosophy, in literary studies, and in our ordinary understanding of what we are and how things make sense. Accordingly, his book seeks to demonstrate how the study of literature gives us the means to understand this relationship.The book itself is framed by the literary and philosophical challenges presented by Joyce’s Finnegans Wake and Wittgenstein’s Philosophical Investigations. With reference to these books and the problems of interpretation and meaning that they pose, Bourbon makes a case for the fundamental philosophical character of the study of literature, and for its dependence on theories of meaning disguised as theories of mind. Within this context, he provides original accounts of what sentences, fictions, non-fictions, and poems are; produces a new account of the logical form of fiction and of the limits of interpretation that follow from it; and delineates a new and fruitful domain of inquiry in which literature, philosophy, and science intersect.

Jane Austen and the Ethics of Description demonstrates that Elizabeth Bennet and her creator are misunderstood, and often unrecognized, geniuses of moral philosophy, but not simply because of their virtue or wit or natural skills in game theory. The engine driving the moral judgement and growth of Austen’s protagonists consists of a particular and not well-understood ability to reason by description, a skill which we moderns must recover and remaster in order to negotiate the complexities of contemporary life. The forms of rational description this book derives from Austen will be of great interest not only to literary critics and theorists, but also to philosophers and anyone interested in ethics, the dynamics of power, and practical reasoning. Written in a clear style, the book is for those who love Austen and for those who want to understand how we should reason about our lives, how we should understand power, social conflict, and our own motives and prejudices. It is a literary analysis, a philosophical argument, and a practical guide to ethical thinking.

Jane Austen and the Ethics of Description demonstrates that Elizabeth Bennet and her creator are misunderstood, and often unrecognized, geniuses of moral philosophy, but not simply because of their virtue or wit or natural skills in game theory. The engine driving the moral judgement and growth of Austen’s protagonists consists of a particular and not well-understood ability to reason by description, a skill which we moderns must recover and remaster in order to negotiate the complexities of contemporary life. The forms of rational description this book derives from Austen will be of great interest not only to literary critics and theorists, but also to philosophers and anyone interested in ethics, the dynamics of power, and practical reasoning. Written in a clear style, the book is for those who love Austen and for those who want to understand how we should reason about our lives, how we should understand power, social conflict, and our own motives and prejudices. It is a literary analysis, a philosophical argument, and a practical guide to ethical thinking.

Thinking with Words: A Literary Groundwork provides a unique foundational introduction to the depths and glories of literature and its study. It is a book about why literature matters, and why it always will. Readers will explore the roots of literature and art in the interplay between life and language, actions and events, and culture and texts. This is not a book about theories; it is a book about our complex engagement with language and literature, from which theories, interpretations, and insight arise. As this is a groundwork, confusions are dissolved and analytical tools for thinking are developed and honed. Readers will discover that their ways of talking about literature can powerfully contribute to their ways of talking about life. The book resituates literary studies within fundamental arguments about language, knowledge, and ethics.Thinking with Words is essential reading for anyone interested not just in literature, but in art, culture, and language.

Thinking with Words: A Literary Groundwork provides a unique foundational introduction to the depths and glories of literature and its study. It is a book about why literature matters, and why it always will. Readers will explore the roots of literature and art in the interplay between life and language, actions and events, and culture and texts. This is not a book about theories; it is a book about our complex engagement with language and literature, from which theories, interpretations, and insight arise. As this is a groundwork, confusions are dissolved and analytical tools for thinking are developed and honed. Readers will discover that their ways of talking about literature can powerfully contribute to their ways of talking about life. The book resituates literary studies within fundamental arguments about language, knowledge, and ethics.Thinking with Words is essential reading for anyone interested not just in literature, but in art, culture, and language.

Drawing from philosophy, information theory, and network science, Organized Skepticism in the Age of Misinformation: Surviving the Kingdom of Gossip offers a novel conceptual framework that views information as a form of gossip.This book challenges the idea that truthfulness is a necessary, or even a relevant condition, of information. Instead, this book develops a conceptual framework in which information is understood as gossip, which fits within a more general account of information and knowledge as constrained but contingent social practices. Using this framework, this book provides a nuanced understanding of the “grammar” of gossip that permeates both online and real‑orld environments and sheds light on the often overused and confused terms of our time: information, misinformation and knowledge.This book offers a fundamental reconfiguration of the evolving virtual interdependence of humans and information technology. It is a key resource for students and scholars in areas relating to social media, information diffusion, human/computer interface, and computational social science.

Drawing from philosophy, information theory, and network science, Organized Skepticism in the Age of Misinformation: Surviving the Kingdom of Gossip offers a novel conceptual framework that views information as a form of gossip.This book challenges the idea that truthfulness is a necessary, or even a relevant condition, of information. Instead, this book develops a conceptual framework in which information is understood as gossip, which fits within a more general account of information and knowledge as constrained but contingent social practices. Using this framework, this book provides a nuanced understanding of the “grammar” of gossip that permeates both online and real‑orld environments and sheds light on the often overused and confused terms of our time: information, misinformation and knowledge.This book offers a fundamental reconfiguration of the evolving virtual interdependence of humans and information technology. It is a key resource for students and scholars in areas relating to social media, information diffusion, human/computer interface, and computational social science.

Locating poetry in a philosophy of the everyday, Brett Bourbon continues a tradition of attention to logic in everyday utterances through Wittgenstein, Austin, Quine, and Cavell, arguing that poems are events of form, not just collections of words, which shape everyone’s lives. Poems taught in class are formalizations of the everyday poems we live amidst, albeit unknowingly. Bourbon resurrects these poems to construct an anthropology of form that centers everyday poems as events or interruptions within our lives. Expanding our understanding of what a poem is, this book argues that poems be understood as events of form that may depend on words but are not fundamentally constituted by them. This line of thought delves into a poem’s linguistic particularity, to ask what a poem is and how we know.By reclaiming arenas previously ceded to essayists and literary writers, Bourbon reveals the care and attention necessary to uncovering the intimate relationship between poems, life, reading and living. A philosophical meditation on the nature of poetry, but also on the meaning of love and the claim of words upon us, Everyday Poetics situates the importance of everyday poems as events in our lives.