Brian Morton – författare

Richard Cook and Brian Morton's Penguin Jazz Guide: The History of the Music in 1001 Best Albums is an indispensible guide to the recordings that every fan should know.Richard Cook and Brian Morton's Penguin Guide to Jazz Recordings is firmly established as the world's leading guide to the music. In this book, Brian Morton has picked out 1001 essential recordings from their acclaimed guide, adding new information, revising and reassessing each entry, and showing how these key pieces tell the history of the music - and with it the history of the twentieth century. These are the essential albums that that all true jazz fans should own, or - at the very least - have listened to, from Kind of Blue to lesser-known classics and more surprising choices. Full of fascinating updated biographical information, new quotes and interviews and, of course, highly opinionated and wittily trenchant critical reviews, the result is an endlessly browsable companion that will prove required reading for aficionados and jazz novices alike. 'One of the great books of recorded jazz; the other guides don't come close'Irish Times'It's the kind of book that you'll yank off the shelf to look up a quick fact and still be reading two hours later' Fortune'The leader in its field ... If you own only one book on jazz, it really should be this one' International Record Review'Indispensable and incomparable' NMEBrian Morton is a freelance writer and broadcaster who for many years presented Radio 3's jazz magazine Impressions and In Tune.Richard Cook (1957-2007) was formerly editor of The Wire and edited Jazz Review. He contributed to many other publications, including the New Statesman and his books included Richard Cook's Jazz Encyclopaedia and It's About That Time: Miles Davis on Record.

The Penguin Guide to Jazz Recordings is firmly established as the world's leading guide to recorded jazz, a mine of fascinating information and a source of insightful - often wittily trenchant - criticism. This is something rather different: Brian Morton (who taught American history at UEA) has picked out the 1000 best recordings that all jazz fans should have and shows how they tell the history of the music and with it the history of the twentieth century. He has completely revised his and Richard Cook's entries and reassessed each artist's entry for this book. The result is an endlessly browsable companion that will prove required reading for aficionados and jazz novices alike.'It's the kind of book that you'll yank off the shelf to look up a quick fact and still be reading two hours later' Fortune'Part jazz history, part jazz Karma Sutra with Cook and Morton as the knowledgeable, urbane, wise and witty guides ... This is one of the great books of recorded jazz; the other guides don't come close' Irish Times

To the casual visitor, the Gulf of Mexico shores offer mainly sun, sand, and sea. Even the standard field guides, focused on one group of animals or plants, barely hint at the wealth and diversity of habitats and species along Gulf shores. Shore Ecology of the Gulf of Mexico, using a “whole habitat” approach, breaks new ground in describing all the conspicuous vascular plants, algae, birds, mammals, mollusks, crustaceans, and other invertebrates for each marine habitat. The area covered begins west of the Mississippi delta in Louisiana and follows the shores west and south to the Yucatan Peninsula in Mexico. Transitions between habitats also receive detailed treatment. The authors discuss changes in flora and fauna that result from differences in climate, shore geology, and patterns of precipitation in the succeeding habitats along the Gulf rim. They include discussion of more than 1,000 species of plants and animals, both on shore and in the near-shore subtidal zone, to give a virtually complete picture of western Gulf coast ecosystems. Excellent line drawings and photographs of over 800 species complement the text. For marine scientists, students, and knowledgeable beachcombers, this is a thorough source on Gulf coast marine life.

A Washington Post Best Nonfiction Book of the Year In the spirit of Fierce Attachments and The End of Your Life Book Club, acclaimed novelist Brian Morton delivers a “superb” (Maureen Corrigan, Fresh Air), darkly funny memoir of his mother’s vibrant life and the many ways in which their tight, tumultuous relationship was refashioned in her twilight years.Tasha Morton is a force of nature: a brilliant educator who’s left her mark on generations of students—and also a whirlwind of a mother, intrusive, chaotic, oppressively devoted, and irrepressible. For decades, her son Brian has kept her at a self-protective distance, but when her health begins to fail, he knows it’s time to assume responsibility for her care. Even so, he’s not prepared for what awaits him, as her refusal to accept her own fragility leads to a series of epic outbursts and altercations that are sometimes frightening, sometimes wildly comic, and sometimes both. Clear-eyed, “deeply stirring” (Dani Shapiro, The New York Times Book Review), and brimming with dark humor, Tasha is both a vivid account of an unforgettable woman and a stark look at the impossible task of caring for an elderly parent in a country whose unofficial motto is “you’re on your own.”

Dmitri Shostakovich was the most popular Soviet composer of his generation. Internationally esteemed, he is widely considered to have been the last great classical symphonist, and his reputation has continued to increase since his death in 1975. Shostakovich wrote his First Symphony aged only nineteen and soon embarked on a dual career as concert pianist and composer. His early avant-gardism was to result in the triumph of his 1934 opera Lady Macbeth of Mtsensk. Though at first highly praised by Stalin, Shostakovich would later suffer from a complex and brutalising relationship with the Soviet dictator and the governments that followed him. In spite of this persecution, his Seventh Symphony was embraced as a potent symbol of Russian resistance to the invading Nazi army in both the USSR and the West. Though his later years were marked by ill health, his rate of composition remained prolific. His music became increasingly popular with audiences as he established himself as the most popular composer of serious art music in the middle years of the twentieth century.