Brigitta Olubas – författare

Spanning the 1960s to the 2000s, these nonfiction writings showcase Shirley Hazzard's extensive thinking on global politics, international relations, the history and fraught present of Western literary culture, and postwar life in Europe and Asia. They add essential clarity to the themes that dominate her award-winning fiction and expand the intellectual registers in which her writings work. Hazzard writes about her employment at the United Nations and the institution's manifold failings. She shares her personal experience with the aftermath of the Hiroshima atomic bombing and the nature of life in late-1940s Hong Kong. She speaks to the decline of the hero as a public figure in Western literature and affirms the ongoing power of fiction to console, inspire, and direct human life, despite-or maybe because of-the world's disheartening realities. Cementing Hazzard's place as one of the twentieth century's sharpest and most versatile thinkers, this collection also encapsulates for readers the critical events defining postwar letters, thought, and politics.

Spanning the 1960s to the 2000s, these nonfiction writings showcase Shirley Hazzard's extensive thinking on global politics, international relations, the history and fraught present of Western literary culture, and postwar life in Europe and Asia. They add essential clarity to the themes that dominate her award-winning fiction and expand the intellectual registers in which her writings work. Hazzard writes about her employment at the United Nations and the institution's manifold failings. She shares her personal experience with the aftermath of the Hiroshima atomic bombing and the nature of life in late-1940s Hong Kong. She speaks to the decline of the hero as a public figure in Western literature and affirms the ongoing power of fiction to console, inspire, and direct human life, despite-or maybe because of-the world's disheartening realities. Cementing Hazzard's place as one of the twentieth century's sharpest and most versatile thinkers, this collection also encapsulates for readers the critical events defining postwar letters, thought, and politics.

For more than thirty years, the acclaimed novelist Shirley Hazzard and the renowned scholar of Japanese literature Donald Keene maintained a remarkable epistolary friendship. Brought together by the death of a mutual friend in the late 1970s, they discovered a profound connection built on mutual affinities for literature and culture and common values of humanism and cosmopolitanism.Expatriates of No Country presents Hazzard and Keene’s correspondence, offering readers a new and intimate perspective on the work and achievements of these towering figures. Both left behind their countries of birth, and they shared experiences of displacement, estrangement, and fashioning new lives and selves in adopted homelands. Hazzard, who departed from Australia as a teenager without completing her formal education, led an expatriate life in New York and Italy as she attained literary fame. Keene, a pacifist who served as an intelligence officer in the U.S. Navy during World War II, devoted himself to the literature and culture of Japan, where he became revered. Their erudite and elegantly written letters trace the larger story of their friendship, finding striking overlaps between their distinctive worlds. Recording a vanished way of literary and intellectual life, Expatriates of No Country casts a new light on two extraordinary people through their unlikely connection.

For more than thirty years, the acclaimed novelist Shirley Hazzard and the renowned scholar of Japanese literature Donald Keene maintained a remarkable epistolary friendship. Brought together by the death of a mutual friend in the late 1970s, they discovered a profound connection built on mutual affinities for literature and culture and common values of humanism and cosmopolitanism.Expatriates of No Country presents Hazzard and Keene’s correspondence, offering readers a new and intimate perspective on the work and achievements of these towering figures. Both left behind their countries of birth, and they shared experiences of displacement, estrangement, and fashioning new lives and selves in adopted homelands. Hazzard, who departed from Australia as a teenager without completing her formal education, led an expatriate life in New York and Italy as she attained literary fame. Keene, a pacifist who served as an intelligence officer in the U.S. Navy during World War II, devoted himself to the literature and culture of Japan, where he became revered. Their erudite and elegantly written letters trace the larger story of their friendship, finding striking overlaps between their distinctive worlds. Recording a vanished way of literary and intellectual life, Expatriates of No Country casts a new light on two extraordinary people through their unlikely connection.

Cosmopolitan, richly intelligent, beautiful, questing - Shirley Hazzard's writing reflects her life. The acclaim it attracts is immeasurable.Brigitta Olubas tells the story of a girl from the suburbs of Sydney, Australia who fell early under the spell of words and sought out books as her companions. In the process she transformed and indeed created her life. She became a woman of the world who felt injustice keenly and a deep and original thinker, who wrote some of the most beautiful novels - Transit of Venus and The Great Fire among them - and always with an eye to the ways we reveal ourselves to another. 'One of those rare biographies that sends one greedily back to the subject's word, better equipped to appreciate the richness on display'LUCY SCHOLES, Financial Times'Strikingly well-placed and well-proportioned... as befits her subject, Olubas comes with a gift for place and psychology' MICHAEL HOFMANN, Times Literary Supplement'This new account of Hazzard's life should confirm her as one of the 20th century's greatest novelists' CHLOE SCHAMA, Vogue'An impeccably researched and deeply incisive account of Hazzard's life and work, and the intriguing interplay between the two' LILY KING, New York Times

The authorised biography of Shirley Hazzard, one of the greatest writers in the English language, author of The Transit of Venus and winner of the National Book Award'Lambent, discerning, deeply intelligent and empathetic' Lucy Scholes, Financial Times'Impeccably researched and deeply incisive' Lily King, New York Times'A refined, deeply insightful perspective' Chloe Schama, Vogue'Absorbing, well-crafted... scrupulously researched' KirkusBorn and raised in Sydney Australia, Hazzard lived around the world: in Hong Kong; Wellington, New Zealand; New York; Naples and Capri and her writing -- cosmopolitan, richly intelligent, beautiful, questing -- reflects her life. Her body of work is small but the acclaim it attracts is immeasurable, from among others, Michael Cunningham, Zoe Heller, Ann Patchett, Anne Tyler, Lauren Goff, Hermione Lee, Joan Didion, Richard Ford, Colm Toibin.At sixteen, she was living in Hong Kong with her family and working for the British Combined Services. She later worked, another desk job, for the United Nations in New York and, briefly, in Naples. Italy -- Capri and Naples -- claimed her heart and after she was married -- she was introduced to the biographer, Francis Steegmuller by Muriel Spark -- they divided their time between Italy and America. Drawing on diaries, letters, interviews alongside a close reading of Hazzard's fiction -- Brigitta Olubas, herself Australian -- tells the story of a girl from the suburbs 'with a head full of poetry' who fell early under the spell of words and sought out first books and then people who loved books as her companions. In the process she transformed and indeed created her life. She became a woman of the world who felt injustice keenly, a deep and original thinker, who wrote some of the most beautiful fiction about love and longing, always with an eye to the ways we reveal ourselves to another. This, the definitive biography uncovers the truths and myths and about Shirley Hazzard's life and work, which come together at the point, as Brigitta Olubas observes: 'where the writer lives'.

Shirley Hazzard and Elizabeth Harrower met in person for the first time in London in 1972, six years after they began a correspondence that would span four decades. They exchanged letters, cards and telegrams and made occasional phone calls between Harrower's home in Sydney and Hazzard's apartments in New York, Naples and Capri. The two women wrote to each other of their daily lives, of impediments to writing, their reading, politics and, in Hazzard's case, her travels. And they wrote about Hazzard's mother, for whose care Elizabeth took increasing – and increasingly reluctant – responsibility from the early 1970s (precisely the period when she herself virtually stopped writing).

Shirley Hazzard: New Critical Essays is the first collection of scholarly essays on the work of the acclaimed Australian-born, New York-based author. In the course of the last half century, Hazzard’s writing has crossed and re-crossed the terrain of love, war, beauty, politics and ethics.Hazzard’s oeuvre effortlessly reflects and represents the author's life and times, encapsulating the prominent feelings, anxieties and questions of the second half of the 20th century. It is these qualities, along with Hazzard’s lyrical style that place her among the most noteworthy Australian writers of the 20th century.Hazzard’s work has been duly praised and admired by many including the critic Bryan Appleyard who describes her as ‘the greatest living writer on goodness and love’. In 2011, novelist Richard Ford observed: ‘If there has to be one best writer working in English today it’s Shirley Hazzard.’

Elizabeth Harrower: Critical Essays is the first collection of critical writing on Harrower’s fiction. Featuring essays by leading researchers in Australian literature, this volume offers new insights into a writer at the crossroads of modernism and postmodernism, and invites readers to read Harrower’s work in a new light.