Bruce M. Sullivan – författare

With a history of over three and a half millennia, and over 800 million adherents, Hinduism is one of the world's largest and most diverse religious traditions. This book presents the Hindu religious tradition's major events, individuals, texts, sects, and concepts in the context of its historical development through various periods. In addition, sacred Hindu pilgrimage sites, the rituals performed as religious practices, the manifestations of Hindu religious sensibilities in biography, art, the caste system of social organization, mythology, and the theories of salvation developed through the history of Hinduism are also presented. A pronunciation guide to Sanskrit and Tamil, and a chronology of the history of Hinduism are included.

With a history of over three and a half millennia, and over 800 million adherents, Hinduism is one of the world''s largest and most diverse religious traditions. This book presents the Hindu religious tradition''s major events, individuals, texts, sects, and concepts in the context of its historical development through various periods. In addition, sacred Hindu pilgrimage sites, the rituals performed as religious practices, the manifestations of Hindu religious sensibilities in biography, art, the caste system of social organization, mythology, and the theories of salvation developed through the history of Hinduism are also presented. A pronunciation guide to Sanskrit and Tamil, and a chronology of the history of Hinduism are included.

We have long recognized that many objects in museums were originally on display in temples, shrines, or monasteries, and were religiously significant to the communities that created and used them. How, though, are such objects to be understood, described, exhibited, and handled now that they are in museums? Are they still sacred objects, or formerly sacred objects that are now art objects, or are they simultaneously objects of religious and artistic significance, depending on who is viewing the object? These objects not only raise questions about their own identities, but also about the ways we understand the religious traditions in which these objects were created and which they represent in museums today. Bringing together religious studies scholars and museum curators, Sacred Objects in Secular Spaces is the first volume to focus on Asian religions in relation to these questions. The contributors analyze an array of issues related to the exhibition in museums of objects of religious significance from Hindu, Buddhist, and Sikh traditions. The “lives” of objects are considered, along with the categories of “sacred” and “profane”, “religious” and “secular”. As interest in material manifestations of religious ideas and practices continues to grow, Sacred Objects in Secular Spaces is a much-needed contribution to religious and Asian studies, anthropology of religion and museums studies.

We have long recognized that many objects in museums were originally on display in temples, shrines, or monasteries, and were religiously significant to the communities that created and used them. How, though, are such objects to be understood, described, exhibited, and handled now that they are in museums? Are they still sacred objects, or formerly sacred objects that are now art objects, or are they simultaneously objects of religious and artistic significance, depending on who is viewing the object? These objects not only raise questions about their own identities, but also about the ways we understand the religious traditions in which these objects were created and which they represent in museums today. Bringing together religious studies scholars and museum curators, Sacred Objects in Secular Spaces is the first volume to focus on Asian religions in relation to these questions. The contributors analyze an array of issues related to the exhibition in museums of objects of religious significance from Hindu, Buddhist, and Sikh traditions. The “lives” of objects are considered, along with the categories of “sacred” and “profane”, “religious” and “secular”. As interest in material manifestations of religious ideas and practices continues to grow, Sacred Objects in Secular Spaces is a much-needed contribution to religious and Asian studies, anthropology of religion and museums studies.