Bruce Pollock – författare

This issue of the Neurosurgery Clinics of North America devoted to Intracranial Stereotactic Radiosurgery is Guest Edited by Dr. Bruce Pollock of the Mayo Clinic in Rochester, Minnesota. Articles in this issue include: Concepts and Techniques of Intracranial Stereotactic Radiosurgery; Stereotactic Radiosurgery of Intracranial Meningiomas; Stereotactic Radiosurgery of Pituitary Adenomas; Stereotactic Radiosurgery of Vestibular Schwannomas; Stereotactic Radiosurgery of Non-Vestibular Schwannomas; Multi-session Radiosurgery of Benign Intracranial Tumors; Stereotactic Radiosurgery of Intracranial Gliomas; Stereotactic Radiosurgery of Brain Metastases; Stereotactic Radiosurgery of Chordomas, Chondrosarcomas, and Glomus Tumors; Stereotactic Radiosurgery of Intracranial Arteriovenous Malformations; Stereotactic Radiosurgery of Intracranial Dural Arteriovenous Fistulas; Stereotactic Radiosurgery of Intracranial Cavernous Malformations; Stereotactic Radiosurgery for Trigeminal Neuralgia; and Stereotactic Radiosurgery for Epilepsy and Functional Disorders.

The Rock Song Index, Second Edition, is a new version of a well-received index to the classic songs of the rock canon, from the late '40s through the end of the 20th century. The study of the history of rock music has exploded over the last decade; all college music departments offer a basic rock-history course, covering the classic artists and their songs.

A fast-paced, fun, and sometimes brutal look at America's most volatile and creative year in music – 1969: a time of euphoria and devastation, freedom and assassination, revolution and retribution, moonwalks and sit-ins, love-ins and race riots, sex, drugs, and guns. Idyllic college campuses became killing fields and inner cities went up in flames as the drumbeat of popular music tried to drown out the drums of war.1969 was birthed through the visions and violence of 1968. By the Time We Got to Woodstock breathlessly documents a year that saw more music-as-manifesto and rock-as-revolution than ever before. At one mad outdoor party after another – from Miami to Denver, and from Woodstock to Altamont – cracks in the promised hippie utopia quickly turned to canyons. This was the year that saw the Beatles go supernova while Bob Dylan hightailed it to Nashville. From the Byrds, Joan Baez, Jimi Hendrix, the Airplane, and Janis Joplin to the Velvet Underground, the Mothers of Invention, Funkadelic, and the Fugs, 1969 stands up as a decade-smashing anomaly in the annals of rock'n'roll captured gloriously in this blistering book.

The exponential growth and acceptance rate of stereotactic radiosurgery (as measured by recognized indications and number of treating centers) has been coupled with concern about its possible over-utilization and long-term risks. To provide the most balanced account possible of this controversy, each chapter in this book is followed by a critical commentary from an expert on each indication; often one who does not perform radiosurgery. As a result, the reader benefits from an intelligent discussion of the clinical indications by both advocates and critics of radiosurgery. The book's contributors, true leaders in the field from the United States, Europe, and Japan, represent a wide variety of experience and opinion. Whereas earlier texts devoted large sections to the actual equipment used to perform radiosurgery, as the field matures it is now clear that the technique can be performed equally well with a variety of technologies. Thus, this book has just one chapter on technology, and otherwise concentrates on appropriate indications, use, and patient outcomes.It is the author's hope that neurosurgeons, radiation oncologists and neurologists will use the information in this text to decide for themselves the role that radiosurgery should play in treating patients with neurologic disorders.

In October 2016, the Swedish Academy finally conceded to a quarter-century's worth of clamorous petitions and sustained lobbying enacted by a chorus of poets, novelists, songwriters, and academics. At long last, Bob Dylan was awarded the Nobel Prize in Literature, his vast corpus spread out like Highway 61 behind him. How is a Dylan debutante to make sense of the song and dance man's six decade career? How might a diehard Dylan fanatic stumble upon something they didn't know they didn't know? Why, with award-winning journalist Bruce Pollock's Bob Dylan FAQ, of course!Bob Dylan FAQ, the latest installment in Backbeat's FAQ series, condenses the life and times of America's premier songster into an addictively vivacious 400-page brick jam-packed with critical analysis, minutiae, photographs, ephemera, and period history. Every aspect of Dylan's life and career, from his ever-expanding discography, touring history, fallow periods, literary and visual artistic efforts, peers, influences, and legacy to his devoted fanbase is explored. Best of all, the book's structure invites perusing at any random point, as each chapter serves as a freestanding article on its subject. Dive into Dylanana with Bob Dylan FAQ!

The greatest songwriters of the rock era tell how they created their biggest hits.Finalist for the 2025 Foreword INDIES Book of the Year Award in the Performing Arts & Music categoryThey're Playing My Song collects for the first time over fifty in-depth, personal interviews with the greatest songwriters of the rock era. Author Bruce Pollock has been writing about rock and pop music for over six decades and has enjoyed unique access to leading songwriters, some well-known, others only known through their work. His interviews span all genres, from doo-wop to hip-hop, and all of pop music's greatest eras from the fifties to today. Unlike other books that focus on personalities, Pollock focuses on the songwriter's craft, encouraging his subjects to reflect on how they’ve created the hit songs that defined their eras. A sensitive interviewer with a deep knowledge of the songwriter's work, Pollock is able to draw unique insights from a range of songsmiths, from John Lee Hooker reflecting on how he created some of his iconic blues songs, to Paul Simon's deeply analytical approach to crafting his hits, to contemporary songwriters like Julie Gold who speak to the ever-changing world of the pop music industry. Many of the interviews have been expanded and updated from their original publication. Anyone interested in how songwriters approach their craft will be enthralled by this book told in the unique voices of the creators themselves.