Bruce Bairnsfather – författare

"Down South, in the Valley of the Somme, far from the spots recorded in this book, I began to write this story. In billets it was. I strolled across the old farmyard and into the wood beyond. Sitting by a gurgling little stream, I began, with the aid of a notebook and a pencil, to record the joys and sorrows of my first six months in France. I do not claim any unique quality for these experiences. Many thousands have had the same. I have merely, by request, made a record of my times out there, in the way that they appeared to me." This book is part of the World War One Centenary series; creating, collating and reprinting new and old works of poetry, fiction, autobiography and analysis. The series forms a commemorative tribute to mark the passing of one of the world''s bloodiest wars, offering new perspectives on this tragic yet fascinating period of human history. Each publication also includes brand new introductory essays and a timeline to help the reader place the work in its historical context.

Bruce Bairnsfather (BB) was the most famous cartoonist of the First World War and his soldier characters Old Bill, Bert and Alf, faced with sardonic good humor everything that the Germans, the mud and their officers could throw at them. However, Bruce (known by some as ‘The Man Who Won the War’) never received the acclaim that he deserved for the morale boost that his cartoons gave to the troops at the front and to the people back at home. The 50th Anniversary of Bairnsfather’s death on 29 September 2009 offered an opportunity to redress the balance, and acknowledging it in combination with raising funds for Help for Heroes (H4H) seemed to be most appropriate.The cartoons reproduced in this collection were originally drawn for The Bystander, a popular weekly magazine, in which they appeared each Tuesday throughout most of the Great War. Their effect on the public was totally unexpected, and so dramatic that Bystander sales soared. The organization, with unerring good judgement, decided it had a winner in Bairnsfather, and published the first 43 of his cartoons in an anthology. It was produced in February 1916, given the name Fragments from France and sold for 1s. On the front cover was a colored print of The Better ‘Ole which soon became, and was to remain, the most loved of all Bairnsfather’s cartoons. The authors own the original. Sales quickly reached a quarter of a million and a second anthology was published, More Fragments from France. It was described on the title page as ‘Vol II’ and the price was still 1s. The cartoon on the cover was 'What time do they feed the sea lions'?In this volume The Bystander launched the first of a series of imaginative marketing exercises, similar to modern promotional methods. The full extent of the proliferation of the cartoons on all manner of products, from playing cards to pottery, is described in our Bairnsfather biography. Soon Still More Fragments from France were clamored for, and, with an eye to the future, the booklet was labeled No. 3 on the cover, Vol III on the title page. The success of the Fragments magazines was such that edition followed edition in rapid succession and at least eleven editions were published. The covers retained the same cartoon but were reproduced in different colors, both of board and ink — green, blue, red, grey, fawn and mauve. In America Putnam’s issued Nos. I-IV as one volume and parts V and VI separately. Various hard and leather-bound collections were offered for sale by The Bystander, and the drawings were sold separately as prints and “Portfolios” for framing. They were also printed in color as giveaways for Answers magazine. Leafing through these pages, the reader will soon understand their tremendous popularity and success which have withstood the test of time.