Bruce Jackson – författare

Fieldwork deals with the practical, mechanical, ethical, and theoretical aspects of collecting data. Jackson discusses how fieldworkers define their role, how they relate to others in the field, and how they go about recording for later use what occurred in their presence. This treatment offers an abundance of useful information to those who do folklore fieldwork as well as those who work in any of the other social sciences or humanities. An appendix relates the author's own experiences while documenting Texas's death row.

As recently as the 1970s, many inmates in southern prisons lived and worked on prison farms that were not only modeled after the American slave plantation, but even occupied lands that literally were slave plantations before the Civil War, and on which working and living conditions had not changed much a century after the war. Bruce Jackson began visiting some of these prison farms in the 1960s to study black convict worksongs and folk culture. He took a camera along as means of visual note taking, but soon realized that he had an extraordinary opportunity to document a world whose harshness was so extreme that at least one prison had been declared unconstitutional. Allowed unsupervised access to prison farms in Texas and Arkansas, Jackson created an astonishing photographic record, most of which has never before been published in book form.Inside the Wire presents a complete, irreplaceable portrait of the southern prison farm. With freedom to wander the fields and facilities and hang out with inmates for extended periods, Jackson captured everything from the hot, backbreaking work of hand-picking cotton, to the cacophony and lack of all privacy in the cell blocks, to the grim solitude of death row. He also includes some early twentieth-century prisoner identification shots, taken by anonymous convict photographers for the prison files, that survive as profoundly evocative human portraits. These images and Jackson’s photographs document, as no previous work has, the humanity of the people and the inhumanity of the institutions in which they labor and languish. As Jackson says, “sometimes kindness happens with prison, but prison itself is a cruel world outsiders can scarcely imagine. I hope nothing in this book suggests otherwise.”

In the eyes of many white Americans, North and South, the Negro did not have a culture until the Emancipation Proclamation. With few exceptions, serious collecting of Negro folklore by whites did not begin until the Civil War—and it was to be another four decades before black Americans would begin to appreciate their own cultural heritage. Few of the earlier writers realized that they had observed and recorded not simply a manifestation of a particular way of life but also a product peculiarly American and specifically Negro, a synthesis of African and American styles and traditions.The folksongs, speech, beliefs, customs, and tales of the American Negro are discussed in this anthology, originally published in 1967, of thirty-five articles, letters, and reviews from nineteenth-century periodicals. Published between 1838 and 1900 and written by authors who range from ardent abolitionist to dedicated slaveholder, these articles reflect the authors' knowledge of, and attitudes toward, the Negro and his folklore. From the vast body of material that appeared on this subject during the nineteenth century, editor Bruce Jackson has culled fresh articles that are basic folklore and represent a wide range of material and attitudes. In addition to his introduction to the volume, Jackson has prefaced each article with a commentary. He has also supplied a supplemental bibliography on Negro folklore.If serious collecting of Negro folklore had begun by the middle of the nineteenth century, so had exploitation of its various aspects, particularly Negro songs. By 1850 minstrelsy was a big business. Although Jackson has considered minstrelsy outside the scope of this collection, he has included several discussions of it to suggest some aspects of its peculiar relation to the traditional. The articles in the anthology—some by such well-known figures as Joel Chandler Harris, George Washington Cable, Thomas Wentworth Higginson, John Mason Brown, and Antonin Dvorak—make fascinating reading for an observer of the American scene. This additional insight into the habits of thought and behavior of a culture in transition—folklore recorded in its own context—cannot but afford the thinking reader further understanding of the turbulent race problems of later times and today.

Making it in Hell, says Bruce Jackson, is the spirit behind the sixty-five work songs gathered in this eloquent dispatch from a brutal era of prison life in the Deep South. Through engagingly documented song arrangements and profiles of their singers, Jackson shows how such pieces as "Hammer Ring," "Ration Blues," "Yellow Gal," and "Jody's Got My Wife and Gone" are like no other folk music forms: they are distinctly African in heritage, diminished in power and meaning outside their prison context, and used exclusively by black convicts.The songs helped workers through the rigors of cane cutting, logging, and cotton picking. Perhaps most important, they helped resolve the men's hopes and longings and allowed them a subtle outlet for grievances they could never voice when face-to-face with their jailers.

A visual and narrative memoir of a lifetime's encounters with 112 trendsetters, musicians, politicians, writers, and ordinary people by a noted folklorist-photographer.Honorable Mention, for the 2022 Foreword INDIES Book of the Year Award in the Photography Category Rocker Rod Stewart, Jackson says, had it wrong when he titled his breakthrough album Every Picture Tells a Story. Pictures don't tell stories-but many of them call to mind stories or have stories about their making.Throughout his sixty-year career as folklorist, ethnographer, criminologist, filmmaker, and journalist, Bruce Jackson has taken photographs of family, friends, people he worked with, people he studied, and people he encountered. Ways of the Hand includes 112 of his favorite portraits, portraits in which the hands are often as expressive as the faces. In six sections, Jackson shares photographs of notable musicians, political figures, activists, actors, artists, and writers. These portraits are accompanied by stories of how and where they were taken and the stories they invoke or reflect. The result is a stunning visual and narrative memoir of a lifetime of encounters.

A searing, personal look at conditions on Texas's Death Row—told in the words of the prisoners themselves.Voices from Death Row is considered a classic work on the strange "living limbo" inhabited by condemned men in Texas, who await resolution of their sentence in execution, death by other causes, commutation to a term of life sentence, or exoneration. This book offers first-person accounts of life on death row that still holds for condemned men and women today. The accessibility the authors had to Texas Death Row in 1979-to sit in the cells and listen-is unimaginable in today's closed prison environment. Today, however, conditions on Texas's Death Row are far more punishing and brutal; and, while the number of death sentences has declined, the number of sentences of life without parole has increased hugely. This second edition updates and expands on the original stories that these men told, revealing the names of those men whose stories have ended with either exoneration or death. New photographs enhance the text to give it a full picture of the brutal conditions that these prisoners experienced.

A searing, personal look at conditions on Texas's Death Row—told in the words of the prisoners themselves.Voices from Death Row is considered a classic work on the strange "living limbo" inhabited by condemned men in Texas, who await resolution of their sentence in execution, death by other causes, commutation to a term of life sentence, or exoneration. This book offers first-person accounts of life on death row that still holds for condemned men and women today. The accessibility the authors had to Texas Death Row in 1979-to sit in the cells and listen-is unimaginable in today's closed prison environment. Today, however, conditions on Texas's Death Row are far more punishing and brutal; and, while the number of death sentences has declined, the number of sentences of life without parole has increased hugely. This second edition updates and expands on the original stories that these men told, revealing the names of those men whose stories have ended with either exoneration or death. New photographs enhance the text to give it a full picture of the brutal conditions that these prisoners experienced.

Delves into the meaning of stories, their tellers, and those who experience them.In The Story Is True, folklorist, filmmaker, and professor of English Bruce Jackson explores the ways we use the stories that become a central part of our public and private lives. Describing and explaining how stories are made and used, Jackson examines how stories narrate and bring meaning to our lives. Jackson writes about his family and friends, acquaintances, and experiences, focusing on more than a dozen personal stories. From oral histories to public stories-such as what happened when Bob Dylan "went electric" at the 1965 Newport Folk Festival-Jackson gets at how the "truth" is constantly shifting depending on the perspective, memory, and social meaning that is ascribed to various events-both real and imaginary. The book is ideal for students and writers of oral history and storytelling but goes beyond those topics to encompass how we interpret and understand the real-life "stories" that we encounter in our daily experience.This edition includes new sections on how stories are related to historical facts and new chapters on contemporary films (expanding the discussion of visual storytelling) and on conspiracy narratives and Trump's Big Lie. Fresh examples tie together new material with the existing stories.

Delves into the meaning of stories, their tellers, and those who experience them.In The Story Is True, folklorist, filmmaker, and professor of English Bruce Jackson explores the ways we use the stories that become a central part of our public and private lives. Describing and explaining how stories are made and used, Jackson examines how stories narrate and bring meaning to our lives. Jackson writes about his family and friends, acquaintances, and experiences, focusing on more than a dozen personal stories. From oral histories to public stories-such as what happened when Bob Dylan "went electric" at the 1965 Newport Folk Festival-Jackson gets at how the "truth" is constantly shifting depending on the perspective, memory, and social meaning that is ascribed to various events-both real and imaginary. The book is ideal for students and writers of oral history and storytelling but goes beyond those topics to encompass how we interpret and understand the real-life "stories" that we encounter in our daily experience.This edition includes new sections on how stories are related to historical facts and new chapters on contemporary films (expanding the discussion of visual storytelling) and on conspiracy narratives and Trump's Big Lie. Fresh examples tie together new material with the existing stories.

Celebrates over a half-century of the work of one of America's greatest folklorists.Folklore Matters gathers over a half-century of articles, memoirs, field studies, and more by master folklorist Bruce Jackson. Jackson's wide-ranging view of what makes up folklore, his affection for his subjects, and his keen-eyed ability to observe and record without prejudice stories, songs, and lore from everyone from death-row inmates to numbers runners, hustlers, and legendary blues musicians shines through. In his own words, Jackson's essays "bear witness" to worlds that others have too easily ignored. This book includes Jackson's landmark work on prison lore and toasts (the predecessor of rap); labor and criminology; his wide-ranging interest in African American lore and legend; his encounters with legendary figures including Alan Lomax and Pete Seeger; and articles that challenge the many traps and pitfalls that plague much of academic study. Folklore Matters will delight, inform, and inspire all those who value America's deepest traditions and the endless creativity of the unrecognized masters of our national culture.

Celebrates over a half-century of the work of one of America's greatest folklorists.Folklore Matters gathers over a half-century of articles, memoirs, field studies, and more by master folklorist Bruce Jackson. Jackson's wide-ranging view of what makes up folklore, his affection for his subjects, and his keen-eyed ability to observe and record without prejudice stories, songs, and lore from everyone from death-row inmates to numbers runners, hustlers, and legendary blues musicians shines through. In his own words, Jackson's essays "bear witness" to worlds that others have too easily ignored. This book includes Jackson's landmark work on prison lore and toasts (the predecessor of rap); labor and criminology; his wide-ranging interest in African American lore and legend; his encounters with legendary figures including Alan Lomax and Pete Seeger; and articles that challenge the many traps and pitfalls that plague much of academic study. Folklore Matters will delight, inform, and inspire all those who value America's deepest traditions and the endless creativity of the unrecognized masters of our national culture.

The classic work on African American toasts, the predecessor of rap.Get Your Ass in the Water and Swim Like Me celebrates the African American oral tradition of toasting, one of the key roots of contemporary rap. Jackson was among the few to appreciate the profane energy and beauty of this rhymed form, collecting such classic toasts as "Stackolee," "The Titanic," "Signifying Monkey," "Dance of the Freaks," and dozens more. This unexpurgated edition offers the raw, vibrant, and still startling imagery of these toasts shaped by decades of oral transmission through the voices of countless rhymers. Just like rap, the toasting tradition enabled previously unheard or stifled topics, including racism, sexual exploitation, economic deprivation, and social oppression, to be expressed in a form that embodied multiple layers of meaning. Jackson helped preserve a rapidly dying art form to ensure that it would be available for many generations to come. In the words of Robin D.G. Kelley, "All you Hip Hop heads need to know this book if you want to know your roots."

The classic work on African American toasts, the predecessor of rap.Get Your Ass in the Water and Swim Like Me celebrates the African American oral tradition of toasting, one of the key roots of contemporary rap. Jackson was among the few to appreciate the profane energy and beauty of this rhymed form, collecting such classic toasts as "Stackolee," "The Titanic," "Signifying Monkey," "Dance of the Freaks," and dozens more. This unexpurgated edition offers the raw, vibrant, and still startling imagery of these toasts shaped by decades of oral transmission through the voices of countless rhymers. Just like rap, the toasting tradition enabled previously unheard or stifled topics, including racism, sexual exploitation, economic deprivation, and social oppression, to be expressed in a form that embodied multiple layers of meaning. Jackson helped preserve a rapidly dying art form to ensure that it would be available for many generations to come. In the words of Robin D.G. Kelley, "All you Hip Hop heads need to know this book if you want to know your roots."

A stunning visual memorial to Buffalo's architectural and industrial history.Archer Daniels Midland got lucky the night of December 11, 2021: a fierce winter wind took out a third of the brick wall of Buffalo's Great Northern Grain Elevator. ADM had wanted to demolish the building since 1993, but each of its demolition requests to the city had been blocked. Six days after the storm, with no public hearings, the building was condemned. A unique piece of Buffalo's economic and global architectural history was gone.Grain elevators are part of Buffalo's-and the nation's-architectural heritage. Unlike earlier wooden structures, the Great Northern was made of steel; it was fireproof. The steel bins kept the grain dry and the rats out. The entire steel structure was riveted and bolted into a single entity. The Great Northern couldn't burn down or blow up; it couldn't be knocked down, and it was incapable of falling down. When the Great Northern was completed seven months after the shovels broke ground, it was the largest grain elevator in the world. It was built to last, and last it did until the eight-month task of tearing it apart began on September 16, 2022.Photographer and activist Bruce Jackson documents the story of this key architectural landmark through text, documents, and his own photographs taken over a period of several decades to tell this tragic story that will appeal to anyone interested in the history and preservation of America's industrial culture.

A remarkable collection of prison "portraiture" photos

Microsoft’s associate general counsel shares this story that is “as nuanced as it is hopeful” (Hakeem Jeffries, House Minority Leader) about his rise from childhood poverty in pre-gentrified New York City to a stellar career at the top of the technology and music industries in this stirring true story of grit and perseverance. For fans of Indra Nooyi’s My Life in Full and Viola Davis’s Finding Me.As an accomplished Microsoft executive, Bruce Jackson handles billions of dollars of commerce as its associate general counsel while he plays a crucial role in the company’s corporate diversity efforts. But few of his colleagues can understand the weight he carries with him to the office each day. He kept his past hidden from sight as he ascended the corporate ladder but shares it in full for the first time here. Born in Crown Heights, Brooklyn, Jackson moved to Manhattan’s Amsterdam housing projects as a child, where he had already been falsely accused and arrested for robbery by the age of ten. At the age of fifteen, he witnessed the homicide of his close friend. Taken in by the criminal justice system, seduced by a burgeoning drug trade, and burdened by a fractured, impoverished home life, Jackson stood on the edge of failure. But he was saved by an offer. That offer set him on a better path, off the streets and eventually on the way to Georgetown Law, but not without hard knocks along the way. But even as he racked up professional accomplishments, Jackson is still haunted by the unchanged world outside his office. From public housing to working for Microsoft’s president, Brad Smith, and its founder, Bill Gates, to advising some of the biggest stars in music, Bruce Jackson’s Never Far from Home reveals the ups and downs of an incredible journey, how he overcame many obstacles and the valuable lessons learned along the way.

Microsoft’s associate general counsel shares a story that is “as nuanced as it is hopeful” (Hakeem Jeffries, House Minority Leader) about his rise from childhood poverty in pre-gentrified New York City to a stellar career at the top of the technology and music industries in this stirring true story of grit and perseverance. For fans of Indra Nooyi’s My Life in Full and Viola Davis’s Finding Me.As an accomplished Microsoft executive, Bruce Jackson handles billions of dollars of commerce as its associate general counsel while he plays a crucial role in the company’s corporate diversity efforts. But few of his colleagues can understand the weight he carries with him to the office each day. He kept his past hidden from sight as he ascended the corporate ladder but shares it in full for the first time here. Born in Crown Heights, Brooklyn, Jackson moved to Manhattan’s Amsterdam housing projects as a child, where he had already been falsely accused and arrested for robbery by the age of ten. At the age of fifteen, he witnessed the homicide of his close friend. Taken in by the criminal justice system, seduced by a burgeoning drug trade, and burdened by a fractured, impoverished home life, Jackson stood on the edge of failure. But he was saved by an offer. That offer set him on a better path, off the streets and eventually on the way to Georgetown Law, but not without hard knocks along the way. From public housing to working for Microsoft’s president, Brad Smith, and its founder, Bill Gates, to advising some of the biggest stars in music, Bruce Jackson’s Never Far from Home is “an important story, extremely well told, that should serve as a lesson on how we got here and where we need to go” (Fred D. Gray, activist and civil rights attorney).

Fascinating conversations with a leading twentieth century literary critic, author, and cultural gadfly.Author and gadfly Leslie Fiedler was one of the best-known names in twentieth-century literary criticism. He promoted postwar American literature to a large, general audience. He was particularly beloved as a professor at the University at Buffalo, where he spent the last three decades of his life teaching and helping establish its English Department as one of the leading centers for critical thinking in the country. He was close to many of the period's most influential literary figures—poets Allen Ginsberg, Robert Creeley, and Amiri Baraka among them. In this book, his longtime friends and colleagues Bruce Jackson and Diane Christian present their memories of Fielder as a master storyteller. Inspired by joyful visits spent listening to Fiedler’s engaging yarns, they decided to tape a series of interviews with him in 1989 when he reached his 72nd year. Presented here in their entirety, they give a complete picture of Fiedler's life and times, from his upbringing in Jewish Newark, New Jersey, through his service in World War II and his rich academic and political life. Along the way, the reader is quickly absorbed by Fiedler’s unique voice and perspective. For anyone interested in the history of postwar American culture, this book will be a must read.