Bruce Robinson – författare

LONGLISTED FOR THE SAMUEL JOHNSON PRIZE FOR NON-FICTIONA book like no other – the tale of a gripping quest to discover the identity of history’s most notorious murderer and a literary high-wire act from the legendary writer and director of Withnail and I.For over a hundred years, `the mystery of Jack the Ripper’ has been a source of unparalleled fascination and horror, spawning an army of obsessive theorists, and endless volumes purporting finally to reveal the identity of the brutal murderer who terrorised Victorian England.But what if there was never really any `mystery’ at all? What if the Ripper was always hiding in plain sight, deliberately leaving a trail of clues to his identity for anyone who cared to look, while cynically mocking those who were supposedly attempting to bring him to justice?In THEY ALL LOVE JACK, the award-winning film director and screenwriter Bruce Robinson exposes the cover-up that enabled one of history’s most notorious serial killers to remain at large. More than twelve years in the writing, this is much more than a radical reinterpretation of the Jack the Ripper legend, and an enthralling hunt for the killer. A literary high-wire act reminiscent of Tom Wolfe or Hunter S. Thompson, it is an expressionistic journey through the cesspools of late-Victorian society, a phantasmagoria of highly placed villains, hypocrites and institutionalised corruption.Polemic, forensic investigation, panoramic portrait of an age, underpinned by deep scholarship and delivered in Robinson’s inimitably vivid and scabrous prose, THEY ALL LOVE JACK is an absolutely riveting and unique book, demolishing the theories of generations of self-appointed experts – the so-called `Ripperologists’ – to make clear, at last, who really did it; and more importantly, how he managed to get away with it for so long.

LONGLISTED FOR THE SAMUEL JOHNSON PRIZE FOR NON-FICTIONA book like no other – the tale of a gripping quest to discover the identity of history’s most notorious murderer and a literary high-wire act from the legendary writer and director of Withnail and I.For over a hundred years, ‘the mystery of Jack the Ripper’ has been a source of unparalleled fascination and horror, spawning an army of obsessive theorists, and endless volumes purporting finally to reveal the identity of the brutal murderer who terrorised Victorian England.But what if there was never really any ‘mystery’ at all? What if the Ripper was always hiding in plain sight, deliberately leaving a trail of clues to his identity for anyone who cared to look, while cynically mocking those who were supposedly attempting to bring him to justice?In THEY ALL LOVE JACK, the award-winning film director and screenwriter Bruce Robinson exposes the cover-up that enabled one of history’s most notorious serial killers to remain at large. More than twelve years in the writing, this is much more than a radical reinterpretation of the Jack the Ripper legend, and an enthralling hunt for the killer. A literary high-wire act reminiscent of Tom Wolfe or Hunter S. Thompson, it is an expressionistic journey through the cesspools of late-Victorian society, a phantasmagoria of highly placed villains, hypocrites and institutionalised corruption.Polemic, forensic investigation, panoramic portrait of an age, underpinned by deep scholarship and delivered in Robinson’s inimitably vivid and scabrous prose, THEY ALL LOVE JACK is an absolutely riveting and unique book, demolishing the theories of generations of self-appointed experts – the so-called ‘Ripperologists’ – to make clear, at last, who really did it; and more importantly, how he managed to get away with it for so long.

A book like no other – the tale of a gripping quest to discover the identity of history’s most notorious murderer and a literary high-wire act from the legendary writer and director of Withnail and I.For over a hundred years, ‘the mystery of Jack the Ripper’ has been a source of unparalleled fascination and horror, spawning an army of obsessive theorists, and endless volumes purporting finally to reveal the identity of the brutal murderer who terrorised Victorian England.But what if there was never really any ‘mystery’ at all? What if the Ripper was always hiding in plain sight, deliberately leaving a trail of clues to his identity for anyone who cared to look, while cynically mocking those who were supposedly attempting to bring him to justice?In THEY ALL LOVE JACK, the award-winning film director and screenwriter Bruce Robinson exposes the cover-up that enabled one of history’s most notorious serial killers to remain at large. More than twelve years in the writing, this is much more than a radical reinterpretation of the Jack the Ripper legend, and an enthralling hunt for the killer. A literary high-wire act reminiscent of Tom Wolfe or Hunter S. Thompson, it is an expressionistic journey through the cesspools of late-Victorian society, a phantasmagoria of highly placed villains, hypocrites and institutionalised corruption.Polemic, forensic investigation, panoramic portrait of an age, underpinned by deep scholarship and delivered in Robinson’s inimitably vivid and scabrous prose, THEY ALL LOVE JACK is an absolutely riveting and unique book, demolishing the theories of generations of self-appointed experts – the so-called ‘Ripperologists’ – to make clear, at last, who really did it; and more importantly, how he managed to get away with it for so long.

The “research is undoubtedly impressive” on this “bloody good read” proposing a theory behind the police cover-up that allowed Jack the Ripper to go free (The Guardian).For over a hundred years, the mystery of Jack the Ripper has been a source of unparalleled fascination and horror, spawning an army of obsessive theorists and endless volumes purporting to finally reveal the identity of the brutal murderer who terrorized Victorian England.In They All Love Jack, the award–winning film director and screenwriter Bruce Robinson exposes the cover-up that enabled one of history’s most notorious serial killers to remain at large. More than twelve years in the writing, this is no mere radical reinterpretation of the Jack the Ripper legend and an enthralling hunt for the killer. A literary high-wire act reminiscent of Tom Wolfe or Hunter S. Thompson, it is an expressionistic journey through the cesspools of late-Victorian society, a phantasmagoria of highly placed villains, hypocrites, and institutionalized corruption.Polemic forensic investigation and panoramic portrait of an age, underpinned by deep scholarship and delivered in Robinson’s vivid and scabrous prose, They All Love Jack is an absolutely riveting and unique book, demolishing the theories of generations of self-appointed experts—the so-called Ripperologists—to make clear, at last, who really did it; and, more important, how he managed to get away with it for so long.“The most involving, audacious, and wonderfully bonkers book of the year.” —Irish Times“Robinson reclaims the identity and humanity of the victims, and ensures that nobody who reads this remarkable book will ever forget the true circumstances of these crimes.” —The Daily Telegraph

Presents the screenplay of the classic cult film by Bruce Robinson, with an introduction by the director.

_______________________'Hums with particularity and vision' - Observer'Never before has the painful, knotty journey to maturity been depicted with such gusto, and never has the venerable Bildungsroman received such riotously profane treatment' - New York Times_______________________The acclaimed autobiographical debut novel by Oscar-winning screenwriter Bruce Robinson, the author of Withnail and IThis is the story of a dysfunctional family. It is about a boy and his grandpa, life and death, sex and hate, dog's meat and cancer. It is also about pornography, enemas, Morse codes, puberty, secrets, God and loathing. It is also about love.

Bruce Robinson''s celebrated cult comedy.This original screenplay is the sourcebook for these ubiquitous quotes about Withnail and his unnamed house-mate "I" (or "Marwood", as he appears in the script), acting students in the late 1960s, bombed from too many drugs and bummed out by too much poverty. They decide that some time in the country to rejuvenate (in the run-down holiday cottage of rich Uncle Monty) is the best remedy. After a drunken ride through interminable rain they get to the cottage...Bruce Robinson has proved in his hugely enjoyable novel The Peculiar Memories of Thomas Penman what a fantastic writer he is and access to the screenplay only confirms that it was the quality of his dialogue that makes "Withnail" such a peerless classic. An essential companion to one of the funniest films ever made.Screenplay of the classic cult film by Bruce Robinson, with an introduction by the director

_____________________From the Oscar-nominated screenplay writer of the British cult classic Withnail & I_____________________The basis for the film A Fantastic Fear of Everything, this black comedy novella tells the story of a writer who has become gripped by paranoia as a result of researching serial killers, and who has a phobia of launderettes. A call from his literary agent, a possible plot on his life and a disastrous trip to the launderette ensue.This satirical, darkly comic journey into the mind of an eccentric psychotic etches at the heart of fear itself.

_______________________''Hums with particularity and vision'' - Observer''Never before has the painful, knotty journey to maturity been depicted with such gusto, and never has the venerable Bildungsroman received such riotously profane treatment'' - New York Times_______________________The acclaimed autobiographical debut novel by Oscar-winning screenwriter Bruce Robinson, the author of Withnail and IThis is the story of a dysfunctional family. It is about a boy and his grandpa, life and death, sex and hate, dog''s meat and cancer. It is also about pornography, enemas, Morse codes, puberty, secrets, God and loathing. It is also about love.

WITH AN INTRODUCTION BY JOHNNY DEPPA screenplay based on the novel by Hunter S. ThompsonIt's 1960. In a highrise hotel not far from the beaches of San Juan, a man is recovering from an animal of a hangover. Paul Kemp is an alcoholic journalist who's barely seen better days, arriving at the only job he can get: writing horoscopes for failing rag The Daily Star. His fellow hacks are mostly crazy drunks on the verge of quitting, so Kemp fits in perfectly. But when he meets the impossibly gorgeous Chenault and her flashy boyfriend Sanderson, Kemp finds himself in way over his head - party to shady business deals, in hair-raising car chases with enraged Puerto Ricans, experimenting with a hitherto unknown hallucinogen - and finally discovers a mad, desperate devotion to the truth.Bruce Robinson brings Hunter S. Thompson's novel to the big screen with all the brilliance, wild humour and fierce energy associated with the acclaimed writer and director of Withnail & I and The Killing Fields.

The setting:Prohibition Era Benicia, Californiaa major terminal on the Transcontinental Railroad where giant ferries carry 35 passenger trains a day across the Carquinez Strait, connecting Sacramento to Oakland and all points south; a five-mile strip of waterfront property populated by Chinese and Greek fishermen, Italian fruit farmers, Portuguese cannery and tannery workers, itinerant gypsies, and a small minority of Anglo-Americans who own the most valuable property and run the local government with graft and intimidation; a town of opposites where fires and floods are seasonal events, where Dominican nuns educate at one end of First Street and brothels at the other.The characters and plot:A one-armed African-American auto mechanic who adopts a run-away white boy and raises him to be the leader of a bootleg distribution ring; a deeply troubled woman who drives her doting millionaire husband to suicide and tries to murder her own children; a powerful and corrupt county supervisor who conspires to sabotage the first west coast Democratic National Convention; a ruthless bootlegger who hires Baby Face Nelson to murder law-enforcement officers and rival gang members; a talented young woman attorney who must defend the man accused of murdering her own father.The historical background:It was during Prohibition that George Santayana wrote: Those who cannot learn from history are doomed to repeat it. These words resonate in our own time as Americas political leaders continue to push their agendas for change.The Prohibition Era (1919-1933) was also a time of change when new technologies like the electric light, the telephone, and the combustion engine transformed society worldwide; when broadcast radio and motion pictures began homogenizing Americas cultural values; when the Scopes monkey trail challenged the basic precepts of religious tradition; and when Margaret Sangers crusade for birth control and eugenics forecast some of the most compelling political issues of the 21st Century.The central plot of Legends of the Strait involves two childhood friends growing up in a small California town. This novel is more than a coming-of-age story, though. Its about the growing pains of a nation suddenly thrust onto the world stage as a great power and about the quiet desperation of individuals struggling with a host of new cultural and economic changes as well as with the age-old conflict between good and evil. Like all legends, Legends of the Strait is a moral tale.

Running 93 miles from the heathland and forest on the Norfolk-Suffolk border, via stunning sandy beaches, picturesque villages and wild, empty salt marsh to the traditional seaside resort of Cromer on the north Norfolk coast, the Peddars Way and Norfolk Coast Path is a wonderfully varied and interesting National Trail. There is the archaeological interest of the Roman road whose route the trail first follows to the coast, the magnificent architecture of Norfolk’ s characteristic flint churches, and for birdwatchers an embarrassment of riches, from the rare stone curlews of Breckland to the marsh harriers sailing above the reedbeds at the spectacular nature reserves of Titchwell and Cley. This official guide, published in conjunction with Natural England, is the only companion you need.