Brian Blomerth – författare

Brian Blomerths färgsprakande serieroman berättar om Valentina och R. Gordon Wasson och deras introduktion av magiska svampar och deras psykedeliska kraft i västvärlden. En mykologisk och antropologisk roadtrip som leder oss - genom forskning i Mexiko, kontakt med shamanen María Sabina och den ceremoniella användningen av heliga svampar - in i en berättelse som inkluderar bl a CIA, banken JP Morga

Illustrator, musician and self-described “comic stripper” Brian Blomerth has spent years combining classic underground art styles with his bitingly irreverent visual wit in zines, comics, and album covers. With Brian Blomerth’s Bicycle Day, the artist has produced his most ambitious work to date: a historical account of the events of April 19, 1943, when Swiss chemist Albert Hofmann ingested an experimental dose of a new compound known as lysergic acid diethylamide and embarked on the world’s first acid trip. Combining an extraordinary true story told in journalistic detail with the artist’s gritty, timelessly Technicolor comix style, Brian Blomerth’s Bicycle Day is a testament to mind expansion and a stunningly original visual history.

A visual biography of the infamous ketamine researcher John C. Lilly.Since 2019, graphic novelist Brian Blomerth’s stunningly original comix histories have combined detailed research and riotous visual wit to illuminate the discovery of LSD (in Brian Blomerth’s Bicycle Day) and the popularization of psilocybin mushrooms (in Brian Blomerth’s Mycelium Wassonii). Now, in the third entry in his ongoing series, Blomerth opens a porthole on the life, experiments, and addictions of John C. Lilly—the man whose development of the isolation tank, controversial studies in dolphin cognition, and ketamine-fueled dives into the nature of consciousness made him perhaps the most notorious researcher of the psychedelic era. Featuring alien visitations, interspecies encounters, and no shortage of concerned onlookers, Brian Blomerth’s Lilly Wave sees a beloved artist working from an expanded palette of industrial ink-splatter and oceanic airbrushing to bring readers a story that’s equal parts cosmic and paranoid, transcendent and tragic.