Brianna E. Robertson-Kirkland – författare
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3 produkter
3 produkter
Inbunden, Engelska, 2022
2 197 kr
Skickas inom 10-15 vardagar
Since the eighteenth century, the one-to-one singing lesson has been the most common method of delivery. The scenario allows the teacher to familiarise and individualise the lesson to suit the needs of their student; however, it can also lead to speculation about what is taught. More troubling is the heightened risk of gossip and rumour with the private space generating speculation about the student–teacher relationship. Venanzio Rauzzini (1746–1810), an Italian castrato living in England who became a highly sought-after singing master, was particularly susceptible since his students tended to be women, whose moral character was under more scrutiny than their male counterparts. Even so in 1792, The Bath Chronicle proclaimed the Italian castrato: 'the father of a new style in English singing'. Branding Rauzzini as a founder of an English style was not an error, but indicative of deep-seated anxieties about the Italian invasion on England’s musical culture. This book places teaching at the centre of the socio-historical narrative and provides unique insight into musical culture. Using a microhistory approach, this study is the first to focus in on the impact of teaching and casts new light on issues of celebrity culture, gender and nationalism in Georgian England.
Häftad, Engelska, 2023
602 kr
Skickas inom 10-15 vardagar
Since the eighteenth century, the one-to-one singing lesson has been the most common method of delivery. The scenario allows the teacher to familiarise and individualise the lesson to suit the needs of their student; however, it can also lead to speculation about what is taught. More troubling is the heightened risk of gossip and rumour with the private space generating speculation about the student–teacher relationship. Venanzio Rauzzini (1746–1810), an Italian castrato living in England who became a highly sought-after singing master, was particularly susceptible since his students tended to be women, whose moral character was under more scrutiny than their male counterparts. Even so in 1792, The Bath Chronicle proclaimed the Italian castrato: 'the father of a new style in English singing'. Branding Rauzzini as a founder of an English style was not an error, but indicative of deep-seated anxieties about the Italian invasion on England’s musical culture. This book places teaching at the centre of the socio-historical narrative and provides unique insight into musical culture. Using a microhistory approach, this study is the first to focus in on the impact of teaching and casts new light on issues of celebrity culture, gender and nationalism in Georgian England.
Inbunden, Engelska, 2026
1 328 kr
Skickas inom 10-15 vardagar
Focusing on the international circulation of culture and ideas by women in the early modern period through the long eighteenth century, this book amplifies their presence in history, finding new ways to explore their transnational encounters and exchanges.Providing a rich introduction to the topic of women’s transnational interactions, the essays in this book build a diverse picture of female engagement with the wider world and consider how women interpreted, influenced, or transferred culture and ideas around the globe.Examining figures such as Aphra Behn, Charlotte Bonaparte and Marie-Catherine d’Aulnoy, this book looks at novels, memoirs, poetry, translations, travel writing and plays, as well as considering the ways in which women’s public lives have been ‘written’ in music, portraits and printed images, and their roles in the international exchange of art and material culture.