Brooks Landon – författare

Brooks Landon's book is wide-ranging, thought-provoking, and near state-of-the-art. It concerns science fiction film and, toward the end, almost becomes SF in its provocative speculations on the future of such film. His study is really two books in one. The first part argues that most criticism of SF film has been inadequate because it is based on literary rather than film-specific standards. The second argues that SF film will soon become either obsolete or be totally transformed through new computer technology. What ties them together is the author's concern with what might be called the SF ethos or SF thinking, so that science fiction can be seen to encompass not only SF in print, film, TV and comic books, but has become all-pervasive in contemporary culture.At present, Landon argues that SF film may have exhausted itself as a genre but new electronic technology--computer animation, interactive narratives, and virtual reality--promises to radically transform SF film and possibly create a synthesis of the divergent trends of SF literature and film. Production technology has become the new story, one more interesting than the narrative it ostensibly supports. Landon believes we are at the threshold of a new age, similar to the pioneer years of filmmaking a hundred years ago.

First published in 2003. Brooks Landon analyses science fiction not as a set of rules for writers, but as a set of expectations for readers. He presents science fiction as a social phenomenon that moves beyond literary experience through a sense of mission based on the belief that SF can be a tool to help you think. He offers a broad overview of the genre and the stages through which it has developed in the twentieth century from the dime store novel through the New Wave of the '60s, the cyberpunk '80s, and soft agenda SF of the '90s. The writers he examines range for E. M. Forster and John W. Campbell to Philip K. Dick and Ursula K. Le Guin. He also examines the large body of criticism now devoted to the genre and includes a bibliographic essay and a list of recommended titles.

Based on the bestselling series from The Great Courses, Building Great Sentences celebrates the sheer joy of language—and will forever change the way you read and write. Great writing begins with the sentence. Whether it’s two words (“Jesus wept.”) or William Faulkner’s 1,287-word sentence in Absalom! Absalom!, sentences have the power to captivate, entertain, motivate, educate, and, most importantly, delight. Yet, the sentence-oriented approach to writing is too often overlooked in favor of bland economy. Building Great Sentences teaches you to write better sentences by luxuriating in the pleasures of language. Award-winning Professor Brooks Landon draws on examples from masters of long, elegant sentences—including Don DeLillo, Virginia Woolf, Joan Didion, and Samuel Johnson—to reveal the mechanics of how language works on thoughts and emotions, providing the tools to write powerful, more effective sentences.

First published in 2003. Brooks Landon analyses science fiction not as a set of rules for writers, but as a set of expectations for readers. He presents science fiction as a social phenomenon that moves beyond literary experience through a sense of mission based on the belief that SF can be a tool to help you think. He offers a broad overview of the genre and the stages through which it has developed in the twentieth century from the dime store novel through the New Wave of the ''60s, the cyberpunk ''80s, and soft agenda SF of the ''90s. The writers he examines range for E. M. Forster and John W. Campbell to Philip K. Dick and Ursula K. Le Guin. He also examines the large body of criticism now devoted to the genre and includes a bibliographic essay and a list of recommended titles.

First published in 2003. Brooks Landon analyses science fiction not as a set of rules for writers, but as a set of expectations for readers. He presents science fiction as a social phenomenon that moves beyond literary experience through a sense of mission based on the belief that SF can be a tool to help you think. He offers a broad overview of the genre and the stages through which it has developed in the twentieth century from the dime store novel through the New Wave of the ''60s, the cyberpunk ''80s, and soft agenda SF of the ''90s. The writers he examines range for E. M. Forster and John W. Campbell to Philip K. Dick and Ursula K. Le Guin. He also examines the large body of criticism now devoted to the genre and includes a bibliographic essay and a list of recommended titles.