Brian Baker – författare

Wireless networking has become standard in many business and government networks. This book is the first book that focuses on the methods used by professionals to perform WarDriving and wireless pentration testing.Unlike other wireless networking and security books that have been published in recent years, this book is geared primarily to those individuals that are tasked with performing penetration testing on wireless networks. This book continues in the successful vein of books for penetration testers such as Google Hacking for Penetration Testers and Penetration Tester''s Open Source Toolkit. Additionally, the methods discussed will prove invaluable for network administrators tasked with securing wireless networks. By understanding the methods used by penetration testers and attackers in general, these administrators can better define the strategies needed to secure their networks.* According to a study by the Strategis Group more than one third of the words population will own a wireless device by the end of 2008. * The authors have performed hundreds of wireless penetration tests, modeling their attack methods after those used by real world attackers. * Unlike other wireless books, this is geared specifically for those individuals that perform security assessments and penetration tests on wireless networks.

This Guide summarises the main critical trends and developments surrounding the popular genre of science fiction. Brian Baker reviews the attempts to formulate a critical history, connects the major developments with the rise of theoretical paradigms such as feminism and postmodernism, and introduces key critical texts and major critics.

This Guide summarises the main critical trends and developments surrounding the popular genre of science fiction. Brian Baker reviews the attempts to formulate a critical history, connects the major developments with the rise of theoretical paradigms such as feminism and postmodernism, and introduces key critical texts and major critics.

A clearly written, comprehensive critical introduction to one of the most original contemporary British writers, providing an overview of all of Sinclair’s major works and an analysis of his vision of modern London. This book places Sinclair in a range of contexts, including: the late 1960s counter-culture and the ‘British Poetry Revival’; London’s underground histories; the rise and fall of Thatcherism, and Sinclair’s writing about Britain under New Labour; Sinclair’s connection to other writers and artists, such as J.G. Ballard, Michael Moorcock and Marc Atkins.This book makes a significant contribution to the growing scholarship surrounding Sinclair’s work, offering the first critical text that covers in detail all of Sinclair’s work: his poetry, fiction, non-fiction (including his book on John Clare, Edge of the Orison), and his film work.

A clearly written, comprehensive critical introduction to one of the most original contemporary British writers, providing an overview of all of Sinclair’s major works and an analysis of his vision of modern London. This book places Sinclair in a range of contexts, including: the late 1960s counter-culture and the ‘British Poetry Revival’; London’s underground histories; the rise and fall of Thatcherism, and Sinclair’s writing about Britain under New Labour; Sinclair’s connection to other writers and artists, such as J.G. Ballard, Michael Moorcock and Marc Atkins.This book makes a significant contribution to the growing scholarship surrounding Sinclair’s work, offering the first critical text that covers in detail all of Sinclair’s work: his poetry, fiction, non-fiction (including his book on John Clare, Edge of the Orison), and his film work.

The new 4th Edition of ETHNIC STUDIES: An Introduction reflects the interdisciplinary nature of Ethnic Studies - the readings are drawn from academic fields in the humanities and social sciences. A few first-person narratives are also included, so we can get a sense of how individuals experience their ethnic group status. Overall, the readings in this book are meant to provide students with a foundation in Ethnic Studies. The volume integrates framing and reflection questions throughout to foster critical and engaged readers.  These questions initiate a personal and classroom dialogue.Respecting the unique realities confronting the communities discussed in this volume, the authors intentionally aimed to evoke a sense of empathy and solidarity so that when students read the words like Black Lives Matter, Stop Asian Hate, Land Back, and No Borders listed, and capped off with the wordSolidarity, these terms would reassert the humanity and dignity of someone else’s lived experiences.

This book looks at a wide range of fiction and film texts, from the 1950s to the present, in order to analyse the ways in which masculinity has been represented in popular culture in Britain and the United States. It covers numerous genres, including spy fiction, science fiction, the Western and police thrillers. Each chapter focuses on key forms of masculinity found in each genre, such as the 'double agent', the 'rogue cop' and the 'citizen-soldier'. Brian Baker takes a broad, contextual approach, placing a detailed discussion of key texts and issues concerning masculinity in their historical and cultural context. Written in a clear, accessible way, it explores the changing representation of men over the last fifty years.

This Guide summarises the main critical trends and developments surrounding the popular genre of science fiction. Brian Baker reviews the attempts to formulate a critical history, connects the major developments with the rise of theoretical paradigms such as feminism and postmodernism, and introduces key critical texts and major critics.

Why are Canadians afraid of ghosts?Canada’s paranormal roots run deep. We tell ghost stories around flickering campfires and share unexplained encounters with family and friends. Yet our polite, risk-averse nation often buries these experiences, rarely encouraging them in the places we live or in our arts and entertainment. Fear of stigma and discomfort with the unknown — especially death — keepthe supernatural in the shadows. We allow only flirtations with ghosts, ghouls, and goblins, mostly at Halloween.Eerie Whispers explores Canada’s haunted history, drawing from the diverse folklore of its immigrant communities and the traditional stories of Indigenous Peoples. It asks why Canadians, unlike Americans or the British, are reluctant to celebrate this part of our culture. Brian Baker encourages us to embrace the uncanny and find the courage needed to amplify our nation’s supernatural voice.

Why are Canadians afraid of ghosts?Canada's paranormal roots run deep. We tell ghost stories around flickering campfires and share unexplained encounters with family and friends. Yet our polite, risk-averse nation often buries these experiences, rarely encouraging them in the places we live or in our arts and entertainment. Fear of stigma and discomfort with the unknown - especially death - keepthe supernatural in the shadows. We allow only flirtations with ghosts, ghouls, and goblins, mostly at Halloween.Eerie Whispers explores Canada s haunted history, drawing from the diverse folklore of its immigrant communities and the traditional stories of Indigenous Peoples. It asks why Canadians, unlike Americans or the British, are reluctant to celebrate this part of our culture. Brian Baker encourages us to embrace the uncanny and find the courage needed to amplify our nation s supernatural voice.

Why are Canadians afraid of ghosts?Canada's paranormal roots run deep. We tell ghost stories around flickering campfires and share unexplained encounters with family and friends. Yet our polite, risk-averse nation often buries these experiences, rarely encouraging them in the places we live or in our arts and entertainment. Fear of stigma and discomfort with the unknown - especially death - keepthe supernatural in the shadows. We allow only flirtations with ghosts, ghouls, and goblins, mostly at Halloween.Eerie Whispers explores Canada s haunted history, drawing from the diverse folklore of its immigrant communities and the traditional stories of Indigenous Peoples. It asks why Canadians, unlike Americans or the British, are reluctant to celebrate this part of our culture. Brian Baker encourages us to embrace the uncanny and find the courage needed to amplify our nation s supernatural voice.

While masculinity has been an increasingly visible field of study within several disciplines (sociology, literary studies, cultural studies, film and tv) over the last two decades, it is surprising that analysis of contemporary representations of the first part of the century has yet to emerge. Professor Brian Baker, evolving from his previous work Masculinities in Fiction and Film: Representing Men in Popular Genres 1945-2000, intervenes to rectify the scholarship in the field to produce a wide-ranging, readable text that deals with films and other texts produced since the year 2000. Focusing on representations of masculinity in cinema, popular fiction and television from the period 2000-2010, he argues that dominant forms of masculinity in Britain and the United States have become increasingly informed by anxiety, trauma and loss, and this has resulted in both narratives that reflect that trauma and others which attempt to return to a more complete and heroic form of masculinity. While focusing on a range of popular genres, such as Bond films, war movies, science fiction and the Gothic, the work places close analyses of individual films and texts in their cultural and historical contexts, arguing for the importance of these popular fictions in diagnosing how contemporary Britain and the United States understand themselves and their changing role in the world through the representation of men, fully recognising the issues of race/ethnicity, class, sexuality, and age. Baker draws upon current work in mobility studies and in the study of masculinities to produce the first book-length comparative study of masculinity in popular culture of the first decade of the twenty-first century.

Wireless networking has become standard in many business and government networks. This book is the first book that focuses on the methods used by professionals to perform WarDriving and wireless pentration testing.Unlike other wireless networking and security books that have been published in recent years, this book is geared primarily to those individuals that are tasked with performing penetration testing on wireless networks. This book continues in the successful vein of books for penetration testers such as Google Hacking for Penetration Testers and Penetration Tester's Open Source Toolkit. Additionally, the methods discussed will prove invaluable for network administrators tasked with securing wireless networks. By understanding the methods used by penetration testers and attackers in general, these administrators can better define the strategies needed to secure their networks.* According to a study by the Strategis Group more than one third of the words population will own a wireless device by the end of 2008. * The authors have performed hundreds of wireless penetration tests, modeling their attack methods after those used by real world attackers. * Unlike other wireless books, this is geared specifically for those individuals that perform security assessments and penetration tests on wireless networks.

While masculinity has been an increasingly visible field of study within several disciplines (sociology, literary studies, cultural studies, film and tv) over the last two decades, it is surprising that analysis of contemporary representations of the first part of the century has yet to emerge. Professor Brian Baker, evolving from his previous work Masculinities in Fiction and Film: Representing Men in Popular Genres 1945-2000, intervenes to rectify the scholarship in the field to produce a wide-ranging, readable text that deals with films and other texts produced since the year 2000. Focusing on representations of masculinity in cinema, popular fiction and television from the period 2000-2010, he argues that dominant forms of masculinity in Britain and the United States have become increasingly informed by anxiety, trauma and loss, and this has resulted in both narratives that reflect that trauma and others which attempt to return to a more complete and heroic form of masculinity. While focusing on a range of popular genres, such as Bond films, war movies, science fiction and the Gothic, the work places close analyses of individual films and texts in their cultural and historical contexts, arguing for the importance of these popular fictions in diagnosing how contemporary Britain and the United States understand themselves and their changing role in the world through the representation of men, fully recognising the issues of race/ethnicity, class, sexuality, and age. Baker draws upon current work in mobility studies and in the study of masculinities to produce the first book-length comparative study of masculinity in popular culture of the first decade of the twenty-first century.

While masculinity has been an increasingly visible field of study within several disciplines (sociology, literary studies, cultural studies, film and tv) over the last two decades, it is surprising that analysis of contemporary representations of the first part of the century has yet to emerge. Professor Brian Baker, evolving from his previous work Masculinities in Fiction and Film: Representing Men in Popular Genres 1945-2000, intervenes to rectify the scholarship in the field to produce a wide-ranging, readable text that deals with films and other texts produced since the year 2000. Focusing on representations of masculinity in cinema, popular fiction and television from the period 2000-2010, he argues that dominant forms of masculinity in Britain and the United States have become increasingly informed by anxiety, trauma and loss, and this has resulted in both narratives that reflect that trauma and others which attempt to return to a more complete and heroic form of masculinity. While focusing on a range of popular genres, such as Bond films, war movies, science fiction and the Gothic, the work places close analyses of individual films and texts in their cultural and historical contexts, arguing for the importance of these popular fictions in diagnosing how contemporary Britain and the United States understand themselves and their changing role in the world through the representation of men, fully recognising the issues of race/ethnicity, class, sexuality, and age. Baker draws upon current work in mobility studies and in the study of masculinities to produce the first book-length comparative study of masculinity in popular culture of the first decade of the twenty-first century.

While masculinity has been an increasingly visible field of study within several disciplines (sociology, literary studies, cultural studies, film and tv) over the last two decades, it is surprising that analysis of contemporary representations of the first part of the century has yet to emerge. Professor Brian Baker, evolving from his previous work Masculinities in Fiction and Film: Representing Men in Popular Genres 1945-2000, intervenes to rectify the scholarship in the field to produce a wide-ranging, readable text that deals with films and other texts produced since the year 2000. Focusing on representations of masculinity in cinema, popular fiction and television from the period 2000-2010, he argues that dominant forms of masculinity in Britain and the United States have become increasingly informed by anxiety, trauma and loss, and this has resulted in both narratives that reflect that trauma and others which attempt to return to a more complete and heroic form of masculinity. While focusing on a range of popular genres, such as Bond films, war movies, science fiction and the Gothic, the work places close analyses of individual films and texts in their cultural and historical contexts, arguing for the importance of these popular fictions in diagnosing how contemporary Britain and the United States understand themselves and their changing role in the world through the representation of men, fully recognising the issues of race/ethnicity, class, sexuality, and age. Baker draws upon current work in mobility studies and in the study of masculinities to produce the first book-length comparative study of masculinity in popular culture of the first decade of the twenty-first century.

THE ROAD is an illuminating selection of photographs spanning iconic punk rock guitarist Brian Baker's many years of global touring with Bad Religion, Dag Nasty, and other bands. The images are intelligent and arresting, reflecting time spent both inside and outside the bubble of backstages and tour buses. While touring is easily glamorized, all traveling musicians know that twenty-two hours of every day lack the lights, glitter, and other rock-and-roll trappings. For Baker, some of that time is spent photographing what interests him most in his surroundings. As revealed in The Road, his fascinations range from bizarre highway signage; to unsettling figurines, mannequins, and statuettes; to religious iconography that carries extra weight when one considers the ethos of a band called Bad Religion; to steaming cups of espresso and classic diner meals; to guitars, guitars, and more guitars; and so much more. The Road is designed in collaboration with award-winning photographer and curator Jennifer Sakai. Music lovers across the globe will revel in a Brian Baker's-eye view of the landscapes he inhabits, and gain insight into the sometimes disquieting and always beautiful imagery that seizes his attention and engages his obsessions.

Mitigating Circumstances is a compilation of real-life detective stories that highlight the grace of God in the lives of criminal offenders. Told in the first-person, Mitigating Circumstances describes how the professional life of an experienced private detective changed dramatically when Jesus became the Lord of his life. A gritty, often discouraging occupation morphed into a ministry, and these stories are the fruit of this ministry. These stories are meant to encourage readers that God can heal even the most hardened, hopeless offender.

The new 4th Edition of Ethnic Studies: An Introduction reflects the interdisciplinary nature of Ethnic Studies - the readings are drawn from academic fields in the humanities and social sciences. A few first-person narratives are also included, so we can get a sense of how individuals experience their ethnic group status. Overall, the readings in this book are meant to provide students with a foundation in Ethnic Studies. The volume integrates framing and reflection questions throughout to foster critical and engaged readers.  These questions initiate a personal and classroom dialogue.Respecting the unique realities confronting the communities discussed in this volume, the authors intentionally aimed to evoke a sense of empathy and solidarity so that when students read the words like Black Lives Matter, Stop Asian Hate, Land Back, and No Borders listed, and capped off with the wordSolidarity, these terms would reassert the humanity and dignity of someone else's lived experiences.

This book covers a wide range of popular British and American fiction and film including Westerns, spy fiction, science fiction and crime narratives.This book looks at a wide range of fiction and film texts, from the 1950s to the present, in order to analyse the ways in which masculinity has been represented in popular culture in Britain and the United States. It covers numerous genres, including spy fiction, science fiction, the Western and police thrillers. Each chapter focuses on key forms of masculinity found in each genre, such as the 'double agent', the 'rogue cop' and the 'citizen-soldier'.Brian Baker takes a broad, contextual approach, placing a detailed discussion of key texts and issues concerning masculinity in their historical and cultural context. Written in a clear, accessible way, it explores the changing representation of men over the last fifty years.

This book looks at a wide range of fiction and film texts, from the 1950s to the present, in order to analyse the ways in which masculinity has been represented in popular culture in Britain and the United States.  It covers numerous genres, including spy fiction, science fiction, the Western and police thrillers.  Each chapter focuses on key forms of masculinity found in each genre, such as the ''double agent'', the ''rogue cop'' and the ''citizen-soldier''.Brian Baker takes a broad, contextual approach, placing a detailed discussion of key texts and issues concerning masculinity in their historical and cultural context.  Written in a clear, accessible way, it explores the changing representation of men over the last fifty years.

Poison gas was one of the most fearful weapons of its day and added a terrifying new dimension to modern warfare. In 1915, the only item a soldier had to protect himself from the harmful effects of gas was a shell dressing, soaked in his own urine and then tied around his face. By 1918, the British Army had developed a range of innovative protection methods that heralded the birth of the modern day military respirator. Throughout both World Wars, Great Britain led the way in developing anti-gas technologies. Today, items such as respirators and anti-gas equipment are highly sought after by the enthusiast. What the collector lacks is information and reference photographs of such items, and he also has little information available to him on topics such as preservation, manufacturer details and safety aspects of handling these items. This book aims to provide a useful, full-colour reference guide for the discerning collector and for all students of militaria, as well as providing a brief history of the development of gas warfare and equipment.