Bridget Fowler – författare

The first serious academic study of obituaries, this book focuses on how societies remember. Bridget Fowler makes great use of the theories of Pierre Bordieu, arguing that obituaries are one important component in society's collective memory. This book, the first of its kind, will find a place on every serious sociology scholar's bookshelves.

The first serious academic study of obituaries, this book focuses on how societies remember. Bridget Fowler makes great use of the theories of Pierre Bordieu, arguing that obituaries are one important component in society's collective memory. This book, the first of its kind, will find a place on every serious sociology scholar's bookshelves.

This is the first comprehensive description of Pierre Bourdieu's theory of culture and habitus. Within the wider intellectual context of Bourdieu's work, this book provides a systematic reading of his assessment of the role of `cultural capital' in the production and consumption of symbolic goods.

Bridget Fowler outlines the key critical debates that inform Bourdieu's work. She introduces his recent treatment of the rules of art, explains the importance of his concept of capital - economic and social, symbolic and cultural - and defines such key terms as habitus, practice and strategy, legitimate culture, popular art and distinction.

The book focuses particularly on Bourdieu's account of the nature of capitalist modernity, on the emergence of bohemia and, with the growth of the market, the invention of the artist as the main historical response to the changed place of art.

This is the first comprehensive description of Pierre Bourdieu's theory of culture and habitus. Within the wider intellectual context of Bourdieu's work, this book provides a systematic reading of his assessment of the role of `cultural capital' in the production and consumption of symbolic goods.

Bridget Fowler outlines the key critical debates that inform Bourdieu's work. She introduces his recent treatment of the rules of art, explains the importance of his concept of capital - economic and social, symbolic and cultural - and defines such key terms as habitus, practice and strategy, legitimate culture, popular art and distinction.

The book focuses particularly on Bourdieu's account of the nature of capitalist modernity, on the emergence of bohemia and, with the growth of the market, the invention of the artist as the main historical response to the changed place of art.

The first serious academic study of obituaries, this book focuses on how societies remember. Bridget Fowler makes great use of the theories of Pierre Bordieu, arguing that obituaries are one important component in society''s collective memory. This book, the first of its kind, will find a place on every serious sociology scholar''s bookshelves.

The first serious academic study of obituaries, this book focuses on how societies remember. Bridget Fowler makes great use of the theories of Pierre Bordieu, arguing that obituaries are one important component in society''s collective memory. This book, the first of its kind, will find a place on every serious sociology scholar''s bookshelves.

This edited collection calls for renewed attention to the concept of the sociological imagination, allowing social scientists to link private issues to public troubles. Inspired by the eminent Glasgow-based sociologist, John Eldridge, it re-engages with the concept and shows how it can be applied to analyzing society today.

This edited collection calls for renewed attention to the concept of the sociological imagination, allowing social scientists to link private issues to public troubles. Inspired by the eminent Glasgow-based sociologist, John Eldridge, it re-engages with the concept and shows how it can be applied to analyzing society today.

This is the first comprehensive description of Pierre Bourdieu′s theory of culture and habitus. Within the wider intellectual context of Bourdieu′s work, this book provides a systematic reading of his assessment of the role of `cultural capital′ in the production and consumption of symbolic goods.

Bridget Fowler outlines the key critical debates that inform Bourdieu′s work. She introduces his recent treatment of the rules of art, explains the importance of his concept of capital - economic and social, symbolic and cultural - and defines such key terms as habitus, practice and strategy, legitimate culture, popular art and distinction.

The book focuses particularly on Bourdieu′s account of the nature of capitalist modernity, on the emergence of bohemia and, with the growth of the market, the invention of the artist as the main historical response to the changed place of art.

This festschrift commemorates the legacy of UK-based Portuguese sociologist Hermínio Martins (1934-2015). It introduces Martins’ wide-ranging contributions to the social sciences, encompassing seminal works in the fields of philosophy and social theory, historical and political sociology, studies of science and technology, and Luso-Brazilian studies, among others. The book features an in-depth interview with Martins, short memoirs, and twelve chapters addressing topics that were central to his intellectual  and political interests. Among those that stand out are his critique of Thomas Kuhn’s theory of scientific revolutions, his work on the significance of time in social theory and the interweaving of techno-scientific developments and socio-cultural transformations, including the impact of communication and digital technologies, and of market-led eugenics. Other themes covered are Martins’ work on patrimonialism and social development in Portugal and Brazil, and his analysis of the state of the social sciences  in Portugal, which reflects his highly critical appraisal of the ongoing marketization andneoliberalization of academic life and institutions worldwide.

This festschrift commemorates the legacy of UK-based Portuguese sociologist Hermínio Martins (1934-2015). It introduces Martins’ wide-ranging contributions to the social sciences, encompassing seminal works in the fields of philosophy and social theory, historical and political sociology, studies of science and technology, and Luso-Brazilian studies, among others. The book features an in-depth interview with Martins, short memoirs, and twelve chapters addressing topics that were central to his intellectual  and political interests. Among those that stand out are his critique of Thomas Kuhn’s theory of scientific revolutions, his work on the significance of time in social theory and the interweaving of techno-scientific developments and socio-cultural transformations, including the impact of communication and digital technologies, and of market-led eugenics. Other themes covered are Martins’ work on patrimonialism and social development in Portugal and Brazil, and his analysis of the state of the social sciences  in Portugal, which reflects his highly critical appraisal of the ongoing marketization andneoliberalization of academic life and institutions worldwide.