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Diemert traces Greene''s adaptation of nineteenth-century romance thrillers and classical detective stories into modern political thrillers as a means of presenting serious concerns in an engaging fashion. He argues that Greene''s popular thrillers were in part a reaction to the high modernism of writers such as James Joyce, Gertrude Stein, and Virginia Woolf, whose esoteric experiments with language were disengaged from immediate social concerns and inaccessible to a large segment of the reading public. Graham Greene''s Thrillers and the 1930s investigates some of Greene''s best-known works, such as A Gun for Sale, Brighton Rock, and The Ministry of Fear, and shows how they reflect the evolution of Greene''s sense of the importance of popular culture in the 1930s.
