Bruce Handy – författare

From a longtime Vanity Fair writer and editor, a delightfully entertaining, intelligent, and illuminating history and tribute to teen movies—from Rebel Without a Cause to Fast Times at Ridgemont High, and on to John Hughes, Mean Girls, The Hunger Games, and more.What influence did Francis Ford Coppola have on George Lucas’s American Graffiti? And Lucas on John Singleton’s Boyz n the Hood? How does teenage sexuality in Fast Times at Ridgemont High compare to Twilight? Which teen movies pass the Bechdel test? Why is Mean Girls actually the last great teen film of the 20th century In the same way that Peter Biskind’s Easy Riders, Raging Bulls connects the films of the 1970s to the period’s cultural upheaval, and David Hadju’s Positively 4th Street tells the story of the sixties through the emergence of folk music, Bruce Handy’s Hollywood High situates iconic teen movies within their times and reveals the intriguing stories, artists, and passions behind their creation. These films aren’t merely beloved stories; they reflect teens’ growing economic and cultural influence, societal panics, and shifting perceptions of youth in America. Much more than a nostalgia trip, Hollywood High is a lively, provocative, and affectionate cultural history, spanning nearly one hundred years. Handy, an acclaimed journalist and critic who spent two decades at Vanity Fair, examines the defining films of each generation and builds connections between them. From the Andy Hardy classics (1937–1946) to the iconic Rebel Without a Cause (1955); Beach Party series (1963–1968); American Graffiti (1973); Fast Times at Ridgemont High (1982); the John Hughes touchstones Sixteen Candles, The Breakfast Club, Pretty in Pink, and Ferris Bueller’s Day Off (1984–1986); Boyz n the Hood (1991); Mean Girls (2004); the Twilight saga (2008–2012); and The Hunger Games series (2012–2015); this is a captivating deep dive into the world of teen movies that captures their sweeping history and influence. We’ll hear from icons James Dean, Annette Funicello, George Lucas, Amy Heckerling, John Hughes, Molly Ringwald, John Singleton, Tina Fey, and Kristen Stewart, and discover why the most timeless teen movies resonate across generations.

An irresistible, nostalgic, insightful—and “consistently intelligent and funny” (The New York Times Book Review)—ramble through classic children’s literature from Vanity Fair contributing editor (and father of two) Bruce Handy.The dour New England Primer, thought to be the first American children’s book, was first published in Boston in 1690. Offering children gems of advice such as “Strive to learn” and “Be not a dunce,” it was no fun at all. So how did we get from there to “Let the wild rumpus start”? And now that we’re living in a golden age of children’s literature, what can adults get out of reading Where the Wild Things Are and Goodnight Moon, or Charlotte’s Web and Little House on the Prairie? A “delightful excursion” (The Wall Street Journal), Wild Things revisits the classics of every American childhood, from fairy tales to The Very Hungry Caterpillar, and explores the back stories of their creators, using context and biography to understand how some of the most insightful, creative, and witty authors and illustrators of their times created their often deeply personal masterpieces. Along the way, Handy learns what The Cat in the Hat says about anarchy and absentee parenting, which themes are shared by The Runaway Bunny and Portnoy’s Complaint, and why Ramona Quimby is as true an American icon as Tom Sawyer or Jay Gatsby. It’s a profound, eye-opening experience to re-encounter books that you once treasured decades ago. A clear-eyed love letter to the greatest children’s books and authors from Louisa May Alcott and L. Frank Baum to Eric Carle, Dr. Seuss, Mildred D. Taylor, and E.B. White, Wild Things is “a spirited, perceptive, and just outright funny account that will surely leave its readers with a new appreciation for childhood favorites” (Publishers Weekly).

From a longtime Vanity Fair writer and editor, a delightfully entertaining, intelligent, and illuminating history and tribute to teen movies—from Rebel Without a Cause to Fast Times at Ridgemont High, and on to John Hughes, Mean Girls,The Hunger Games, and more.What influence did Francis Ford Coppola have on George Lucas’s American Graffiti? And Lucas on John Singleton’s Boyz n the Hood? How does teenage sexuality in Fast Times at Ridgemont High compare to Twilight? Which teen movies pass the Bechdel test? Why is Mean Girls actually the last great teen film of the 20th century?In the same way that Peter Biskind’s Easy Riders, Raging Bulls connects the films of the 1970s to the period’s cultural upheaval, and David Hadju’s Positively 4th Street tells the story of the sixties through the emergence of folk music, Bruce Handy’s Hollywood High situates iconic teen movies within their times and reveals the intriguing stories, artists, and passions behind their creation. These films aren’t merely beloved stories; they reflect teens’ growing economic and cultural influence, societal panics, and shifting perceptions of youth in America.Much more than a nostalgia trip, Hollywood High is a lively, provocative, and affectionate cultural history, spanning nearly one hundred years. Handy, an acclaimed journalist and critic who spent two decades at Vanity Fair, examines the defining films of each generation and builds connections between them. From the Andy Hardy classics (1937–1946) to the iconic Rebel Without a Cause (1955); Beach Party series (1963–1968); American Graffiti (1973); Fast Times at Ridgemont High (1982); the John Hughes touchstones Sixteen Candles, The Breakfast Club, Pretty in Pink, and Ferris Bueller’s Day Off (1984–1986); Boyz N the Hood (1991); Mean Girls (2004); the Twilight saga (2008–2012); and The Hunger Games series (2012–2015); this is a captivating deep dive into the world of teen movies that captures their sweeping history and influence. We’ll hear from icons James Dean, Annette Funicello, George Lucas, Amy Heckerling, John Hughes, Molly Ringwald, John Singleton, Tina Fey, and Kristen Stewart, and discover why the most timeless teen movies resonate across generations.

A New York Times Best Children’s Book of 2021A Publishers Weekly High-Concept Picture Book for ChildrenA CCBC (Cooperative Children's Book Center) Choices Best Children’s Book, 2022Is there any creature in the world happier than a dog with a ball in its mouth? Maybe a cat in the sun? Or a kid eating ice cream? This gentle book, with its soft and evocative colored pencil illustrations, is philosophical in its approach to the millions of forms that happiness can take, as well as the contrasting disappointments and sorrows that we encounter as we navigate our lives.Starting from the happiness of waking up into a brand-new day, the book goes on to explore the kinds of relationships and contrasts that play out between our feelings and experiences. These contrasts play out beautifully across the page from left to right, and across a couple of long gatefold pages. Whether it's the nervousness of a beginning paired with the happiness of a middle; the indignity of a cut against the happiness of a scab; the boredom of nothing to do contrasted with the happiness of nothing to do; or the divide of mine against the happiness of our, these pages challenge the reader to think about daily activities and experiences and the feelings they conjure. They also lead us to think about the substance of our happiness, and what the ingredients of it might be. Written with subtlety and nuance and illustrated in pencil, pen and watercolor with great tenderness, The Happiness of a Dog with a Ball in its Mouth is a gentle, fun, and philosophical read, with which one can start and end the day.

A New York Times Best Children’s Book of 2023! An Academy of American Poets' Featured Fall Book for Young Readers! A Bookstagang Best of 2023 Winner: Best Illustration! This thought-provoking,  playful picture book from NYT Best Children's Book author Bruce Handy and Ezra Jack Keats Award winning illustrator Ashleigh Corrin plays with the idea of how life would be if certain of the things we love most were no longer here.What if one day, all the birds flew away? Mornings would be quieter. Skies would be plainer. Worms could relax. What if there were no more bugs? What if there ceased to be day and night? By asking how our world would change if it lacked birds, water, or people, and how we would feel about that, this playful text from Bruce Handy (The Happiness of a Dog with a Ball in Its Mouth), accompanied by joyful art from Ashleigh Corrin (Layla's Happiness), invites readers to celebrate the beauty and wonder of existence, and all that makes our world what it is. So often, our gaze is on the future, on that better world to come, but what if the world as it is—with light and water, salt, earth, and animals, plants and insects, air and stars and French fries—is sufficient, and it is only us who have not known how to cherish it, or to love it all well enough? This book reminds us that all we need is here, if only we attend!

From New York Times Best Children’s Book author Bruce Handy, a luminous picture book that invites careful observation of light and shadow in the natural world, as well as in our own emotional landscape.A New York Times Best Children’s Book of 2024! A Bookshop.org Best Picture Book of 2024! A 2025 Bank Street College of Education Best Children’s Book of the Year!As the sun makes its daily journey across the sky, light comes down to illuminate our world. Moving and dancing along with this light come a variety of shadows—those cast by the sun and those cast by our feelings, minds, and memories. Here we follow a girl from dawn through dusk into night as she and her friends play with their shadows, take refuge in the shade of a large tree, and set out again for home in the violet glow of twilight. With a lyrical text from Bruce Handy and dramatic, sensitive art from award-winning illustrator Lisk Feng, There Was a Shadow invites readers to look up and down, in and out––to notice the position of the sun and the corresponding length or shortness of shadows, as well as the subtle ways in which light and shadow reveal and obscure things both in the world and in ourselves. With images that swell and overflow with light, this is a picture book that is sure to awe and delight.

In this fantastical picture book perfect for fans of Aaron Becker's Journey, a human child and a child from another planet discover that no matter where you live or what your books are like, reading?and sharing?are universal. A cosmic celebration of the joy of sharing books and having new experiences awaits readers in this captivating wordless picture book for ages 3 to 6. A child busy reading in a treehouse spots a family who seems to have just arrived on Earth for a picnic. The youngest member of the alien family holds a mind-bendingly strange object. Could it be a book from outer space? At the end of this gorgeously illustrated tale, each child returns home with a book from far away to remember a kind stranger. Sure to take its place among gently fantastical favorites like Sophie Blackall's If You Come to Earth and Carson Ellis's Du Iz Tak?, this picture book will enchant and delight curious kids and book lovers everywhere.

From a longtime Vanity Fair writer and editor, a delightfully entertaining, intelligent, and illuminating history and tribute to teen movies—from Rebel Without a Cause to Fast Times at Ridgemont High, and on to John Hughes, Mean Girls, The Hunger Games, and more.What influence did Francis Ford Coppola have on George Lucas’s American Graffiti? And Lucas on John Singleton’s Boyz n the Hood? How does teenage sexuality in Fast Times at Ridgemont High compare to Twilight? Which teen movies pass the Bechdel test? Why is Mean Girls actually the last great teen film of the 20th century? In the same way that Peter Biskind’s Easy Riders, Raging Bulls connects the films of the 1970s to the period’s cultural upheaval, and David Hadju’s Positively 4th Street tells the story of the sixties through the emergence of folk music, Bruce Handy’s Hollywood High situates iconic teen movies within their times and reveals the intriguing stories, artists, and passions behind their creation. These films aren’t merely beloved stories; they reflect teens’ growing economic and cultural influence, societal panics, and shifting perceptions of youth in America. Much more than a nostalgia trip, Hollywood High is a lively, provocative, and affectionate cultural history, spanning nearly one hundred years. Handy, an acclaimed journalist and critic who spent two decades at Vanity Fair, examines the defining films of each generation and builds connections between them. From the Andy Hardy classics (1937–1946) to the iconic Rebel Without a Cause (1955); Beach Party series (1963–1968); American Graffiti (1973); Fast Times at Ridgemont High (1982); the John Hughes touchstones Sixteen Candles, The Breakfast Club, Pretty in Pink, and Ferris Bueller’s Day Off (1984–1986); Boyz N the Hood (1991); Mean Girls (2004); the Twilight saga (2008–2012); and The Hunger Games series (2012–2015); this is a captivating deep dive into the world of teen movies that captures their sweeping history and influence. We’ll hear from icons James Dean, Annette Funicello, George Lucas, Amy Heckerling, John Hughes, Molly Ringwald, John Singleton, Tina Fey, and Kristen Stewart, and discover why the most timeless teen movies resonate across generations.